Paper

Student Artwork Guide

Old Man (Red Cape)

Name Class Date

Robert Lillie, Old Man (Red Cape). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Lillie topimpressionists.com/en/artists/robert-lillie/
Artist’s dates
1867 – 1949
Original size
34 x 25 cm

In context

Old Man (Red Cape) — Robert Lillie

How big is it?

The original measures 34 × 25 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of Robert Lillie (1867–1949) every dated painting, decade by decade

First works: up to 1901 Main working years: 1901–1911 Late works: from 1911

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-lillie-old-man-red-cape-AQUKXP-en/

Colours

Measured from the image

    Main colour

    Clay #a36d4e

    Catalogued palette

    • #A36D4E
    • #33241D
    • #794735
    • #4C3227

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Lillie over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.6%
    2. 2 United States of America 21.4%
    3. 3 United Kingdom 4.3%
    4. 4 Singapore 2.9%
    5. 5 Kazakhstan 1.4%
    6. 6 Mexico 1.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert Lillie

    1. 1 Loch Moidart 15.5%
    2. 2 Tirion Castle, Dorlin, Acharacle 7.2%
    3. 3 Landscape with Loch 4.1%
    4. 4 Loch Maree, Sunset, Ross shire 3.1%
    5. 5 Loch Earn, St Fillans, 1898 2.1%
    6. 6 Neidpath Castle, Peebles, 1899 2.1%
    7. 7 Ruins, Loch Awe, Dalmally, 1911 2.1%
    8. 8 On Bankell Farm, Milngavie 2.1%
    9. 9 Loch Tainish, Tayvallich 2.1%
    10. 10 White Japanese Anemones 2.1%
    11. 11 Flower Study, Narcissi 2.1%
    12. 12 Autumn – Craigton Wood, Milngavie, 1908 1.0%
    13. 13 Old Mill, Carmyle, 1900 1.0%
    14. 14 Irene Kyle, Daughter of Colonel Kyle, CMG, DSO, Town Clerk, Milngavie, 1921 1.0%
    15. 15 Possil Marsh, 1900 1.0%
    16. 16 Craigallion Loch, Milngavie, 1910 1.0%
    17. 17 Above Tayvallich, 1921 1.0%
    18. 18 Waterfoot near Clarkston, Busby, 1899 1.0%
    19. 19 At Old Curling Pond, Milngavie, 1907 1.0%
    20. 42 Old Man (Red Cape) this painting 1.0%

    Together these works take 53.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 238 works by this artist, of which 65 were looked at at least once. This painting ranks 42 of them, with 1.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert Lillie

    A Life Immersed in Scottish Light: The World of Robert Lillie

    Robert Lillie, born in 1867 and passing in 1949, was a painter deeply entwined with the spirit of Scotland. While not a name immediately recognized alongside the giants of Victorian art, his work offers a compelling window into the quieter moments of Scottish life and landscape painting during a period of significant change. Lillie wasn’t an artist who sought radical innovation; instead, he dedicated himself to capturing the subtle beauty of his surroundings with remarkable skill and sensitivity. His paintings are not grand statements but intimate observations—a gentle ripple on a loch, the soft glow of twilight over a coastal scene, the quiet dignity of everyday life in rural communities. He was a master of atmosphere, using light and color to evoke a sense of place and mood that resonates deeply with viewers even today.

    Early Years and Artistic Development

    Details surrounding Lillie’s early life remain somewhat sparse, but it is known he received his artistic training at the Glasgow School of Art. This institution was undergoing a period of transformation during his time there, moving away from rigid academic styles towards a more naturalistic approach influenced by the Barbizon school and emerging Impressionism. While Lillie didn't fully embrace the radical techniques of the later Impressionists, this influence is visible in his loose brushwork and focus on capturing fleeting moments of light. He quickly established himself as a painter of Scottish landscapes, drawn to the dramatic scenery of the Highlands and Islands, but also finding beauty in the more subtle charms of the Lowlands. His early works often depict scenes along the River Clyde, showcasing the industrial activity alongside the natural world—a reflection of Scotland’s evolving identity during the late 19th century.

    Themes and Techniques: A Palette of Serenity

    Lillie's oeuvre is characterized by a consistent focus on Scottish landscapes and genre scenes. He painted rivers – particularly the Orchy River, which became a recurring motif in his work – lochs, coastal views, and depictions of rural life. His technique was rooted in traditional oil painting methods, but he employed a softer palette than many of his contemporaries, favoring muted tones and subtle gradations of color to create atmospheric effects. He wasn’t interested in dramatic contrasts or bold statements; instead, he sought to capture the quiet beauty of the Scottish countryside.

    Light and Atmosphere: Lillie was a master of capturing light, particularly the soft, diffused light characteristic of Scotland. His paintings often evoke a sense of tranquility and peace.

    Genre Scenes: Alongside landscapes, he painted scenes of everyday life in rural Scotland, depicting figures engaged in work or leisure activities with sensitivity and dignity.

    Brushwork: While rooted in traditional techniques, his brushwork is often loose and expressive, contributing to the atmospheric quality of his paintings.

    His compositions are typically balanced and harmonious, reflecting a sense of order and tranquility. He wasn’t interested in depicting grand narratives or historical events; instead, he focused on capturing the beauty of the present moment.

    Later Life and Legacy

    Lillie continued to paint throughout his life, exhibiting regularly at galleries across Scotland and beyond. While he never achieved widespread fame during his lifetime, his work was appreciated by collectors and critics for its technical skill and evocative atmosphere. Today, Robert Lillie’s paintings are increasingly recognized as important examples of Scottish landscape painting from the late 19th and early 20th centuries. His works offer a valuable glimpse into a Scotland undergoing rapid change—a world where traditional ways of life were slowly giving way to modernity. He stands as a testament to the enduring power of observation, capturing the essence of a place and time with quiet grace and remarkable skill. His paintings are not merely representations of landscapes; they are evocations of mood, memory, and the subtle beauty of the Scottish countryside.

    Where to read more

    • The artist Robert Lillie topimpressionists.com/en/artists/robert-lillie/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-lillie-old-man-red-cape-AQUKXP-en/

    Find this online

    QR code linking to the download page for Old Man (Red Cape)

    topimpressionists.com/en/art/download/robert-lillie-old-man-red-cape-AQUKXP-en/

    Cite this artwork

    MLA
    Lillie, Robert. Old Man (Red Cape). n.d., https://topimpressionists.com/en/art/robert-lillie-old-man-red-cape-AQUKXP-en/
    APA
    Lillie, Robert (n.d.). Old Man (Red Cape) [Painting]. https://topimpressionists.com/en/art/robert-lillie-old-man-red-cape-AQUKXP-en/
    Chicago
    Robert Lillie. Old Man (Red Cape). n.d. https://topimpressionists.com/en/art/robert-lillie-old-man-red-cape-AQUKXP-en/
    Harvard
    Lillie, Robert (n.d.) Old Man (Red Cape). Available at: https://topimpressionists.com/en/art/robert-lillie-old-man-red-cape-AQUKXP-en/

    Look closely

    Old Man (Red Cape) — Robert Lillie

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at My Sister Jane (1921), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are there works similar to "Old Man (Red Cape)"?

    The Similars page of "Old Man (Red Cape)" by Robert Lillie presents related artworks.

    What orientation does "Old Man (Red Cape)" by Robert Lillie have?

    "Old Man (Red Cape)" by Robert Lillie is a portrait composition. The proportions are worth checking before choosing a print size.

    Is "Old Man (Red Cape)" by Robert Lillie in the public domain, and why?

    "Old Man (Red Cape)" by Robert Lillie is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1949.