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Student Artwork Guide

Old Mill, Carmyle

Name Class Date

Robert Lillie, Old Mill, Carmyle (1900). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Lillie topimpressionists.com/en/artists/robert-lillie/
Artist’s dates
1867 – 1949
Painted
1900
Original size
25 x 34 cm

In context

Old Mill, Carmyle — Robert Lillie

How big is it?

The original measures 25 × 34 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Painted when the artist was 33. The artist lived to 82. 13 of the 64 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert Lillie (1867–1949) ▲ this work, 1900 every dated painting, decade by decade

First works: up to 1901 Main working years: 1901–1911 Late works: from 1911

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-lillie-old-mill-carmyle-AQUKFM-en/

Colours

Measured from the image

    Main colour

    Walnut #775d40

    Catalogued palette

    • #775D40
    • #D6BC9F
    • #A98966
    • #493727

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Lillie over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.6%
    2. 2 United States of America 21.4%
    3. 3 United Kingdom 4.3%
    4. 4 Singapore 2.9%
    5. 5 Kazakhstan 1.4%
    6. 6 Mexico 1.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert Lillie

    1. 1 Loch Moidart 14.7%
    2. 2 Tirion Castle, Dorlin, Acharacle 6.9%
    3. 3 Loch Maree, Sunset, Ross shire 4.9%
    4. 4 Landscape with Loch 3.9%
    5. 5 Loch Earn, St Fillans, 1898 2.0%
    6. 6 Neidpath Castle, Peebles, 1899 2.0%
    7. 7 Ruins, Loch Awe, Dalmally, 1911 2.0%
    8. 8 Near Bruckless, County Donegal 2.0%
    9. 9 On Bankell Farm, Milngavie 2.0%
    10. 10 Loch Tainish, Tayvallich 2.0%
    11. 11 White Japanese Anemones 2.0%
    12. 12 Flower Study, Narcissi 2.0%
    13. 13 Autumn – Craigton Wood, Milngavie, 1908 1.0%
    14. 14 Old Mill, Carmyle, 1900 this painting 1.0%
    15. 15 Irene Kyle, Daughter of Colonel Kyle, CMG, DSO, Town Clerk, Milngavie, 1921 1.0%
    16. 16 Possil Marsh, 1900 1.0%
    17. 17 Craigallion Loch, Milngavie, 1910 1.0%
    18. 18 Above Tayvallich, 1921 1.0%
    19. 19 Waterfoot near Clarkston, Busby, 1899 1.0%
    20. 20 At Old Curling Pond, Milngavie, 1907 1.0%

    Together these works take 54.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 238 works by this artist, of which 67 were looked at at least once. This painting ranks 14 of them, with 1.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Old Mill, Carmyle — Robert Lillie

    The painting Old Mill, Carmyle by Robert Lillie is a stunning representation of rural life and the tranquility found in such settings. Created in 1900, this oil on canvas piece measures 25 x 34 cm and is currently located at the Lillie Art Gallery in the United Kingdom. The scene depicts a serene river flowing past a small village with houses on the shore, surrounded by trees that add to the peaceful atmosphere.

    Artistic Style and Influences

    Robert Lillie's work is characterized by his ability to capture the beauty of nature and the simplicity of rural life. His use of oil on canvas creates a sense of depth and texture, drawing the viewer into the scene. The painting Old Mill, Carmyle is reminiscent of other works by Robert Lillie, such as Possil Marsh and Loch Awe, Dalmally, which can be found on AllPaintingsStore.com. These paintings showcase the artist's ability to capture the beauty of the natural world and the importance of preserving it.

    Similar Works and Artists

    Other artists, such as Willem Maris, have also explored the theme of rural life and nature in their work. The painting Cows in a Soggy Meadow by Willem Maris is a prime example of this, and can be found on AllPaintingsStore.com. The Museum Victoria Art Gallery in Bath, United Kingdom, also features a collection of artworks that showcase the beauty of rural life and nature, including works by Friedrich Taupel, which can be found on AllPaintingsStore.com.

    Oil on canvas creates a sense of depth and texture in the painting

    The scene depicts a serene river flowing past a small village with houses on the shore

    The painting is reminiscent of other works by Robert Lillie, such as Possil Marsh and Loch Awe, Dalmally

    The painting Old Mill, Carmyle by Robert Lillie is a beautiful representation of rural life and the tranquility found in such settings. Its use of oil on canvas and serene scene make it a must-see for anyone interested in nature and art.

    Artist and museum

    Artist

    Robert Lillie

    A Life Immersed in Scottish Light: The World of Robert Lillie

    Robert Lillie, born in 1867 and passing in 1949, was a painter deeply entwined with the spirit of Scotland. While not a name immediately recognized alongside the giants of Victorian art, his work offers a compelling window into the quieter moments of Scottish life and landscape painting during a period of significant change. Lillie wasn’t an artist who sought radical innovation; instead, he dedicated himself to capturing the subtle beauty of his surroundings with remarkable skill and sensitivity. His paintings are not grand statements but intimate observations—a gentle ripple on a loch, the soft glow of twilight over a coastal scene, the quiet dignity of everyday life in rural communities. He was a master of atmosphere, using light and color to evoke a sense of place and mood that resonates deeply with viewers even today.

    Early Years and Artistic Development

    Details surrounding Lillie’s early life remain somewhat sparse, but it is known he received his artistic training at the Glasgow School of Art. This institution was undergoing a period of transformation during his time there, moving away from rigid academic styles towards a more naturalistic approach influenced by the Barbizon school and emerging Impressionism. While Lillie didn't fully embrace the radical techniques of the later Impressionists, this influence is visible in his loose brushwork and focus on capturing fleeting moments of light. He quickly established himself as a painter of Scottish landscapes, drawn to the dramatic scenery of the Highlands and Islands, but also finding beauty in the more subtle charms of the Lowlands. His early works often depict scenes along the River Clyde, showcasing the industrial activity alongside the natural world—a reflection of Scotland’s evolving identity during the late 19th century.

    Themes and Techniques: A Palette of Serenity

    Lillie's oeuvre is characterized by a consistent focus on Scottish landscapes and genre scenes. He painted rivers – particularly the Orchy River, which became a recurring motif in his work – lochs, coastal views, and depictions of rural life. His technique was rooted in traditional oil painting methods, but he employed a softer palette than many of his contemporaries, favoring muted tones and subtle gradations of color to create atmospheric effects. He wasn’t interested in dramatic contrasts or bold statements; instead, he sought to capture the quiet beauty of the Scottish countryside.

    Light and Atmosphere: Lillie was a master of capturing light, particularly the soft, diffused light characteristic of Scotland. His paintings often evoke a sense of tranquility and peace.

    Genre Scenes: Alongside landscapes, he painted scenes of everyday life in rural Scotland, depicting figures engaged in work or leisure activities with sensitivity and dignity.

    Brushwork: While rooted in traditional techniques, his brushwork is often loose and expressive, contributing to the atmospheric quality of his paintings.

    His compositions are typically balanced and harmonious, reflecting a sense of order and tranquility. He wasn’t interested in depicting grand narratives or historical events; instead, he focused on capturing the beauty of the present moment.

    Later Life and Legacy

    Lillie continued to paint throughout his life, exhibiting regularly at galleries across Scotland and beyond. While he never achieved widespread fame during his lifetime, his work was appreciated by collectors and critics for its technical skill and evocative atmosphere. Today, Robert Lillie’s paintings are increasingly recognized as important examples of Scottish landscape painting from the late 19th and early 20th centuries. His works offer a valuable glimpse into a Scotland undergoing rapid change—a world where traditional ways of life were slowly giving way to modernity. He stands as a testament to the enduring power of observation, capturing the essence of a place and time with quiet grace and remarkable skill. His paintings are not merely representations of landscapes; they are evocations of mood, memory, and the subtle beauty of the Scottish countryside.

    Where to read more

    • The artist Robert Lillie topimpressionists.com/en/artists/robert-lillie/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-lillie-old-mill-carmyle-AQUKFM-en/

    Find this online

    QR code linking to the download page for Old Mill, Carmyle

    topimpressionists.com/en/art/download/robert-lillie-old-mill-carmyle-AQUKFM-en/

    Cite this artwork

    MLA
    Lillie, Robert. Old Mill, Carmyle. 1900, https://topimpressionists.com/en/art/robert-lillie-old-mill-carmyle-AQUKFM-en/
    APA
    Lillie, Robert (1900). Old Mill, Carmyle [Painting]. https://topimpressionists.com/en/art/robert-lillie-old-mill-carmyle-AQUKFM-en/
    Chicago
    Robert Lillie. Old Mill, Carmyle. 1900. https://topimpressionists.com/en/art/robert-lillie-old-mill-carmyle-AQUKFM-en/
    Harvard
    Lillie, Robert (1900) Old Mill, Carmyle. Available at: https://topimpressionists.com/en/art/robert-lillie-old-mill-carmyle-AQUKFM-en/

    Look closely

    Old Mill, Carmyle — Robert Lillie

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at My Sister Jane (1921), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert Lillie was about 33 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Old Mill, Carmyle" by Robert Lillie a portrait, landscape or square composition?

    The format of "Old Mill, Carmyle" is landscape. This is useful when planning where a reproduction will be placed.

    Does "Old Mill, Carmyle" have an augmented reality preview?

    The AR Preview page of "Old Mill, Carmyle" by Robert Lillie uses augmented reality to show the artwork in your own space, on a compatible device.

    What was Robert Lillie's age when "Old Mill, Carmyle" was created?

    Robert Lillie was 33 years old when creating "Old Mill, Carmyle" in 1900. The age is computed from the artist's birth year, 1867.