Paper

Student Artwork Guide

Jim, Sausalito

Name Class Date

Robert Mapplethorpe, Jim, Sausalito (1977). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Mapplethorpe topimpressionists.com/en/artists/robert-mapplethorpe/
Artist’s dates
1946 – 1989
Painted
1977
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Jim, Sausalito — Robert Mapplethorpe

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 43 at death.

Painted when the artist was 31. The artist lived to 43. 4 of the 24 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert Mapplethorpe (1946–1989) ▲ this work, 1977 every dated painting, decade by decade

First works: up to 1977 Main working years: 1977–1988 Late works: from 1988

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Tulip, 1984 topimpressionists.com/en/art/robert-mapplethorpe-tulip-D92T5U-en/
  • Orchids, 1985 topimpressionists.com/en/art/robert-mapplethorpe-orchids-D92T7T-en/
  • Lily, 1984 topimpressionists.com/en/art/robert-mapplethorpe-lily-D4DBPZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-mapplethorpe-jim-sausalito-AQRLE6-en/

Colours

Measured from the image

    Main colour

    Putty #c9c9c7

    Catalogued palette

    • #C9C9C7
    • #323231
    • #6B6B6B
    • #191918

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Mapplethorpe over the last twelve months — 8 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 34.5%
    2. 2 Italy 24.1%
    3. 3 France 13.8%
    4. 4 Brazil 10.3%
    5. 5 Germany 6.9%
    6. 6 Czechia 3.4%
    7. 7 United Kingdom 3.4%
    8. 8 United States of America 3.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert Mapplethorpe

    1. 1 Brian Ridley and Lyle Heeter, 1979 10.5%
    2. 2 Patti Smith, 1976 10.5%
    3. 3 Lily with Bud, 1989 7.9%
    4. 4 Orchid, 1985 7.9%
    5. 5 Orchids, 1985 7.9%
    6. 6 Robert Mapplethorpe 1970-1983 7.9%
    7. 7 Blue Rose, 1988 5.3%
    8. 8 Ajitto 5.3%
    9. 9 Tulip, 1984 5.3%
    10. 10 John McKendry, 1992 5.3%
    11. 11 Smutty, 1982 5.3%
    12. 12 Lily, 1984 2.6%
    13. 13 Robert Mapplethorpe 1970-1983 2.6%
    14. 14 Robert Mapplethorpe 1970-1983 2.6%
    15. 15 Ajitto 2.6%
    16. 16 Philip Glass and Robert Wilson, 1976 2.6%
    17. 17 Self Portrait, 1988 2.6%
    18. 18 Grace Jones, 1984 2.6%
    19. 19 Lisa Lyon_9 2.6%
    20. — Jim, Sausalito, 1977 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 31 works by this artist, of which 19 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert Mapplethorpe

    Born in Floral Park, United States of America

    A Life Forged in Form: The World of Robert Mapplethorpe

    Robert Mapplethorpe, a name synonymous with both breathtaking beauty and profound controversy, remains one of the most influential photographers of the 20th century. Born in Floral Park, New York, in 1946, his journey was not one of immediate artistic recognition but rather a gradual evolution fueled by experimentation, mentorship, and an unwavering commitment to exploring the boundaries of form and desire. Initially drawn to graphic arts at Pratt Institute, Mapplethorpe quickly found himself chafing against traditional academic constraints, ultimately leaving before completing his degree. This departure wasn’t a rejection of art itself, but a search for a medium that could more directly translate his burgeoning vision – a vision deeply influenced by artists like Joseph Cornell and Marcel Duchamp, whose embrace of the found object and conceptual play resonated with his own developing aesthetic sensibilities. These early years were marked by mixed-media collages, intricate assemblages born from salvaged materials and cut images, hinting at the formal precision and thematic concerns that would later define his photographic work.

    The Polaroid Genesis and a Creative Partnership

    The pivotal moment arrived with the acquisition of a Polaroid camera in 1970. This wasn’t merely a change in tools; it was a revelation. The immediacy of the Polaroid process allowed Mapplethorpe to bypass traditional darkroom techniques, focusing instead on composition, light, and shadow – elements that would become hallmarks of his style. Initially, these Polaroids were integrated into his collages, but they soon began to assert their independence, revealing a unique power in their stark black and white tonality. Simultaneously, a deeply significant relationship blossomed with poet and musician Patti Smith. Their connection, spanning from 1967 to 1972, was one of mutual artistic support and inspiration. Smith became a frequent subject for Mapplethorpe’s lens, her raw energy and bohemian spirit captured in images that possess an intimate vulnerability. This period wasn't just about romantic partnership; it was a crucible where both artists honed their craft, challenging each other to push creative boundaries.

    Mastering the Form: Style, Subjects, and Controversy

    Mapplethorpe’s photographic style is characterized by a rigorous formalism – an emphasis on composition, symmetry, and the interplay of light and shadow reminiscent of classical sculpture. He wasn't simply documenting his subjects; he was constructing them, elevating everyday objects and human forms to iconic status through meticulous technique. His subject matter was remarkably diverse: celebrity portraits featuring figures like Andy Warhol and Deborah Harry, exquisitely rendered floral still lifes – particularly orchids and calla lilies – and strikingly intimate self-portraits. However, it was his exploration of the BDSM subculture in 1970s and 80s New York City that ignited significant controversy. These images, unflinching in their depiction of sexuality and power dynamics, challenged conventional notions of taste and morality, sparking debates about censorship and artistic freedom. Mapplethorpe didn’t shy away from these controversies; he embraced them as an inherent part of his artistic practice, believing that art should provoke thought and challenge societal norms. He frequently referenced religious or classical imagery within his work, creating a compelling dialogue between contemporary subjects and historical art forms, further complicating interpretations and adding layers of meaning.

    Legacy and Lasting Impact

    The mentorship of art curator Sam Wagstaff proved instrumental in Mapplethorpe’s career trajectory, providing crucial financial support and guidance during his formative years. Throughout the 1980s, Mapplethorpe exhibited extensively, gaining increasing recognition within the art world culminating in a major retrospective at the Whitney Museum of American Art in 1988 – a landmark achievement that solidified his position as a significant contemporary artist. However, this success was shadowed by controversy surrounding *Robert Mapplethorpe: The Perfect Moment* exhibition, which ignited fierce debates about public funding for art deemed obscene. Tragically, Mapplethorpe succumbed to AIDS in 1989, leaving behind a vast and complex body of work that continues to resonate today. Following his death, the Robert Mapplethorpe Foundation was established to preserve his artistic legacy, support medical research related to HIV/AIDS, and promote photography as an art form. His influence extends far beyond the realm of photography, impacting generations of artists with his bold exploration of sexuality, formalist approach, and unwavering commitment to pushing creative boundaries. Robert Mapplethorpe’s work remains a subject of ongoing discussion and analysis, cementing his place as one of the most important – and often challenging – American artists of the 20th century. He elevated photography to a respected art form, proving that it could be more than just documentation; it could be sculpture, poetry, and provocation all rolled into one striking image.

    Where to read more

    Find this online

    QR code linking to the download page for Jim, Sausalito

    topimpressionists.com/en/art/download/robert-mapplethorpe-jim-sausalito-AQRLE6-en/

    Cite this artwork

    MLA
    Mapplethorpe, Robert. Jim, Sausalito. 1977, https://topimpressionists.com/en/art/robert-mapplethorpe-jim-sausalito-AQRLE6-en/
    APA
    Mapplethorpe, Robert (1977). Jim, Sausalito [Painting]. https://topimpressionists.com/en/art/robert-mapplethorpe-jim-sausalito-AQRLE6-en/
    Chicago
    Robert Mapplethorpe. Jim, Sausalito. 1977. https://topimpressionists.com/en/art/robert-mapplethorpe-jim-sausalito-AQRLE6-en/
    Harvard
    Mapplethorpe, Robert (1977) Jim, Sausalito. Available at: https://topimpressionists.com/en/art/robert-mapplethorpe-jim-sausalito-AQRLE6-en/

    Look closely

    Jim, Sausalito — Robert Mapplethorpe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: urban decay, solitary figure, confinement. Do you agree? What would you add, or take away?
    5. Look back at Tulip (1984), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is Robert Mapplethorpe, creator of "Jim, Sausalito", known under other names?

    Other names recorded for Robert Mapplethorpe, creator of "Jim, Sausalito", include Michael Mapplethorpe, Robert Michael Mapplethorpe.

    What saturation and intensity does "Jim, Sausalito" by Robert Mapplethorpe show?

    "Jim, Sausalito" by Robert Mapplethorpe is recorded with a muted saturation and a monochromatic intensity.

    How can I get a digital file of "Jim, Sausalito" by Robert Mapplethorpe?

    To get a digital file of "Jim, Sausalito" by Robert Mapplethorpe, order a high-resolution digital image download on its Digital Image page.