Paper

Student Artwork Guide

Lois Nadean Smith

Name Class Date

Robert Priseman, Lois Nadean Smith, Museum of Fine Arts. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Robert Priseman topimpressionists.com/en/artists/robert-priseman/
Artist’s dates
1965 – ?
Original size
15 x 18 cm
Held at
Museum of Fine Arts topimpressionists.com/en/museums/museum-of-fine-arts-tallahassee/

In context

Lois Nadean Smith — Robert Priseman

How big is it?

The original measures 15 × 18 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Row above: the year. Row below: the artist's age in that year.

Shaded: the lifetime of Robert Priseman (1965–?)

First works: up to 1994 Main working years: 1994–2011 Late works: from 2011

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Helen Fowler topimpressionists.com/en/art/robert-priseman-helen-fowler-D5GLSM-en/
  • Marie Porter topimpressionists.com/en/art/robert-priseman-marie-porter-D5GLRQ-en/
  • Marilyn Plantz topimpressionists.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-priseman-lois-nadean-smith-D5GLN2-en/

Colours

Measured from the image

    Main colour

    Putty #d8d9d8

    Catalogued palette

    • #D8D9D8
    • #786D6F
    • #4A3F43
    • #93898A
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Priseman over the last twelve months — 4 countries in all.

    The ten leading countries

    1. 1 China 73.3%
    2. 2 Yemen 13.3%
    3. 3 Japan 6.7%
    4. 4 United States of America 6.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Robert Priseman

    1. 1 The Search Room at Essex Record Office, 2003 15.8%
    2. 2 Peter Newman, Chairman of Sheffield City Polytechnic Board of Governors (1988–1992), 1993 10.5%
    3. 3 Dovie Dean 10.5%
    4. 4 25 Cromwell Street, 2011 5.3%
    5. 5 Marilyn Plantz 5.3%
    6. 6 Wanda Jean Allen 5.3%
    7. 7 Ethel Rosenberg 5.3%
    8. 8 Karla Faye Tucker 5.3%
    9. 9 Helen Fowler 5.3%
    10. 10 Eva Dugan 5.3%
    11. 11 Sir Eric Mensforth (1906–2000), CBE, First Chairman of the Governing Body of Sheffield City Polytechnic (1969–1975), 1993 5.3%
    12. 12 Dr T. H. F. Farrell, CBE, TD, 1997 5.3%
    13. 13 Lois Nadean Smith this painting 5.3%
    14. 14 Bonnie Heady 5.3%
    15. 15 An Intensive Care Unit in a Hospital, 2004 5.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 54 works by this artist, of which 15 were looked at at least once. This painting ranks 13 of them, with 5.3% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Lois Nadean Smith — Robert Priseman

    Lois Nadean Smith was convicted of murdering 21-year-old Cindy Baillee in Gans, Sequoyah County on the 4th July 1982.Baillee was a former girlfriend of Nadean Smith’s son, Greg. Along with her son and another woman, Nadean Smith picked Baillee up from a motel on the morning of the murder. As they drove away, Nadean Smith confronted Baillee regarding rumours that Baillee had arranged for Greg Smith’s murder. Lois choked Baillee and stabbed her in the throat despite Baillee denying the plot as they drove to the home of her ex-husband in Gans. At the house, Nadean Smith taunted Baillee with a pistol, finally firing several shots. Baillee fell to the floor, and while her son reloaded the pistol, Nadean Smith laughed and jumped on Baillee’s neck. She then fired four shots into Baillee’s chest and two to the back of her head.61 year old Nadean Smith was executed by lethal injection on the 4th December 2001.

    Artist and museum

    Artist

    Robert Priseman

    Robert Priseman: A Life in Provocative Art

    Robert Priseman (born 1965) is a British artist, collector, writer, curator and publisher who lives and works in Essex, England. His career spans diverse artistic pursuits, marked by a consistent engagement with challenging socio-political themes and a dedication to fostering dialogue within the contemporary art landscape.

    Early Life and Artistic Beginnings

    Priseman’s academic foundation was laid at the University of Essex, where he studied Aesthetics and Art Theory under the influential Professor Michael Podro. This theoretical grounding profoundly shaped his artistic approach. He began his professional life as a book designer for Longman Publishers (1989-1992), concurrently developing his skills as a portrait painter in oils. During this period, he created portraits of notable figures including the Dalai Lama, Phil Collins, Jeremy Paxman and Cardinal Basil Hume. These early works are held in prestigious collections such as the Royal Collection at Windsor Castle and Corpus Christi College Cambridge.

    A Shift Towards Thematic Exploration

    In 2004, Priseman underwent a significant artistic shift, abandoning portraiture to embark on thematic series designed to provoke thought and engage viewers in critical discussions. This marked the beginning of his most recognized work, characterized by its unflinching exploration of difficult subjects.

    Major Series and Artistic Themes

    The Hospital Paintings: Early explorations into institutional spaces and their psychological impact.

    Subterraneans: Investigations into hidden worlds and marginalized communities.

    The Francis Bacon Interiors: A deeply personal series depicting the Paris hotel room where George Dyer, Bacon’s lover, committed suicide, the hospital room where Bacon died, and his studios – a poignant exploration of grief, loss, and artistic creation.

    No Human Way to Kill: Perhaps Priseman's most impactful work, this series presents the five methods of execution used in the USA (hanging, firing squad, gassing, lethal injection, and electrocution), alongside etchings detailing other global practices. It argues that execution is a socially constructed act.

    The Troubles: A powerful reflection on the conflict in Northern Ireland.

    Nazi Gas Chambers: An unflinching confrontation with the horrors of the Holocaust.

    Championing Contemporary British Painting

    Priseman’s commitment extends beyond his own artistic practice. In 2013, he co-founded Contemporary British Painting with artist Simon Carter – a platform dedicated to promoting and contextualizing current painting practices in the UK through exhibitions, talks, publications, and an art prize. He also established ‘east contemporary art’ at University Campus Suffolk.

    Collecting and Philanthropy

    Priseman is an avid collector of British paintings, owning the “Priseman Seabrook Collection of 21st Century British Painting,” which debuted at Huddersfield Art Gallery in 2014. In 2013, he generously donated ‘The Robert Priseman Gift’ – a collection of twenty paintings by contemporary British artists – to Falmouth Art Gallery.

    Academic and Professional Recognition

    Priseman's contributions have been recognized through several academic appointments: Fellow at the Human Rights Centre, University of Essex (2010); Visiting Professor in Fine Art at the Department of Art and Humanities, University Campus Suffolk (2015); and a Visiting Research Fellow at the University of Leeds (2017).

    Legacy and Historical Significance

    With over 200 works held in major international collections – including the V&A, Museum der Moderne Salzburg, Art Gallery of New South Wales, Musée de Louvain la Neuve, and the National Galleries of Scotland – Robert Priseman has established himself as a significant voice in contemporary British art. His willingness to confront difficult subjects, combined with his dedication to supporting other artists and fostering critical dialogue, ensures his lasting impact on the artistic landscape.

    Museum

    Museum of Fine Arts

    On show in Tallahassee, United States of America

    A Cultural Gem in Tallahassee: The Museum of Fine Arts

    Tallahassee’s Museum of Fine Arts (MoFA) stands as a testament to Florida State University's commitment to artistic excellence and community engagement. Situated on campus, this institution isn’t merely a repository of artworks; it’s a dynamic space where art history intertwines with contemporary creativity, fostering intellectual curiosity and enriching the lives of visitors.

    Collection Highlights:

    MoFA's holdings boast an impressive array of artistic expressions spanning centuries. Notably, you’ll find captivating pieces from the Contemporary Art wing—bold explorations of current social dialogues rendered in innovative mediums. Alongside this, American Art showcases a rich tapestry of stylistic developments reflecting the nation’s cultural heritage. And don’t miss the rotating exhibitions; these curated selections consistently introduce fresh perspectives and challenge conventional understandings.

    Architecture & Setting:

    The museum building itself embodies modern elegance, thoughtfully designed to complement the artworks housed within. Its airy interiors and natural light create an inviting atmosphere for contemplation and discovery—a space deliberately conceived to inspire artistic appreciation.

    History:

    Established decades ago, MoFA has evolved alongside FSU’s growth, adapting its programming and collections to resonate with evolving tastes and scholarly pursuits. This ongoing process ensures that MoFA remains relevant and responsive to the needs of its audience.

    Dynamic Programming & Student Involvement

    What truly distinguishes MoFA is its dedication to fostering student engagement—a cornerstone of its operational philosophy. Students gain invaluable hands-on experience in museum administration, exhibition planning, educational outreach, and scholarly research. This collaborative spirit fuels innovation and ensures that MoFA remains at the forefront of artistic discourse.

    Notable Exhibitions:

    MoFA’s curators prioritize showcasing both established masters and emerging talents. Recent exhibitions have explored themes ranging from Surrealism to Impressionism, prompting visitors to consider art's role in shaping cultural narratives.

    Community Engagement & Artistic Dialogue

    Beyond its academic mission, MoFA actively cultivates connections with Tallahassee’s broader community. Educational programs cater to audiences of all ages, sparking conversations about art and its impact on society. Furthermore, collaborative projects with local artists enrich the museum's offerings and solidify its position as a vital cultural resource.

    Further Exploration:

    For those eager to delve deeper into artistic inspiration, consider visiting related artworks like Kazimir Malevich’s Suprematism Fine Arts Museum, Krasnodar – a revolutionary 1917 abstract masterpiece. Or immerse yourself in Vasily Ivanovich Surikov's Square in front of the Museum of Fine Arts in Moscow—a stunning 1913 Impressionist winter scene capturing Russian life.

    A Destination for Art Enthusiasts

    Whether you’re a seasoned collector, an aspiring artist, or simply seeking beauty and intellectual stimulation, Tallahassee's Museum of Fine Arts offers an unforgettable journey into the world of art.

    Where to read more

    • The artist Robert Priseman topimpressionists.com/en/artists/robert-priseman/
    • The museum Museum of Fine Arts topimpressionists.com/en/museums/museum-of-fine-arts-tallahassee/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-priseman-lois-nadean-smith-D5GLN2-en/

    Find this online

    QR code linking to the download page for Lois Nadean Smith

    topimpressionists.com/en/art/download/robert-priseman-lois-nadean-smith-D5GLN2-en/

    Cite this artwork

    MLA
    Priseman, Robert. Lois Nadean Smith. n.d., Museum of Fine Arts. https://topimpressionists.com/en/art/robert-priseman-lois-nadean-smith-D5GLN2-en/
    APA
    Priseman, Robert (n.d.). Lois Nadean Smith [Painting]. Museum of Fine Arts. https://topimpressionists.com/en/art/robert-priseman-lois-nadean-smith-D5GLN2-en/
    Chicago
    Robert Priseman. Lois Nadean Smith. n.d. Museum of Fine Arts. https://topimpressionists.com/en/art/robert-priseman-lois-nadean-smith-D5GLN2-en/
    Harvard
    Priseman, Robert (n.d.) Lois Nadean Smith. Museum of Fine Arts. Available at: https://topimpressionists.com/en/art/robert-priseman-lois-nadean-smith-D5GLN2-en/

    Look closely

    Lois Nadean Smith — Robert Priseman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Helen Fowler, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is "Lois Nadean Smith" by Robert Priseman proportioned, and how big is it?

    The format of "Lois Nadean Smith" is portrait, and the original measures 15 x 18 cm. Both are useful when planning a reproduction.

    How do I download the image of "Lois Nadean Smith" by Robert Priseman?

    The image of "Lois Nadean Smith" by Robert Priseman can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Is "Lois Nadean Smith" available as a fine art print?

    A print of "Lois Nadean Smith" by Robert Priseman can be ordered directly on this page: a fine art print on cotton canvas or archival canvas paper.

    Who sells hand-painted copies of "Lois Nadean Smith" by Robert Priseman?

    Hand-painted copies of "Lois Nadean Smith" by Robert Priseman are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from this page.

    Who created "Lois Nadean Smith"?

    "Lois Nadean Smith" is attributed to Robert Priseman.

    What color leads the composition of "Lois Nadean Smith" by Robert Priseman?

    The color that stands out most in "Lois Nadean Smith" is putty (#d8d9d8). The dominant color is useful when matching an artwork to an interior.

    How big is the original "Lois Nadean Smith"?

    The recorded dimensions of "Lois Nadean Smith" by Robert Priseman are 15 x 18 cm. Reproductions can be ordered in other sizes while keeping the same proportions.