Paper

Student Artwork Guide

Marilyn Plantz

Name Class Date

Robert Priseman, Marilyn Plantz, Museum of Fine Arts. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Priseman topimpressionists.com/en/artists/robert-priseman/
Artist’s dates
1965 –
Original size
15 x 18 cm
Held at
Museum of Fine Arts topimpressionists.com/en/museums/museum-of-fine-arts-tallahassee/

In context

Marilyn Plantz — Robert Priseman

How big is it?

The original measures 15 × 18 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

First works: up to 1994 Main working years: 1994–2011 Late works: from 2011

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-priseman-marilyn-plantz-D5GLQP-en/

Colours

Measured from the image

    Main colour

    Black #181015

    Catalogued palette

    • #181015
    • #685C60
    • #D3D2D2
    • #9C9293

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Priseman over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.3%
    2. 2 Yemen 13.3%
    3. 3 Japan 6.7%
    4. 4 United States of America 6.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Robert Priseman

    1. 1 The Search Room at Essex Record Office, 2003 13.0%
    2. 2 John Stoddart, Principal, Sheffield Hallam University (c.1983–1998), 1994 8.7%
    3. 3 Peter Newman, Chairman of Sheffield City Polytechnic Board of Governors (1988–1992), 1993 8.7%
    4. 4 Dovie Dean 8.7%
    5. 5 25 Cromwell Street, 2011 4.3%
    6. 6 Marilyn Plantz this painting 4.3%
    7. 7 Wanda Jean Allen 4.3%
    8. 8 Ethel Rosenberg 4.3%
    9. 9 Karla Faye Tucker 4.3%
    10. 10 Helen Fowler 4.3%
    11. 11 Eva Dugan 4.3%
    12. 12 Sir Eric Mensforth (1906–2000), CBE, First Chairman of the Governing Body of Sheffield City Polytechnic (1969–1975), 1993 4.3%
    13. 13 Dr T. H. F. Farrell, CBE, TD, 1997 4.3%
    14. 14 Lois Nadean Smith 4.3%
    15. 15 Bonnie Heady 4.3%
    16. 16 Frances Elaine Newton 4.3%
    17. 17 An Intensive Care Unit in a Hospital, 2004 4.3%
    18. 18 Marie Porter 4.3%

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 54 works by this artist, of which 18 were looked at at least once. This painting ranks 6 of them, with 4.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Marilyn Plantz — Robert Priseman

    Marilyn Plantz May hired her teenage boyfriend Clifford Bryson and his friend William McKimble to kill her husband James Plantz for his life insurance policy of $319,000.Entering his home after work, James Plantz was ambushed by Bryson and McKimble and beaten with baseball bats while his wife and children lay asleep in bed. Marilyn then arose and instructed Bryson and McKimble to “burn him” to make it look like an accident. 40 year old Marilyn Kay Plantz was executed on the 1st May 2001, by lethal injection at Oklahoma State Penitentiary in McAlester. Marilyn and Jim Plantz’s daughter Trina Plantz Wells, 21, appealed to the board to spare her mother’s life. Wells was reported as having cried throughout the entire hearing, having reconciled with her mother after having had no contact with her for 13 years.

    Artist and museum

    Artist

    Robert Priseman

    Robert Priseman: A Life in Provocative Art

    Robert Priseman (born 1965) is a British artist, collector, writer, curator and publisher who lives and works in Essex, England. His career spans diverse artistic pursuits, marked by a consistent engagement with challenging socio-political themes and a dedication to fostering dialogue within the contemporary art landscape.

    Early Life and Artistic Beginnings

    Priseman’s academic foundation was laid at the University of Essex, where he studied Aesthetics and Art Theory under the influential Professor Michael Podro. This theoretical grounding profoundly shaped his artistic approach. He began his professional life as a book designer for Longman Publishers (1989-1992), concurrently developing his skills as a portrait painter in oils. During this period, he created portraits of notable figures including the Dalai Lama, Phil Collins, Jeremy Paxman and Cardinal Basil Hume. These early works are held in prestigious collections such as the Royal Collection at Windsor Castle and Corpus Christi College Cambridge.

    A Shift Towards Thematic Exploration

    In 2004, Priseman underwent a significant artistic shift, abandoning portraiture to embark on thematic series designed to provoke thought and engage viewers in critical discussions. This marked the beginning of his most recognized work, characterized by its unflinching exploration of difficult subjects.

    Major Series and Artistic Themes

    The Hospital Paintings: Early explorations into institutional spaces and their psychological impact.

    Subterraneans: Investigations into hidden worlds and marginalized communities.

    The Francis Bacon Interiors: A deeply personal series depicting the Paris hotel room where George Dyer, Bacon’s lover, committed suicide, the hospital room where Bacon died, and his studios – a poignant exploration of grief, loss, and artistic creation.

    No Human Way to Kill: Perhaps Priseman's most impactful work, this series presents the five methods of execution used in the USA (hanging, firing squad, gassing, lethal injection, and electrocution), alongside etchings detailing other global practices. It argues that execution is a socially constructed act.

    The Troubles: A powerful reflection on the conflict in Northern Ireland.

    Nazi Gas Chambers: An unflinching confrontation with the horrors of the Holocaust.

    Championing Contemporary British Painting

    Priseman’s commitment extends beyond his own artistic practice. In 2013, he co-founded Contemporary British Painting with artist Simon Carter – a platform dedicated to promoting and contextualizing current painting practices in the UK through exhibitions, talks, publications, and an art prize. He also established ‘east contemporary art’ at University Campus Suffolk.

    Collecting and Philanthropy

    Priseman is an avid collector of British paintings, owning the “Priseman Seabrook Collection of 21st Century British Painting,” which debuted at Huddersfield Art Gallery in 2014. In 2013, he generously donated ‘The Robert Priseman Gift’ – a collection of twenty paintings by contemporary British artists – to Falmouth Art Gallery.

    Academic and Professional Recognition

    Priseman's contributions have been recognized through several academic appointments: Fellow at the Human Rights Centre, University of Essex (2010); Visiting Professor in Fine Art at the Department of Art and Humanities, University Campus Suffolk (2015); and a Visiting Research Fellow at the University of Leeds (2017).

    Legacy and Historical Significance

    With over 200 works held in major international collections – including the V&A, Museum der Moderne Salzburg, Art Gallery of New South Wales, Musée de Louvain la Neuve, and the National Galleries of Scotland – Robert Priseman has established himself as a significant voice in contemporary British art. His willingness to confront difficult subjects, combined with his dedication to supporting other artists and fostering critical dialogue, ensures his lasting impact on the artistic landscape.

    Museum

    Museum of Fine Arts

    On show in Tallahassee, United States of America

    A Cultural Gem in Tallahassee: The Museum of Fine Arts

    Tallahassee’s Museum of Fine Arts (MoFA) stands as a testament to Florida State University's commitment to artistic excellence and community engagement. Situated on campus, this institution isn’t merely a repository of artworks; it’s a dynamic space where art history intertwines with contemporary creativity, fostering intellectual curiosity and enriching the lives of visitors.

    Collection Highlights:

    MoFA's holdings boast an impressive array of artistic expressions spanning centuries. Notably, you’ll find captivating pieces from the Contemporary Art wing—bold explorations of current social dialogues rendered in innovative mediums. Alongside this, American Art showcases a rich tapestry of stylistic developments reflecting the nation’s cultural heritage. And don’t miss the rotating exhibitions; these curated selections consistently introduce fresh perspectives and challenge conventional understandings.

    Architecture & Setting:

    The museum building itself embodies modern elegance, thoughtfully designed to complement the artworks housed within. Its airy interiors and natural light create an inviting atmosphere for contemplation and discovery—a space deliberately conceived to inspire artistic appreciation.

    History:

    Established decades ago, MoFA has evolved alongside FSU’s growth, adapting its programming and collections to resonate with evolving tastes and scholarly pursuits. This ongoing process ensures that MoFA remains relevant and responsive to the needs of its audience.

    Dynamic Programming & Student Involvement

    What truly distinguishes MoFA is its dedication to fostering student engagement—a cornerstone of its operational philosophy. Students gain invaluable hands-on experience in museum administration, exhibition planning, educational outreach, and scholarly research. This collaborative spirit fuels innovation and ensures that MoFA remains at the forefront of artistic discourse.

    Notable Exhibitions:

    MoFA’s curators prioritize showcasing both established masters and emerging talents. Recent exhibitions have explored themes ranging from Surrealism to Impressionism, prompting visitors to consider art's role in shaping cultural narratives.

    Community Engagement & Artistic Dialogue

    Beyond its academic mission, MoFA actively cultivates connections with Tallahassee’s broader community. Educational programs cater to audiences of all ages, sparking conversations about art and its impact on society. Furthermore, collaborative projects with local artists enrich the museum's offerings and solidify its position as a vital cultural resource.

    Further Exploration:

    For those eager to delve deeper into artistic inspiration, consider visiting related artworks like Kazimir Malevich’s Suprematism Fine Arts Museum, Krasnodar – a revolutionary 1917 abstract masterpiece. Or immerse yourself in Vasily Ivanovich Surikov's Square in front of the Museum of Fine Arts in Moscow—a stunning 1913 Impressionist winter scene capturing Russian life.

    A Destination for Art Enthusiasts

    Whether you’re a seasoned collector, an aspiring artist, or simply seeking beauty and intellectual stimulation, Tallahassee's Museum of Fine Arts offers an unforgettable journey into the world of art.

    Where to read more

    • The artist Robert Priseman topimpressionists.com/en/artists/robert-priseman/
    • The museum Museum of Fine Arts topimpressionists.com/en/museums/museum-of-fine-arts-tallahassee/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-priseman-marilyn-plantz-D5GLQP-en/

    Find this online

    QR code linking to the download page for Marilyn Plantz

    topimpressionists.com/en/art/download/robert-priseman-marilyn-plantz-D5GLQP-en/

    Cite this artwork

    MLA
    Priseman, Robert. Marilyn Plantz. n.d., Museum of Fine Arts. https://topimpressionists.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/
    APA
    Priseman, Robert (n.d.). Marilyn Plantz [Painting]. Museum of Fine Arts. https://topimpressionists.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/
    Chicago
    Robert Priseman. Marilyn Plantz. n.d. Museum of Fine Arts. https://topimpressionists.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/
    Harvard
    Priseman, Robert (n.d.) Marilyn Plantz. Museum of Fine Arts. Available at: https://topimpressionists.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/

    Look closely

    Marilyn Plantz — Robert Priseman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Helen Fowler, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the format of "Marilyn Plantz"?

    "Marilyn Plantz" by Robert Priseman has a portrait format. The format describes the proportions of the composition.

    Does "Marilyn Plantz" show strong light-dark contrasts?

    The contrast level of "Marilyn Plantz" by Robert Priseman is statement.

    What is the perceived brightness of "Marilyn Plantz" by Robert Priseman?

    In terms of perceived brightness, "Marilyn Plantz" by Robert Priseman is shadow.