Paper

Student Artwork Guide

Moonlight and Lighthouse

Name Class Date

Robert W. Salmon, Moonlight and Lighthouse (1836). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert W. Salmon topimpressionists.com/en/artists/robert-w-salmon/
Artist’s dates
1775 – 1845
Painted
1836

In context

Moonlight and Lighthouse — Robert W. Salmon

When was this painted?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 61. The artist lived to 70. 99 of the 122 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert W. Salmon (1775–1845) ▲ this work, 1836 every dated painting, decade by decade

First works: up to 1812 Main working years: 1812–1833 Late works: from 1833

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

Colours

Measured from the image

    Main colour

    Gray #868a6a

    Catalogued palette

    • #868A6A
    • #222529
    • #CCBF7E
    • #545953

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert W. Salmon over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%
    2. 2 Hong Kong 14.6%
    3. 3 United States of America 10.4%
    4. 4 Singapore 6.2%
    5. 5 United Kingdom 2.1%
    6. 6 Saudi Arabia 2.1%
    7. 7 Ukraine 2.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert W. Salmon

    1. 1 Shipping off Greenock, 1818 11.9%
    2. 2 Picture of the 'Dream Poleasure Yacht'', 1839 6.8%
    3. 3 A Sailing Ship in the Mersey, 1811 5.1%
    4. 4 Boston Harbor from Castle Island ( Ship Charlotte ), (painting), 1839 5.1%
    5. 5 Shipwrecked, 1821 5.1%
    6. 6 HMS Revenue Cutter 'Wickham', 1825 3.4%
    7. 7 A Schooner with a View of Boston, 1832 3.4%
    8. 8 American Schooner under Sail with Heavy Seas 3.4%
    9. 9 Armed Merchantman Entering Liverpool Harbor, (painting), 1819 3.4%
    10. 10 View of Algiers, (painting), 1828 3.4%
    11. 11 Dismal Swamp Canal with Lake Drummond Hotel, (painting), 1830 1.7%
    12. 12 View of the Middle Church and Harbour, Greenock, 1812 1.7%
    13. 13 A Coastal Scene, 1827 1.7%
    14. 14 Liverpool Town Hall Illuminated, 1806, 1807 1.7%
    15. 15 A Packet off Liverpool, 1809 1.7%
    16. 16 Bidston, Wirral, Old Lighthouse and Flagpoles, 1825 1.7%
    17. 17 Scottish Coastline, 1841 1.7%
    18. 18 View of Palermo, 1845 1.7%
    19. 19 Taking Down the Sails, 1841 1.7%
    20. — Moonlight and Lighthouse, 1836 this painting 0.0%

    Together these works take 66.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 173 works by this artist, of which 39 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert W. Salmon

    Born in Whitehaven, United Kingdom

    Early Life and Artistic Training

    Origins: Salmon was born Robert Salomon to Francis Salomon, a jeweler. Whitehaven's bustling port provided an early influence on his artistic development.

    Early Influences: His training is not extensively documented but it’s believed he studied Dutch marine painters of the 17th century, Italian vedute artists, and Claude Lorrain.

    Early Works: His earliest known works, “Two Armed Merchantmen Leaving Whitehaven Harbor” (1800) and “The ‘Estridge’ off Dover,” demonstrate his early skill in capturing maritime scenes.

    Royal Academy Debut: Salmon first exhibited at the Royal Academy in 1802, marking a significant step in his career.

    Career Development and Style

    Move to Liverpool (1806): Salmon settled in Liverpool and changed his name to Salmon. This period saw him produce numerous marine paintings now housed in the National Maritime Museum in London.

    Ship Portraits: His ship portraits reveal a deep familiarity with sailing ships and their mechanics, often depicting the same vessel from multiple angles on a single canvas.

    Popularity & Collectors: Salmon's work gained popularity among prominent Bostonians like Samuel Cabot, Robert Bennett Forbes, and John Newmarch Cushing, indicating his growing recognition in America.

    Luminism Pioneer: He is considered a key figure in the development of American Luminism, influencing artists like William Bradford and Fitz Henry Lane. His emphasis on light and atmosphere created serene and tranquil scenes.

    Notable Works and Artistic Significance

    Key Paintings: Some of Salmon's most recognized works include "The Brig 'Ariel'," "Sailing Ship 'Trelawney'," and “View of Liverpool from Cheshire.” These paintings exemplify his skill in capturing the beauty and complexity of sailing vessels.

    Boston Harbor Series: He produced a significant body of work depicting Boston Harbor, showcasing maritime life and historical Boston. “Boston Harbor from Castle Island (Ship Charlotte)” is a notable example.

    Influence on American Art: Salmon's style profoundly influenced subsequent generations of American seascape painters, contributing to the development of Luminism as an important artistic movement.

    Legacy and Recognition

    Museum Holdings: Salmon’s works are held in prestigious institutions including the U.S. Naval Academy, Museum of Fine Arts, Boston, and the National Maritime Museum, Greenwich.

    Lasting Impact: His paintings continue to inspire artists today, serving as a testament to his skill and artistry.

    Father of American Luminism: Salmon’s legacy is firmly established as a pioneer of American Luminism, leaving an indelible mark on the art world.

    Where to read more

    • The artist Robert W. Salmon topimpressionists.com/en/artists/robert-w-salmon/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

    Find this online

    QR code linking to the download page for Moonlight and Lighthouse

    topimpressionists.com/en/art/download/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

    Cite this artwork

    MLA
    Salmon, Robert W.. Moonlight and Lighthouse. 1836, https://topimpressionists.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/
    APA
    Salmon, Robert W. (1836). Moonlight and Lighthouse [Painting]. https://topimpressionists.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/
    Chicago
    Robert W. Salmon. Moonlight and Lighthouse. 1836. https://topimpressionists.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/
    Harvard
    Salmon, Robert W. (1836) Moonlight and Lighthouse. Available at: https://topimpressionists.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

    Look closely

    Moonlight and Lighthouse — Robert W. Salmon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Dismal Swamp Canal (1830), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert W. Salmon was about 61 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who made "Moonlight and Lighthouse", and when?

    Robert W. Salmon made "Moonlight and Lighthouse" in 1836.

    How do the colors of "Moonlight and Lighthouse" relate to each other?

    The color harmony of "Moonlight and Lighthouse" is recorded as balanced harmony.

    How much light do the colors of "Moonlight and Lighthouse" appear to reflect?

    The colors of "Moonlight and Lighthouse" show a soft shadow luminance.