Paper

Student Artwork Guide

Taking Down the Sails

Name Class Date

Robert W. Salmon, Taking Down the Sails (1841). Public domain.

The facts

Artist
Robert W. Salmon topimpressionists.com/en/artists/robert-w-salmon/
Artist’s dates
1775 – 1845
Painted
1841

In context

Taking Down the Sails — Robert W. Salmon

When was this painted?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840

Shaded: the lifetime of Robert W. Salmon (1775–1845) ▲ this work, 1841

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-w-salmon-taking-down-the-sails-8CEGRF-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #cbba97

    Catalogued palette

    • #CBBA97
    • #5B543A
    • #2B2A1D
    • #897F61
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Robert W. Salmon

    Born in Whitehaven, United Kingdom

    Early Life and Artistic Training

    Origins: Salmon was born Robert Salomon to Francis Salomon, a jeweler. Whitehaven's bustling port provided an early influence on his artistic development.

    Early Influences: His training is not extensively documented but it’s believed he studied Dutch marine painters of the 17th century, Italian vedute artists, and Claude Lorrain.

    Early Works: His earliest known works, “Two Armed Merchantmen Leaving Whitehaven Harbor” (1800) and “The ‘Estridge’ off Dover,” demonstrate his early skill in capturing maritime scenes.

    Royal Academy Debut: Salmon first exhibited at the Royal Academy in 1802, marking a significant step in his career.

    Career Development and Style

    Move to Liverpool (1806): Salmon settled in Liverpool and changed his name to Salmon. This period saw him produce numerous marine paintings now housed in the National Maritime Museum in London.

    Ship Portraits: His ship portraits reveal a deep familiarity with sailing ships and their mechanics, often depicting the same vessel from multiple angles on a single canvas.

    Popularity & Collectors: Salmon's work gained popularity among prominent Bostonians like Samuel Cabot, Robert Bennett Forbes, and John Newmarch Cushing, indicating his growing recognition in America.

    Luminism Pioneer: He is considered a key figure in the development of American Luminism, influencing artists like William Bradford and Fitz Henry Lane. His emphasis on light and atmosphere created serene and tranquil scenes.

    Notable Works and Artistic Significance

    Key Paintings: Some of Salmon's most recognized works include "The Brig 'Ariel'," "Sailing Ship 'Trelawney'," and “View of Liverpool from Cheshire.” These paintings exemplify his skill in capturing the beauty and complexity of sailing vessels.

    Boston Harbor Series: He produced a significant body of work depicting Boston Harbor, showcasing maritime life and historical Boston. “Boston Harbor from Castle Island (Ship Charlotte)” is a notable example.

    Influence on American Art: Salmon's style profoundly influenced subsequent generations of American seascape painters, contributing to the development of Luminism as an important artistic movement.

    Legacy and Recognition

    Museum Holdings: Salmon’s works are held in prestigious institutions including the U.S. Naval Academy, Museum of Fine Arts, Boston, and the National Maritime Museum, Greenwich.

    Lasting Impact: His paintings continue to inspire artists today, serving as a testament to his skill and artistry.

    Father of American Luminism: Salmon’s legacy is firmly established as a pioneer of American Luminism, leaving an indelible mark on the art world.

    Where to read more

    • The artist Robert W. Salmon topimpressionists.com/en/artists/robert-w-salmon/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-w-salmon-taking-down-the-sails-8CEGRF-en/

    Find this online

    QR code linking to the download page for Taking Down the Sails

    topimpressionists.com/en/art/download/robert-w-salmon-taking-down-the-sails-8CEGRF-en/

    Cite this artwork

    MLA
    Salmon, Robert W.. Taking Down the Sails. 1841, https://topimpressionists.com/en/art/robert-w-salmon-taking-down-the-sails-8CEGRF-en/
    APA
    Salmon, Robert W. (1841). Taking Down the Sails [Painting]. https://topimpressionists.com/en/art/robert-w-salmon-taking-down-the-sails-8CEGRF-en/
    Chicago
    Robert W. Salmon. Taking Down the Sails. 1841. https://topimpressionists.com/en/art/robert-w-salmon-taking-down-the-sails-8CEGRF-en/
    Harvard
    Salmon, Robert W. (1841) Taking Down the Sails. Available at: https://topimpressionists.com/en/art/robert-w-salmon-taking-down-the-sails-8CEGRF-en/

    Look closely

    Taking Down the Sails — Robert W. Salmon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Dismal Swamp Canal (1830), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert W. Salmon was about 66 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.