Paper
Name Class Date

Robert Walker Macbeth, Oliver cromwell - (11). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Walker Macbeth topimpressionists.com/en/artists/robert-walker-macbeth/
Artist’s dates
1848 – 1910

In context

Oliver cromwell - (11) — Robert Walker Macbeth

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Shaded: the lifetime of Robert Walker Macbeth (1848–1910) every dated painting, decade by decade

First works: up to 1881 Main working years: 1881–1902 Late works: from 1902

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b09b84

    Catalogued palette

    • #B09B84
    • #191219
    • #6F5D55
    • #362529

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Walker Macbeth over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.7%
    2. 2 Hong Kong 10.5%
    3. 3 Czechia 5.3%
    4. 4 New Zealand 5.3%
    5. 5 United States of America 5.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Robert Walker Macbeth

    1. 1 The Ferry, 1881 9.5%
    2. 2 Called 'Robert Cromwell 9.5%
    3. 3 Ralph perkins 9.5%
    4. 4 Thomas Graham (1840–1906), HRSA, 1883 4.8%
    5. 5 The Lass that a Sailor Loves, 1903 4.8%
    6. 6 Faire Pledges of a Fruitful Tree, 1902 4.8%
    7. 7 Diana Hunting, 1896 4.8%
    8. 8 Unknown man, formerly known as William Faithorne 4.8%
    9. 9 Portrait of an Unknown Gentleman 4.8%
    10. 10 Charles fleetwood 4.8%
    11. 11 William juxon 4.8%
    12. 12 Sir richard onslow 4.8%
    13. 13 Oliver cromwell 4.8%
    14. 14 Montagu bertie 4.8%
    15. 15 Oliver cromwell - (14) 4.8%
    16. 16 Oliver cromwell - (10) 4.8%
    17. 17 Oliver cromwell 4.8%
    18. 18 Sir charles shirley 4.8%
    19. Oliver cromwell - (11) this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 88 works by this artist, of which 18 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert Walker Macbeth

    A Life Immersed in Pastoral Charm: Robert Walker Macbeth

    Robert Walker Macbeth, born in Glasgow on September 30th, 1848, emerged from a family deeply rooted in the artistic traditions of Scotland. His father, Norman Macbeth, was a respected portrait painter, and this early exposure to the world of brushes, canvases, and discerning clientele undoubtedly shaped young Robert’s trajectory. However, while his father specialized in capturing likenesses, Robert would forge his own path, becoming celebrated for evocative landscapes and scenes of rustic life that resonated with the Victorian public's growing nostalgia for a simpler existence. The artistic lineage didn’t stop there; two of his brothers, James Macbeth and Henry Macbeth-Raeburn, also pursued careers as painters, creating a vibrant creative atmosphere within the family circle. This familial encouragement fostered an environment where experimentation and dedication to craft were paramount.

    Early Training and the Influence of Realism

    Macbeth’s formal artistic education began in London, where he honed his skills at the Royal Scottish Academy School and later at the prestigious Royal Academy Schools. It was during this period that he developed a keen eye for realism, meticulously rendering everyday scenes with an attention to detail that would become a hallmark of his style. He initially found work as an illustrator for The Graphic, a popular weekly newspaper, which provided valuable experience in narrative storytelling and capturing fleeting moments in time. This early work instilled in him the ability to translate observations into compelling visual representations. However, it was his travels through the countryside – particularly Lincolnshire and Somerset – that truly ignited his artistic passion. Influenced by painters like George Heming Mason and Frederick Walker, Macbeth began to focus on pastoral landscapes, depicting the lives of field laborers and the beauty of rural England with a sensitivity that set him apart. His painting The Cast Shoe, purchased by the Chantrey Bequest in 1890, marked a significant early achievement and secured his place within the artistic establishment.

    Embracing the Idyllists and the Power of Etching

    Macbeth became closely associated with the Idyllist school, a group of artists who sought to capture the beauty and tranquility of rural life, often focusing on scenes of everyday labor and domesticity. He played a crucial role in popularizing their work through his masterful etchings. Etching allowed him to reproduce his paintings more widely, bringing his vision of idyllic landscapes to a broader audience. This commitment to accessibility didn’t diminish the quality of his reproductions; rather, it demonstrated a desire to share his artistic perspective with as many people as possible. He was elected an associate of the Royal Watercolour Society in 1871 and became a full member in 1901, further solidifying his reputation within the art world. His involvement with societies like the Royal Society of Painter-Etchers and Engravers (becoming a member in 1880) underscored his dedication to both painting and printmaking.

    A Flourishing Career and Recognition

    Throughout his career, Macbeth exhibited extensively at prestigious venues including the Royal Academy, the Grosvenor Gallery, and the New Gallery. He also participated in regional exhibitions, showcasing his work across England and Scotland. His style evolved over time, though he remained committed to depicting scenes of everyday life. While some critics noted a shift towards conventional sentimentality in his later works, his ability to capture atmosphere and emotion never wavered. In 1883, Macbeth was elected an associate of the Royal Academy, culminating in full membership in 1903 – a testament to his artistic achievements and standing within the British art community. His personal life also flourished; he married Lydia Esther Bates in 1887, and they had two daughters. He continued to paint prolifically until his death at Holder’s Green, near Lindsell, Essex, on November 1st, 1910.

    Legacy and Historical Significance

    Robert Walker Macbeth's legacy lies in his ability to capture the essence of Victorian rural life with both realism and charm. He wasn’t merely documenting scenes; he was imbuing them with a sense of nostalgia and emotional resonance that appealed deeply to his contemporaries. His work provides valuable insight into the social and cultural values of the era, reflecting a growing appreciation for the simplicity and authenticity of country living. His paintings continue to be admired today for their technical skill, evocative atmosphere, and enduring appeal. Macbeth’s influence can be seen in the work of later landscape painters who sought to capture the beauty of the English countryside, and his etchings remain prized by collectors for their delicate detail and artistic merit. He stands as a significant figure within the Idyllist movement, bridging the gap between realism and sentimentality and leaving behind a body of work that continues to captivate and inspire.

    Where to read more

    • The artist Robert Walker Macbeth topimpressionists.com/en/artists/robert-walker-macbeth/
    • Similar works More works to compare topimpressionists.com/en/art/similar/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/

    Find this online

    QR code linking to the download page for Oliver cromwell - (11)

    topimpressionists.com/en/art/download/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/

    Cite this artwork

    MLA
    Macbeth, Robert Walker. Oliver cromwell - (11). n.d., https://topimpressionists.com/en/art/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/
    APA
    Macbeth, Robert Walker (n.d.). Oliver cromwell - (11) [Painting]. https://topimpressionists.com/en/art/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/
    Chicago
    Robert Walker Macbeth. Oliver cromwell - (11). n.d. https://topimpressionists.com/en/art/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/
    Harvard
    Macbeth, Robert Walker (n.d.) Oliver cromwell - (11). Available at: https://topimpressionists.com/en/art/robert-walker-macbeth-oliver-cromwell-11-A26NF9-en/

    Look closely

    Oliver cromwell - (11) — Robert Walker Macbeth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Unknown man, formerly known as William Faithorne, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Toward which tone does "Oliver cromwell - (11)" lean?

    "Oliver cromwell - (11)" leans toward a warm sunset tones tone.

    Are there works similar to "Oliver cromwell - (11)"?

    Artworks similar to "Oliver cromwell - (11)" by Robert Walker Macbeth are gathered on the artwork's Similars page.

    Is "Oliver cromwell - (11)" available as a fine art print?

    A print of "Oliver cromwell - (11)" by Robert Walker Macbeth can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.