Paper

Student Artwork Guide

Hedging at Cornard Tye, Suffolk

Name Class Date

Rowland Suddaby, Hedging at Cornard Tye, Suffolk (1950), Nottingham Castle Museum And Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Rowland Suddaby topimpressionists.com/en/artists/rowland-suddaby/
Artist’s dates
1912 – 1972
Painted
1950
Original size
44 x 55 cm
Held at
Nottingham Castle Museum And Art Gallery topimpressionists.com/en/museums/nottingham-castle-museum-and-art-gallery-nottingham/

In context

Hedging at Cornard Tye, Suffolk — Rowland Suddaby

How big is it?

The original measures 44 × 55 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 60 at death.

Painted when the artist was 38. The artist lived to 60. 13 of the 14 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Rowland Suddaby (1912–1972) ▲ this work, 1950 every dated painting, decade by decade

First works: up to 1937 Main working years: 1937–1941 Late works: from 1941

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/rowland-suddaby-hedging-at-cornard-tye-suffolk-AQVCAB-en/

Colours

Measured from the image

    Main colour

    Celadon #c0c7c3

    Catalogued palette

    • #C0C7C3
    • #382613
    • #786950
    • #9BAAA8

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Rowland Suddaby over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 United Kingdom 27.8%
    3. 3 United States of America 5.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Rowland Suddaby

    1. 1 Floods, 1938 15.8%
    2. 2 Fishing Village, 1931 15.8%
    3. 3 Paddock at Stoke by Nayland, Essex 10.5%
    4. 4 Winter Landscape, near Lavenham, 1942 5.3%
    5. 5 Fishing Boats at Staithes, Yorkshire, 1938 5.3%
    6. 6 Spring Landscape, 1940 5.3%
    7. 7 Still Life, 1936 5.3%
    8. 8 Landscape in Suffolk (Stoke by Nayland, Suffolk) 5.3%
    9. 9 Coast Scene with a Lighthouse 5.3%
    10. 10 Sunflowers and Fruit 5.3%
    11. 11 Stour Valley, Suffolk 5.3%
    12. 12 Berkshire Landscape 5.3%
    13. 13 Landscape 5.3%
    14. 14 Coast Scene near the Stour Estuary, Suffolk, 1946 5.3%
    15. — Hedging at Cornard Tye, Suffolk, 1950 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 26 works by this artist, of which 14 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Rowland Suddaby

    A Quiet Observer of Rural England

    Rowland Suddaby (1912–1972) remains a poignant voice in the history of British mid-century art, serving as a dedicated chronicler of the English landscape. Born in Kimberworth, Yorkshire, his artistic sensibilities were forged through a rigorous academic journey that began with a prestigious scholarship to the Sheffield College of Art in 1926. This foundational period provided him with the technical precision that would later allow him to capture the subtle nuances of light and atmosphere. His subsequent training at the Royal College of Art further refined his craft, placing him within a lineage of artists who sought to balance formal excellence with an intimate connection to the natural world. Suddaby’s early life was not merely a period of study but a deep immersion into the textures of the British countryside, a theme that would resonate through every canvas he produced.

    The transition to London in 1931 acted as a catalyst for his professional evolution, thrusting him into the vibrant heart of the nation's artistic commerce. During this era, Suddaby demonstrated a remarkable versatility, securing work designing film titles for the studios of Wardour Street—a role that required a keen eye for composition and visual storytelling. This commercial success provided a stable foundation for his more personal explorations in fine art. His emergence into the prestigious London gallery scene, with exhibitions at the Wertheim Gallery and the Redfern Gallery, signaled his arrival as a significant talent. Through these venues, he engaged with the contemporary dialogues of his time, often finding himself aligned with the sensibilities of the New English Art Club, where the pursuit of capturing fleeting moments through light and color was paramount.

    The Poetics of Landscape and Still Life

    Suddaby’s oeuvre is characterized by a profound ability to elevate the mundane into the monumental. Whether he was painting the rolling hills of Yorkshire or the serene vistas of Suffolk, his work possessed an evocative quality that transcended simple topography. His landscapes often feel like quiet meditations; in works such as Winter Landscape, near Lavenham, one can sense the stillness of a frost-covered morning, where the weight of the atmosphere is rendered with masterful sensitivity. His technique frequently leaned toward an Impressionistic approach, utilizing loose, visible brushstrokes to prioritize the emotional resonance of a scene over rigid realism. This method allowed him to capture the diffused light and soft shadows that define the English countryside, creating a sense of warmth and abundance even in more somber settings.

    Beyond the expansive horizon, Suddaby found equal inspiration in the intimate arrangements of his still lifes. In masterpieces like Still Life with Fruit and Flowers, he utilized a vibrant palette of reds, blues, and yellows to breathe life into inanimate objects. These compositions were far more than mere studies of form; they were celebrations of texture and light. The contrast between the smooth surface of a vase and the rough skin of ripening fruit served to ground his more expressive brushwork in a tangible reality. This duality—the ability to move seamlessly from the sweeping vistas of Scholes, Yorkshire to the delicate intimacy of a tabletop arrangement—demonstrates a technical breadth that made him a truly versatile observer of the world around him.

    Legacy and Historical Significance

    The later years of Suddaby’s life saw him returning to the very landscapes that had shaped his soul. Moving near Sudbury, Suffolk, during the onset of World War II, he found a sanctuary in the rural landscape alongside his family. This period of relative seclusion allowed for a deepening of his connection to the land, a sentiment reflected in his involvement with the Recording Britain project commissioned by Sir Kenneth Clarke. This monumental effort to document the changing face of the British landscape ensured that Suddaby’s vision was woven into the historical fabric of the nation. His later appointment as the curator of Gainsborough's House in Sudbury from 1968 until his death in 1972 further solidified his role as a custodian of British artistic heritage.

    Today, the significance of Rowland Suddaby’s work is preserved within the collections of numerous esteemed institutions, including the Victoria and Albert Museum and the Government Art Collection. His legacy is defined by several key contributions to British art:

    Documentary Value: His meticulous yet emotive depictions provide a vital visual record of mid-century English rural life and landscapes that have since been altered by time.

    Technical Mastery: He successfully bridged the gap between commercial graphic design and fine art, bringing a unique sense of composition to both mediums.

    Emotional Depth: Through his use of light and color, he moved beyond mere representation to capture the "feeling" of the English atmosphere, making his work timelessly relatable.

    Suddaby remains a celebrated figure for those who seek beauty in the quiet corners of the world, reminding us that there is profound art to be found in the simple observation of nature's enduring rhythms.

    Museum

    Nottingham Castle Museum And Art Gallery

    On show in Nottingham, United Kingdom

    Nottingham Castle Museum And Art Gallery

    Nestled dramatically atop Castle Rock, overlooking the city of Nottingham, stands a monument that is as much a repository of history and legend as it is a vibrant art gallery. Nottingham Castle isn’t simply a building; it's a palimpsest, layered with centuries of stories – from its Norman origins as a formidable fortress to its evolution into a magnificent Ducal Palace, and finally, its transformation into a publicly accessible museum celebrating both artistic achievement and local heritage.

    Originally constructed in 1068 by William the Conqueror as a wooden motte-and-bailey castle, it was later rebuilt in stone during the reign of Henry II, becoming a strategically vital stronghold. The 17th century saw the rise of the Ducal Palace under William Cavendish, 1st Duke of Newcastle, a lavish residence that reflected his power and status.

    However, this opulent palace suffered a devastating fire in 1831 during civic unrest, only to be painstakingly reconstructed in the 1870s – a pivotal moment that gifted Nottingham with one of Britain’s first publicly-owned art museums outside of London. This commitment to accessibility remains at the heart of the Castle's identity.

    A Tapestry of Artistic Treasures

    Within its walls, Nottingham Castle Museum & Art Gallery houses a diverse and compelling collection that spans from medieval masterpieces to contemporary works. The gallery is thoughtfully organized around thematic sections designed to spark contemplation and connection.

    “Faces” invites intimate encounters with portraiture, while “Scenic Landscapes” transports viewers to idyllic vistas. “Myth, Power and Beauty” delves into the realm of classical narratives and allegorical representations, offering a glimpse into the artistic preoccupations of past eras.

    But it is perhaps in its specialized collections that Nottingham Castle truly shines. The museum boasts an exceptional array of Netherlandish art, providing a fascinating window into 16th and 17th-century life.

    Exploring the Collection Highlights

    Visitors can immerse themselves in lively tavern scenes by Pieter Jacob Horemans and Egbert van Heemskerck the Elder, or observe the convivial gatherings depicted in ‘merry company’ paintings by Anthonie Palamedesz and attributed works by Pieter Codde. The stillness of Barend Van der Meer's still life paintings offers a moment of quiet contemplation.

    Religious scenes like Jan Breughel’s “Rest on the Flight into Egypt” (with attribution to Master of the Antwerp Adoration) evoke spiritual devotion. Landscape enthusiasts will appreciate works by Jan Siberechts and Jan Wijnants, capturing the beauty of the English countryside with remarkable detail.

    And for those drawn to classical themes, Adriaen van der Werff’s “Venus and Cupid” offers a vision of mythological grace.

    Beyond Canvas and Stone: A Legacy of Lace & Legend

    Nottingham Castle's unique character extends beyond its artistic holdings. The museum holds a special place in the history of Nottingham’s famed lace-making industry, an integral part of the city’s identity.

    The initial inspiration for much of the art collection stemmed from designs within this intricate craft, highlighting the close relationship between artistry and industrial innovation. This connection is celebrated in the dedicated Nottingham Lace Gallery, showcasing the evolution of this delicate and complex textile tradition.

    Of course, no discussion of Nottingham Castle would be complete without acknowledging its enduring association with Robin Hood. The legendary outlaw’s exploits are woven into the fabric of the city's folklore, and the castle serves as a powerful backdrop to many tales of his daring adventures.

    Notable Exhibitions & Architectural Significance

    Recent exhibitions have explored themes of identity and resilience, reflecting Nottingham’s rich cultural heritage. The Castle’s soaring stone walls and grand courtyards stand as testament to its architectural grandeur—a masterpiece of Stuart Restoration design that continues to inspire awe.

    A Destination for Art Enthusiasts & Historians Alike

    Nottingham Castle Museum & Art Gallery is more than just a destination; it’s an experience – a journey through time, art, and legend. It's a place where history comes alive, creativity flourishes, and the spirit of Nottingham endures.

    Additional Research

    Nottingham Castle Museum And Art Gallery: https://www.nottinghamcastle.org.uk/

    Nottingham: https://en.wikipedia.org/wiki/Nottingham

    Nottingham Castle: https://en.wikipedia.org/wiki/Nottingham_Castle

    Nottingham Castle | Art UK: https://artuk.org/visit/venues/nottingham-castle-7902

    Nottingham Goose Fair: https://en.wikipedia.org/wiki/Nottingham_Goose_Fair

    Where to read more

    Find this online

    QR code linking to the download page for Hedging at Cornard Tye, Suffolk

    topimpressionists.com/en/art/download/rowland-suddaby-hedging-at-cornard-tye-suffolk-AQVCAB-en/

    Cite this artwork

    MLA
    Suddaby, Rowland. Hedging at Cornard Tye, Suffolk. 1950, Nottingham Castle Museum And Art Gallery. https://topimpressionists.com/en/art/rowland-suddaby-hedging-at-cornard-tye-suffolk-AQVCAB-en/
    APA
    Suddaby, Rowland (1950). Hedging at Cornard Tye, Suffolk [Painting]. Nottingham Castle Museum And Art Gallery. https://topimpressionists.com/en/art/rowland-suddaby-hedging-at-cornard-tye-suffolk-AQVCAB-en/
    Chicago
    Rowland Suddaby. Hedging at Cornard Tye, Suffolk. 1950. Nottingham Castle Museum And Art Gallery. https://topimpressionists.com/en/art/rowland-suddaby-hedging-at-cornard-tye-suffolk-AQVCAB-en/
    Harvard
    Suddaby, Rowland (1950) Hedging at Cornard Tye, Suffolk. Nottingham Castle Museum And Art Gallery. Available at: https://topimpressionists.com/en/art/rowland-suddaby-hedging-at-cornard-tye-suffolk-AQVCAB-en/

    Look closely

    Hedging at Cornard Tye, Suffolk — Rowland Suddaby

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Winter Landscape, near Lavenham (1942), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Rowland Suddaby was about 38 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What was Rowland Suddaby's age when "Hedging at Cornard Tye, Suffolk" was created?

    When "Hedging at Cornard Tye, Suffolk" was created in 1950, Rowland Suddaby - born in 1912 - was 38 years old.

    Where is "Hedging at Cornard Tye, Suffolk" by Rowland Suddaby on display today?

    The original "Hedging at Cornard Tye, Suffolk" by Rowland Suddaby is held at the Nottingham Castle Museum And Art Gallery, Nottingham, United Kingdom. A reproduction allows the work to be displayed at home.

    Can I see "Hedging at Cornard Tye, Suffolk" by Rowland Suddaby on my own wall before buying?

    "Hedging at Cornard Tye, Suffolk" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.