Paper

Student Artwork Guide

Ecstasy

Name Class Date

Ruskin Spear, Ecstasy, The Ingram Collection of Modern British And Contemporary Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ruskin Spear topimpressionists.com/en/artists/ruskin-spear/
Artist’s dates
1911 – 1990
Original size
84 x 58 cm
Held at
The Ingram Collection of Modern British And Contemporary Art topimpressionists.com/en/museums/the-ingram-collection-of-modern-british-and-contemporary-art-london/

In context

Ecstasy — Ruskin Spear

How big is it?

The original measures 84 × 58 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Shaded: the lifetime of Ruskin Spear (1911–1990) every dated painting, decade by decade

First works: up to 1940 Main working years: 1940–1949 Late works: from 1949

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ruskin-spear-ecstasy-AQUNYZ-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a5968e

    Catalogued palette

    • #A5968E
    • #404B5C
    • #8E706B
    • #DFDCD9

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ruskin Spear over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 United States of America 20.0%
    3. 3 France 13.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Ruskin Spear

    1. 1 The Curious Cat 20.0%
    2. 2 Director General Portrait – Sir Hugh Carlton Greene 12.0%
    3. 3 Paul Cairn Vellacott, Master (1939–1954) 8.0%
    4. 4 Ecstasy this painting 8.0%
    5. 5 Mr Hollingbery's Canary, 1950 8.0%
    6. 6 Cat on a Roof 8.0%
    7. 7 Siesta, 1938 4.0%
    8. 8 Mackerel, 1943 4.0%
    9. 9 Portrait of Ida, 1940 4.0%
    10. 10 Sir Harold Wilson (1916–1995), Prime Minister 4.0%
    11. 11 Hammersmith Bridge 4.0%
    12. 12 Spring in Hammersmith 4.0%
    13. 13 Airgraphs on Drying Drums in the Dark Room 4.0%
    14. 14 Cherries and Pear 4.0%
    15. 15 Hollingberry's Canary 4.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 53 works by this artist, of which 15 were looked at at least once. This painting ranks 4 of them, with 8.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ruskin Spear

    Ruskin Spear: A Life Sculpted in Sound and Vision

    Roger Ruskin Spear (1943-1990) wasn’t merely an artist; he was a conjurer of experiences, a delightfully eccentric inventor of sound and form. Born into a family steeped in artistic rebellion – his father, Ruskin Spear CBE RA, was a celebrated portrait painter known for his satirical observations of London life – Roger inherited a legacy of playful subversion and a deep fascination with the mechanics of both art and reality. His career, spanning decades and encompassing music, sculpture, performance, and design, defies easy categorization, revealing a restless spirit constantly pushing the boundaries of creative expression.

    Spear’s early life was shaped by a physical challenge: contracted polio at the age of two, he navigated the world with a wheelchair. This experience profoundly influenced his artistic vision, imbuing his work with a sense of observation rooted in the everyday, often exploring themes of limitation and adaptation. He attended Brook Green School for the “Physically Defective,” an institution that fostered both creativity and a unique perspective on society. His formal training at the Hammersmith School of Art and later the Royal College of Art provided him with technical skills, but it was his father’s influence – particularly the Camden Town Group's embrace of urban realism and social commentary – that truly ignited his artistic fire.

    The Bonzo Dog Doo-Dah Band and Early Musical Explorations

    Spear’s career gained significant momentum with his involvement in the Bonzo Dog Doo-Dah Band, a satirical musical collective known for its irreverent humor and theatrical performances. Joining the band in 1964 after dissolving his own jazz ensemble, “New Jungle Orchestra,” he quickly became an integral part of their sound and visual identity. Spear’s contributions extended beyond songwriting; he was responsible for much of the band's distinctive stage presence, including elaborate costumes, robotic creations, and a penchant for theatrical absurdity. Songs like "Shirt," "Tubas in the Moonlight," and “Trouser Press” became iconic examples of the band’s witty and often surreal lyrics.

    However, Spear’s artistic ambitions extended far beyond the confines of the Bonzos. He was a prolific inventor, creating bizarre contraptions – most famously the “Theremin Leg,” a robotic appendage controlled by a theremin – that appeared in performances and recordings. This fascination with mechanics and automation permeated his work, leading to projects like "Noises for the Leg," a series of experimental soundscapes designed to be experienced through this unusual instrument. His exploration of robotics wasn’t simply about technological novelty; it was a way of questioning human interaction and exploring alternative forms of expression.

    Sculptural Innovations and Performance Art

    Following the Bonzos' dissolution, Spear continued to experiment with diverse media. He formed biGGrunt with Vivian Stanshall, a short-lived but influential band known for its dark humor and theatrical performances. He also took on solo projects, including “Roger Ruskin Spear and his Giant Kinetic Wardrobe,” a spectacular stage show featuring elaborate costumes, robotic figures, and orchestral music – a testament to his boundless imagination. This performance piece, often referred to as "Giant Orchestral Wardrobe," became a signature of his work, showcasing his ability to blend art, technology, and spectacle.

    In the 1980s, Spear collaborated with Dave Glasson on “The Slightly Dangerous Brothers,” producing a single, “Let’s Talk Basic,” accompanied by a music video featuring his robot creations. He also participated in The Cut Price Comedy Show, a television program known for its corny sketches and ironic humor, demonstrating his versatility as a performer and collaborator.

    Legacy and Artistic Significance

    Ruskin Spear's artistic legacy is one of playful innovation and unconventional vision. He wasn’t confined by traditional categories; he seamlessly blended music, sculpture, performance art, and design into a singular, often bewilderingly delightful, body of work. His exploration of robotics, his satirical wit, and his unique perspective on the human condition continue to resonate with audiences today. His influence can be seen in contemporary artists who embrace experimentation, challenge conventions, and seek to create immersive and thought-provoking experiences.

    Spear’s paintings, particularly works like “Portrait of Mother” and “Mr Hollingberry's Canary,” reveal a subtle yet powerful narrative sensibility. His early training with Walter Sickert and the Camden Town Group informed his approach to portraiture, but he infused his work with a distinctive sense of humor and social commentary. His official war artist commission during World War II further solidified his place in British art history, documenting the everyday lives of Londoners amidst wartime austerity.

    Ruskin Spear’s life and work stand as a testament to the power of creative freedom and the enduring appeal of artistic eccentricity. He remains a singular figure – a sculptor of sound, a conjurer of visions, and a champion of delightfully strange ideas.

    Museum

    The Ingram Collection of Modern British And Contemporary Art

    On show in London, United Kingdom

    A Sanctuary of British Vision: Discovering The Ingram Collection

    Nestled within the vibrant cultural landscape of London lies a treasure trove often whispered about amongst connoisseurs – The Ingram Collection of Modern British and Contemporary Art. More than just a museum, it’s an intimate exploration of artistic evolution spanning over a century, a testament to the enduring power of British creativity from the dawn of the 20th century to the present day. Unlike some of London's grander institutions, The Ingram Collection offers a uniquely personal experience, allowing visitors to connect with each artwork on a deeper level within its serene and thoughtfully designed spaces. It’s a place where the echoes of artistic innovation resonate, inviting contemplation and sparking new perspectives – a true haven for those seeking to understand the soul of British art.

    The story of The Ingram Collection is one driven by passion and foresight. Founded in 2002 by media entrepreneur and philanthropist Chris Ingram, the collection quickly blossomed into one of the most significant publicly accessible repositories of Modern British art in the UK. Ingram’s dedication wasn't simply to amass works; it was a commitment to ensuring these vital pieces of cultural heritage were shared with all. This ethos led to the establishment of The Ingram Art Foundation, further solidifying his ambition and facilitating an extensive program of loans and exhibitions that bring British art to audiences across the nation. The collection’s growth reflects not just an appreciation for aesthetic beauty but a deep understanding of the historical and social contexts that shaped these artistic expressions. It's a narrative woven with threads of post-war anxieties, societal shifts, and the relentless pursuit of new forms of visual language – a poignant reflection of Britain itself.

    The Ingram Collection boasts an impressive roster of celebrated artists, each contributing their unique voice to the chorus of British modernism. Lucian Freud’s intensely psychological portraits are a cornerstone, capturing the raw vulnerability and complex inner lives of his subjects with unflinching honesty. His work isn't merely representation; it’s an excavation of the human condition – a direct line to the emotions that shape our experience. Alongside Freud, Frank Auerbach’s expressive paintings pulse with the energy of urban life, built up through layers of thick impasto that convey both the grit and the beauty of the city. His canvases seem to breathe with the rhythm of London itself, a testament to his masterful use of color and texture. And then there's David Hockney, whose vibrant landscapes and innovative use of color inject a sense of joy and optimism into the collection, demonstrating his mastery of perspective and light – a beacon of hope amidst the complexities of modern life. Beyond these luminaries, the Ingram Collection showcases an extraordinary breadth of talent, encompassing sculpture, installations, and works on paper from artists like Dame Elisabeth Frink, Dame Barbara Hepworth, Sir Eduardo Paolozzi, William Roberts, Edward Burra, and many more – a carefully curated panorama of British artistic achievement.

    A Harmonious Space for Artistic Encounter

    The architecture of the museum itself enhances the viewing experience. The building seamlessly blends historical charm with modern functionality, creating a space that is both inviting and conducive to contemplation. Situated in London’s West End, the Ingram Collection occupies a beautifully restored historic building, retaining elements of its original character while incorporating contemporary design features. Natural light floods the galleries through strategically placed windows, illuminating the artworks and allowing their textures and colors to come alive – a deliberate choice that prioritizes the immersive experience for the visitor. The interior spaces are thoughtfully designed to encourage quiet reflection, with comfortable seating areas and ample space to move between pieces. This thoughtful design isn’t accidental; it's intended to complement the art, providing a serene environment where visitors can fully immerse themselves in the creative process – a sanctuary dedicated to fostering genuine connection with the artwork.

    The Ingram Collection: A Living Legacy

    Beyond its impressive collection and elegant setting, The Ingram Collection is defined by its commitment to accessibility and community engagement. Free admission ensures that the collection remains open to all, breaking down barriers and fostering a wider appreciation for British art. The museum actively fosters this connection through its educational programs, guided tours, and special events – offering something for everyone, from seasoned collectors to curious newcomers. Notably, The Ingram Prize, an annual purchase prize supporting emerging UK art school graduates, demonstrates a dedication to nurturing the next generation of artistic talent, ensuring that the legacy of British creativity continues to evolve. The collection’s active loan program extends its reach far beyond London, bringing these masterpieces to museums and galleries across the country, enriching cultural experiences for audiences nationwide.

    Beyond Display: A Commitment to Community & Innovation

    What truly sets The Ingram Collection apart is its unwavering commitment to accessibility and innovation. The museum’s active engagement with the local community through workshops, lectures, and special events further solidifies its role as a cultural hub. The establishment of The Ingram Prize, an annual purchase prize supporting emerging UK art school graduates, demonstrates a dedication to nurturing the next generation of artistic talent. This forward-thinking approach ensures that The Ingram Collection isn’t just preserving the past; it's actively shaping the future of British art. It is a dynamic institution, constantly evolving and seeking new ways to connect with audiences and inspire creativity – a testament to Chris Ingram’s vision and a vital resource for anyone interested in exploring the rich tapestry of British artistic heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Ecstasy

    topimpressionists.com/en/art/download/ruskin-spear-ecstasy-AQUNYZ-en/

    Cite this artwork

    MLA
    Spear, Ruskin. Ecstasy. n.d., The Ingram Collection of Modern British And Contemporary Art. https://topimpressionists.com/en/art/ruskin-spear-ecstasy-AQUNYZ-en/
    APA
    Spear, Ruskin (n.d.). Ecstasy [Painting]. The Ingram Collection of Modern British And Contemporary Art. https://topimpressionists.com/en/art/ruskin-spear-ecstasy-AQUNYZ-en/
    Chicago
    Ruskin Spear. Ecstasy. n.d. The Ingram Collection of Modern British And Contemporary Art. https://topimpressionists.com/en/art/ruskin-spear-ecstasy-AQUNYZ-en/
    Harvard
    Spear, Ruskin (n.d.) Ecstasy. The Ingram Collection of Modern British And Contemporary Art. Available at: https://topimpressionists.com/en/art/ruskin-spear-ecstasy-AQUNYZ-en/

    Look closely

    Ecstasy — Ruskin Spear

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Director General Portrait – Sir Hugh Carlton Greene, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who created "Ecstasy"?

    The artist behind "Ecstasy" is Ruskin Spear. The work is catalogued under Ruskin Spear's name.

    What size is "Ecstasy" by Ruskin Spear in real life?

    "Ecstasy" measures 84 x 58 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

    Where can I buy a print of "Ecstasy" by Ruskin Spear?

    To get a print of "Ecstasy" by Ruskin Spear, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.