Paper

Student Artwork Guide

Structure

Name Class Date

Selwyn Jones, Structure (1970), Bangor University. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Selwyn Jones topimpressionists.com/en/artists/selwyn-jones/
Artist’s dates
1928 – 1998
Painted
1970
Original size
69 x 89 cm
Held at
Bangor University topimpressionists.com/en/museums/bangor-university-bangor/

In context

Structure — Selwyn Jones

How big is it?

The original measures 69 × 89 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 42. The artist lived to 70. 0 of the 4 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Selwyn Jones (1928–1998) ▲ this work, 1970 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/selwyn-jones-structure-AR2BHA-en/

Colours

Measured from the image

    Main colour

    Gray #8f7169

    Catalogued palette

    • #8F7169
    • #CEC3C2
    • #B9A79C
    • #49403D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Selwyn Jones over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 United States of America 25.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Selwyn Jones

    1. 1 Caernarfon Street Scene 40.0%
    2. 2 Structure, 1970 this painting 20.0%
    3. 3 Capel 20.0%
    4. 4 Capel Bach 20.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 4 were looked at at least once. This painting ranks 2 of them, with 20.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Selwyn Jones

    Selwyn Jones: A Welsh Visionary of Light and Landscape

    Selwyn Jones (1928-1998) wasn’t a name that frequently echoed through the halls of the established art world during his lifetime, yet his evocative paintings of Wales—particularly the dramatic landscapes of Snowdonia—hold a quiet power and enduring appeal. Born in Wrexham, North Wales, into a family deeply rooted in the region's artistic traditions, Jones’ journey as an artist was shaped by both formal training and a profound connection to the land itself. He began his artistic education at the Liverpool School of Art, absorbing influences from the Pre-Raphaelites and the burgeoning modernism of the early 20th century. However, it was his time spent teaching art in North Wales that truly solidified his distinctive style – a synthesis of meticulous observation, atmospheric sensitivity, and an almost palpable sense of place.

    Jones’ artistic development wasn't solely driven by academic study; he actively sought inspiration from the natural world around him. He frequently painted en plein air, directly observing the shifting light and weather conditions that sculpted Snowdonia’s iconic peaks and valleys. This commitment to direct experience is evident in his paintings—the textures of rock and heather, the shimmering reflections on lakes, and the ever-changing hues of the sky are rendered with remarkable detail and immediacy. His work isn't simply a depiction of scenery; it’s an attempt to capture the feeling of being within that landscape – its majesty, its solitude, and its inherent beauty.

    The Snowdonian Influence: Pre-Raphaelite Echoes and Modern Sensibility

    Jones’ artistic style is often described as a delicate balance between Pre-Raphaelite romanticism and modern sensibility. Like the Pre-Raphaelites, he possessed a deep appreciation for detail, color, and narrative—elements visible in his meticulous rendering of foliage, the subtle gradations of light, and the suggestion of human presence within the vast landscapes. However, unlike the overtly sentimental approach of some of his Pre-Raphaelite predecessors, Jones’ work maintains a sense of restraint and objectivity. He avoids overt symbolism or moralizing, instead focusing on capturing the pure essence of the Welsh countryside.

    His use of impasto—thickly applied paint—is particularly noteworthy. This technique not only adds textural richness to his canvases but also creates a dynamic sense of movement and atmosphere. The brushstrokes themselves seem to capture the wind, the rain, and the shifting light that define Snowdonia’s ever-changing moods. The influence of artists like J.M.W. Turner is subtly present in Jones' ability to convey atmospheric effects—the hazy distances, the dramatic cloud formations, and the interplay of light and shadow.

    Key Works and Artistic Evolution

    Several paintings stand out as particularly representative of Jones’ artistic vision. “Adwy Brynsiencyn” (The Path of Brynciencyn), painted in 1993, exemplifies his mastery of capturing the ethereal beauty of Welsh rural dusk. The painting's muted palette, textured brushwork, and evocative sense of atmosphere create a deeply immersive experience for the viewer. Similarly, “Tal y Mignedd,” also from 1993, showcases his ability to depict the serene tranquility of a Welsh valley—a scene bathed in soft light and imbued with a timeless quality.

    Throughout his career, Jones’ style evolved subtly, reflecting both his deepening understanding of landscape painting and his personal artistic growth. While he consistently maintained his commitment to meticulous observation and atmospheric sensitivity, he gradually incorporated bolder colors and more expressive brushwork into his work. His later paintings often display a greater sense of dynamism and movement—a reflection of the ever-changing nature of the Welsh countryside.

    Legacy and Historical Significance

    Selwyn Jones’ contribution to British landscape painting may not be widely recognized, but his evocative depictions of Wales have secured his place as a significant artist of the 20th century. His paintings offer a unique perspective on the beauty and resilience of the Welsh countryside—a region that has long held a special significance in British culture and identity.

    Jones’ work is now housed in several prominent collections, including the National Museum Wales and private galleries across the UK. His paintings continue to resonate with viewers who appreciate his masterful technique, atmospheric sensitivity, and profound connection to the land. He represents a quiet voice within the broader narrative of British art—a testament to the enduring power of observation, skill, and artistic vision.

    Museum

    Bangor University

    On show in Bangor, United Kingdom

    Bangor University: A Legacy of Learning and Welsh Identity

    Nestled amidst the dramatic landscapes of North Wales, Bangor University isn’t merely an academic institution; it's a repository of Welsh history, culture, and intellectual pursuit. Founded in 1884 as the University College of North Wales, born from a fervent desire for accessible higher education within the region, its story is interwoven with the very fabric of Welsh identity. The university's evolution reflects not only academic growth but also the changing tides of national consciousness, culminating in full independence and degree-awarding powers in 2007. While it doesn’t function as a traditional art museum with curated galleries, Bangor University is a living collection – a vibrant archive manifested in its research output, scholarly contributions, and architectural heritage.

    The Main Arts Building, erected in 1911, stands as a testament to enduring legacy. Its imposing façade speaks to a time when civic pride and educational ambition were powerfully aligned. Designed by William Henry Dixon, the building embodies Beaux-Arts principles—grand scale, symmetrical design, and ornate ornamentation—reflecting the aspirations of its founders to establish Bangor as a centre for learning and scholarship. Inside, stained glass windows depicting Welsh flora and fauna illuminate the central hall, creating an atmosphere of serene contemplation. These windows are not simply decorative; they represent a deliberate effort to connect the university’s identity with the natural beauty of Gwynedd.

    Exploring Bangor's Artistic Soul: Research and Inspiration

    Beyond its architectural grandeur, Bangor University’s true “collections” reside in its groundbreaking research across disciplines. The university is home to several large institutes dedicated to critical areas such as environmental science, marine biology, and Welsh language studies – fields where the unique geographical location provides unparalleled opportunities for investigation. This commitment to discovery is palpable within its walls, fostering a collaborative environment that encourages innovation.

    Notable figures like Ivor Williams, a celebrated Welsh artist whose works often captured the spirit of the nation, found resonance within this intellectual milieu. His paintings—characterized by bold colours and expressive brushstrokes—explored themes of landscape, mythology, and Welsh identity, mirroring the university’s own quest for understanding and representation. Furthermore, Bangor University actively promotes artistic engagement through exhibitions showcasing student work and collaborating with local galleries.

    A Bilingual Beacon in a Coastal Landscape

    What truly sets Bangor University apart is its unique confluence of academic rigor, breathtaking natural beauty, and strong community engagement. As a Welsh university, it proudly embraces both English and Welsh languages, fostering a culturally rich learning experience that celebrates the nation’s linguistic heritage. This bilingual environment isn't merely symbolic; it permeates every aspect of university life, enriching discourse and promoting inclusivity.

    The campus itself extends beyond the city limits, reaching towards Menai Bridge, further embedding the university within the stunning natural surroundings. Garth Pier, a Victorian promenade overlooking Bangor Bay, offers panoramic views of Snowdonia National Park—a constant source of inspiration for researchers and students alike. Bangor University’s dedication to sustainability is evident in its initiatives promoting eco-friendly practices and supporting conservation efforts.

    Recent Exhibitions & Future Horizons

    Recent exhibitions have showcased the university's artistic heritage alongside cutting-edge research projects, demonstrating a commitment to fostering dialogue between art and science. Particularly noteworthy was “Wales: Landscape and Memory,” which explored how Welsh artists interpret the region’s history and environment through diverse mediums—painting, sculpture, photography, and digital media.

    Looking ahead, Bangor University continues to invest in artistic scholarship and cultural enrichment. Its ongoing collaborations with international partners promise to broaden its horizons and inspire new generations of thinkers and creators. The spirit of learning – combined with the enduring beauty of Gwynedd – ensures that Bangor University’s legacy will continue to flourish for decades to come.

    Where to read more

    • The artist Selwyn Jones topimpressionists.com/en/artists/selwyn-jones/
    • The museum Bangor University topimpressionists.com/en/museums/bangor-university-bangor/
    • Similar works More works to compare topimpressionists.com/en/art/similar/selwyn-jones-structure-AR2BHA-en/

    Find this online

    QR code linking to the download page for Structure

    topimpressionists.com/en/art/download/selwyn-jones-structure-AR2BHA-en/

    Cite this artwork

    MLA
    Jones, Selwyn. Structure. 1970, Bangor University. https://topimpressionists.com/en/art/selwyn-jones-structure-AR2BHA-en/
    APA
    Jones, Selwyn (1970). Structure [Painting]. Bangor University. https://topimpressionists.com/en/art/selwyn-jones-structure-AR2BHA-en/
    Chicago
    Selwyn Jones. Structure. 1970. Bangor University. https://topimpressionists.com/en/art/selwyn-jones-structure-AR2BHA-en/
    Harvard
    Jones, Selwyn (1970) Structure. Bangor University. Available at: https://topimpressionists.com/en/art/selwyn-jones-structure-AR2BHA-en/

    Look closely

    Structure — Selwyn Jones

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Blaen y Nant (1998), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Selwyn Jones was about 42 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How big is the original "Structure"?

    The recorded dimensions of "Structure" by Selwyn Jones are 69 x 89 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

    Can I order an oil reproduction of "Structure"?

    "Structure" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.

    Does the copyright of "Structure" by Selwyn Jones allow reproductions?

    The copyright status of "Structure" by Selwyn Jones is clear: the work is still protected by copyright. Its presence at the Bangor University does not change that status.