Paper

Student Artwork Guide

Archive

Name Class Date

simon callery, Archive (1996). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
simon callery topimpressionists.com/en/artists/simon-callery/
Artist’s dates
1960 – ?
Painted
1996
Original size
254 x 360 cm

In context

Archive — simon callery

How big is it?

The original measures 254 × 360 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Shaded: the lifetime of simon callery (1960–?) ▲ this work, 1996

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/simon-callery-archive-ARD6U9-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b6aea5

    Catalogued palette

    • #B6AEA5
    • #A19D97
    • #919190
    • #ABA59F
    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    simon callery

    Simon Callery: Mapping the Urban Landscape Through Abstract Vision

    Simon Callery (born 1960) is an English artist whose distinctive approach to painting—characterized by fragmented, layered textures and evocative depictions of urban environments—has cemented his place as a pivotal figure within the Young British Artists movement and established him as one of Britain’s most respected contemporary painters. His work transcends mere representation; instead, it delves into psychological landscapes, exploring themes of memory, perception, and the elusive nature of experience.

    Born in London, Callery pursued formal artistic training at Cardiff College of Art, where he honed his skills in oil painting and developed a fascination with architectural forms and textures—influences that would profoundly shape his subsequent artistic endeavors. Early exhibitions showcased his burgeoning talent, establishing him within the vibrant milieu of British art during the nineties, alongside contemporaries like Liam Gilliland and Rachel Harrison. This period marked an initial foray into abstraction, where Callery began to dismantle recognizable imagery, prioritizing surface qualities and tonal harmonies over narrative content.

    Callery’s artistic trajectory gained considerable momentum with his inclusion in “Young British Artists III” at Saatchi Gallery (1994), a landmark exhibition that propelled him onto the international stage. This collective showcased a bold rejection of traditional art conventions, embracing experimentation and challenging viewers to reconsider established aesthetic boundaries. Subsequent projects—including collaborations with architects on the Segsbury Project—further solidified his commitment to exploring spatial relationships and materiality. The Segsbury project involved creating sculptural installations alongside archeologists at two significant sites in Wiltshire and Oxfordshire, reflecting Callery’s interest in engaging with history and uncovering hidden narratives within familiar landscapes.

    His work has been exhibited extensively across Europe and North America, garnering critical acclaim for its conceptual depth and visual impact. Notably, his paintings reside in the Tate Collection, a testament to their enduring artistic merit and contribution to British art history. Callery’s distinctive style—characterized by meticulous layering of pigment and textured surfaces—employs techniques reminiscent of Venetian Renaissance masters like Titian and Tintoretto, subtly referencing traditions of illusionistic painting while simultaneously forging an entirely original visual language. Through his exploration of urban spaces and psychological states, Simon Callery continues to provoke contemplation and inspire dialogue about the complexities of human perception and experience.

    Notable Exhibitions: Young British Artists III (1994), Art Now at Tate Britain (2002), Galerie Philippe Casini, Paris (2002)

    Collection Holdings: Tate Collection

    Influences: Venetian Renaissance Masters (Titian & Tintoretto); Architectural Forms and Textures

    Where to read more

    • The artist simon callery topimpressionists.com/en/artists/simon-callery/
    • Similar works More works to compare topimpressionists.com/en/art/similar/simon-callery-archive-ARD6U9-en/

    Find this online

    QR code linking to the download page for Archive

    topimpressionists.com/en/art/download/simon-callery-archive-ARD6U9-en/

    Cite this artwork

    MLA
    callery, simon. Archive. 1996, https://topimpressionists.com/en/art/simon-callery-archive-ARD6U9-en/
    APA
    callery, simon (1996). Archive [Painting]. https://topimpressionists.com/en/art/simon-callery-archive-ARD6U9-en/
    Chicago
    simon callery. Archive. 1996. https://topimpressionists.com/en/art/simon-callery-archive-ARD6U9-en/
    Harvard
    callery, simon (1996) Archive. Available at: https://topimpressionists.com/en/art/simon-callery-archive-ARD6U9-en/

    Look closely

    Archive — simon callery

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Borough and Trinity (1993), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. simon callery was about 36 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.