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Student Artwork Guide

Autoportret simone peterzano

Name Class Date

Simone Peterzano, Autoportret simone peterzano. Public domain.

The facts

Artist
Simone Peterzano topimpressionists.com/en/artists/simone-peterzano/
Artist’s dates
1540 – 1596
Movement
Mannerism Deliberately stretched bodies and odd, crowded spaces, made once perfect balance had already been achieved.

In context

Autoportret simone peterzano — Simone Peterzano

When might this have been painted?

  1. 1540
  2. 1550
  3. 1560
  4. 1570
  5. 1580
  6. 1590

Shaded: the lifetime of Simone Peterzano (1540–1596)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Medor and Angelica topimpressionists.com/en/art/simone-peterzano-medor-and-angelica-A2ACFV-en/
  • An allegory of music topimpressionists.com/en/art/simone-peterzano-an-allegory-of-music-A2ACFM-en/
  • Entombment of Christ topimpressionists.com/en/art/simone-peterzano-entombment-of-christ-A2ACFR-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/

Colours

Measured from the image

    Main colour

    Walnut #664b2e

    Catalogued palette

    • #664B2E
    • #A8AB8F
    • #181716
    • #C4733C
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Simone Peterzano

    Born in Venice, Italy

    Simone Peterzano: Life and Legacy

    Early Life and Training

    Born: Venice, Italy in 1540.

    Initial training under the tutelage of Titian, a master of Venetian Renaissance painting. This foundational experience deeply influenced Peterzano’s use of color and composition.

    Peterzano's early career saw him move to Milan, where he began to establish himself as a painter of religious subjects.

    Artistic Development and Style

    Peterzano’s style evolved within the context of Mannerism, characterized by elongated figures, stylized poses, and dramatic compositions. However, he infused this with a Venetian sensibility learned from Titian.

    His work demonstrates influences from other prominent artists of the time, including Veronese and Tintoretto, particularly in his use of vibrant colors and dynamic scenes.

    Over time, Peterzano’s style became more monumental and austere, reflecting a shift towards a more restrained aesthetic.

    Major Works and Achievements

    Frescoes in San Maurizio al Monastero Maggiore (Milan): Early works showcasing his Venetian influences and establishing his reputation in Milan.

    Frescoes at Garegnano Charterhouse (1578-1582): Considered one of his most significant achievements, these frescoes demonstrate a masterful command of composition and narrative.

    Religious Paintings: Numerous altarpieces and devotional works for churches throughout Milan and the surrounding region, including “Madonna with Child and Saints” (Bioggio) and “St. Ambrose between Sts. Gervasius and Protasius” (Duomo of Milan).

    Still Life paintings: Peterzano also created several still life paintings, demonstrating a keen eye for detail and texture.

    Influence and Historical Significance

    Peterzano’s most enduring legacy lies in his role as the teacher of Caravaggio, one of the most revolutionary artists in Baroque history. He instructed Caravaggio between 1584 and 1588.

    While Caravaggio ultimately developed a highly individual style, Peterzano provided him with a solid foundation in technique and composition.

    Peterzano’s work represents a bridge between the Mannerist tradition and the emerging Baroque style. His emphasis on dramatic lighting and emotional intensity foreshadowed developments in 17th-century painting.

    Death: Peterzano died in Milan in 1596, leaving behind a significant body of work that continues to be studied and appreciated today.

    Legacy and Further Study

    Peterzano’s contributions to art history are increasingly recognized for their influence on Caravaggio and his role in the transition from Mannerism to Baroque.

    His paintings offer valuable insights into the artistic climate of late 16th-century Italy.

    Where to read more

    Find this online

    QR code linking to the download page for Autoportret simone peterzano

    topimpressionists.com/en/art/download/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/

    Cite this artwork

    MLA
    Peterzano, Simone. Autoportret simone peterzano. n.d., https://topimpressionists.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/
    APA
    Peterzano, Simone (n.d.). Autoportret simone peterzano [Painting]. https://topimpressionists.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/
    Chicago
    Simone Peterzano. Autoportret simone peterzano. n.d. https://topimpressionists.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/
    Harvard
    Peterzano, Simone (n.d.) Autoportret simone peterzano. Available at: https://topimpressionists.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/

    Look closely

    Autoportret simone peterzano — Simone Peterzano

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait painting, self-portrait artwork, renaissance art. Do you agree? What would you add, or take away?
    4. Look back at Medor and Angelica, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Mannerism: Deliberately stretched bodies and odd, crowded spaces, made once perfect balance had already been achieved. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.