Paper

Student Artwork Guide

Cardiff Bay

Name Class Date

Terry Setch, Cardiff Bay (1993). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Terry Setch topimpressionists.com/en/artists/terry-setch/
Artist’s dates
1936 –
Painted
1993
Original size
122 x 245 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Cardiff Bay — Terry Setch

How big is it?

The original measures 122 × 245 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 57. 2 of the 5 dated works by this artist in our catalogue came earlier.

▲ this work, 1993 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/terry-setch-cardiff-bay-AR29FQ-en/

Colours

Measured from the image

    Main colour

    Espresso #655a4d

    Catalogued palette

    • #655A4D
    • #899187
    • #CDD5C8
    • #A5B6B3

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Terry Setch over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Terry Setch

    1. 1 Racing in the Bay, 1989 50.0%
    2. 2 Cardiff Bay, 1993 this painting 50.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 2 were looked at at least once. This painting ranks 2 of them, with 50.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Terry Setch

    Terry Setch RA - A Landscape of Protest

    Terry Setch RA (b. 1936) is a British painter renowned for his politically charged landscapes & mixed media works exploring environmental issues, industrial impact, and social conflict. Royal Academician. His artistic journey began at the Slade School of Fine Art in London, where he honed his skills and established himself as a respected figure within the art world. From 1964 onwards, he served as Senior Painting lecturer at Cardiff College of Art, fostering creativity and shaping generations of artists.

    Early Influences: Setch’s formative years were marked by exposure to Surrealism and Expressionism, which instilled in him a fascination with exploring psychological depth and conveying emotion through visual imagery.

    The Young Contemporaries Movement: His participation in the Young Contemporaries exhibitions of 1957, 1959 and 1960 solidified his commitment to artistic experimentation and established connections within the burgeoning British art scene.

    Exploring Environmental Concerns Through Landscape Art

    Setch’s artistic focus shifted decisively towards environmental activism in the mid-1970s, spurred by observations of pollution on Cardiff Bay's beaches. He began incorporating found objects and recycled materials into his paintings—a deliberate choice to confront societal negligence regarding ecological preservation. Critiques from prominent art commentators like Brian Sewell acknowledged Setch’s powerful imagery but questioned why “are the squalid little squidges of Terry Setch hanging on these august walls?” This provocative statement underscored the artist's unwavering dedication to conveying a visceral critique of industrial society.

    Notable Works: Among his most celebrated pieces are "Cardiff Bay" (1993), depicting a sailboat race with loose brushstrokes capturing movement and atmosphere; “Racing in the Bay” (1993); and “Winter Wind and Sail IV” (2008).

    Political Engagement: Setch’s canvases have served as platforms for disseminating messages of protest, notably concerning Campaign for Nuclear Disarmament and the Chernobyl nuclear disaster.

    Royal Academician Recognition & Artistic Legacy

    In 2009, Terry Setch was elected a Royal Academician—a testament to his enduring influence on British art history. His retrospective exhibition at the Royal Academy Summer Exhibition garnered critical acclaim and highlighted the significance of his artistic vision. Monica Petzal described his paintings as “paintings to get lost in; there is a wealth of possible meaning and interpretation - there is no right way of looking at them,” emphasizing their ability to provoke contemplation and challenge conventional perspectives. His distinctive style—characterized by bold colors, textured surfaces, and symbolic representations—continues to inspire artists today.

    Continuing Artistic Exploration

    Setch’s artistic practice remains rooted in a profound engagement with the natural world and a commitment to confronting social injustices. He consistently utilizes conventional art materials alongside found objects and recycled building materials, reflecting his belief that art should serve as a conduit for personal experience and collective awareness. As he stated, “I have to follow my own path: I am not a ‘joiner’ or part of an ‘ism.’” His unwavering dedication to artistic integrity ensures that Terry Setch's legacy will endure—a landscape of protest rendered in vibrant hues and textured surfaces, forever prompting dialogue about our relationship with the environment and the responsibilities of society.

    Where to read more

    Find this online

    QR code linking to the download page for Cardiff Bay

    topimpressionists.com/en/art/download/terry-setch-cardiff-bay-AR29FQ-en/

    Cite this artwork

    MLA
    Setch, Terry. Cardiff Bay. 1993, https://topimpressionists.com/en/art/terry-setch-cardiff-bay-AR29FQ-en/
    APA
    Setch, Terry (1993). Cardiff Bay [Painting]. https://topimpressionists.com/en/art/terry-setch-cardiff-bay-AR29FQ-en/
    Chicago
    Terry Setch. Cardiff Bay. 1993. https://topimpressionists.com/en/art/terry-setch-cardiff-bay-AR29FQ-en/
    Harvard
    Setch, Terry (1993) Cardiff Bay. Available at: https://topimpressionists.com/en/art/terry-setch-cardiff-bay-AR29FQ-en/

    Look closely

    Cardiff Bay — Terry Setch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 6 — do you agree?)
    4. Our catalogue files this work under: sailboat race, maritime art, water landscape. Do you agree? What would you add, or take away?
    5. Look back at Old Ship and Old House, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who created "Cardiff Bay"?

    The artist behind "Cardiff Bay" is Terry Setch. The work is catalogued under Terry Setch's name.

    What orientation does "Cardiff Bay" by Terry Setch have?

    "Cardiff Bay" by Terry Setch is a panoramic composition. The proportions are worth checking before choosing a print size.

    What is the perceived brightness of "Cardiff Bay" by Terry Setch?

    In terms of perceived brightness, "Cardiff Bay" by Terry Setch is brilliant.