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Student Artwork Guide

Winter Wind and Sail IV

Name Class Date

Terry Setch, Winter Wind and Sail IV. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Terry Setch topimpressionists.com/en/artists/terry-setch/
Artist’s dates
1936 –
Original size
82 x 60 cm

In context

Winter Wind and Sail IV — Terry Setch

How big is it?

The original measures 82 × 60 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/terry-setch-winter-wind-and-sail-iv-AR29FY-en/

Colours

Measured from the image

    Main colour

    Espresso #4c4343

    Catalogued palette

    • #4C4343
    • #9B9796
    • #7B706C
    • #C0BEC0

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Terry Setch over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Terry Setch

    1. 1 Racing in the Bay, 1989 50.0%100 visits
    2. 2 Cardiff Bay, 1993 50.0%100 visits
    3. — Winter Wind and Sail IV this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Terry Setch

    Terry Setch RA - A Landscape of Protest

    Terry Setch RA (b. 1936) is a British painter renowned for his politically charged landscapes & mixed media works exploring environmental issues, industrial impact, and social conflict. Royal Academician. His artistic journey began at the Slade School of Fine Art in London, where he honed his skills and established himself as a respected figure within the art world. From 1964 onwards, he served as Senior Painting lecturer at Cardiff College of Art, fostering creativity and shaping generations of artists.

    Early Influences: Setch’s formative years were marked by exposure to Surrealism and Expressionism, which instilled in him a fascination with exploring psychological depth and conveying emotion through visual imagery.

    The Young Contemporaries Movement: His participation in the Young Contemporaries exhibitions of 1957, 1959 and 1960 solidified his commitment to artistic experimentation and established connections within the burgeoning British art scene.

    Exploring Environmental Concerns Through Landscape Art

    Setch’s artistic focus shifted decisively towards environmental activism in the mid-1970s, spurred by observations of pollution on Cardiff Bay's beaches. He began incorporating found objects and recycled materials into his paintings—a deliberate choice to confront societal negligence regarding ecological preservation. Critiques from prominent art commentators like Brian Sewell acknowledged Setch’s powerful imagery but questioned why “are the squalid little squidges of Terry Setch hanging on these august walls?” This provocative statement underscored the artist's unwavering dedication to conveying a visceral critique of industrial society.

    Notable Works: Among his most celebrated pieces are "Cardiff Bay" (1993), depicting a sailboat race with loose brushstrokes capturing movement and atmosphere; “Racing in the Bay” (1993); and “Winter Wind and Sail IV” (2008).

    Political Engagement: Setch’s canvases have served as platforms for disseminating messages of protest, notably concerning Campaign for Nuclear Disarmament and the Chernobyl nuclear disaster.

    Royal Academician Recognition & Artistic Legacy

    In 2009, Terry Setch was elected a Royal Academician—a testament to his enduring influence on British art history. His retrospective exhibition at the Royal Academy Summer Exhibition garnered critical acclaim and highlighted the significance of his artistic vision. Monica Petzal described his paintings as “paintings to get lost in; there is a wealth of possible meaning and interpretation - there is no right way of looking at them,” emphasizing their ability to provoke contemplation and challenge conventional perspectives. His distinctive style—characterized by bold colors, textured surfaces, and symbolic representations—continues to inspire artists today.

    Continuing Artistic Exploration

    Setch’s artistic practice remains rooted in a profound engagement with the natural world and a commitment to confronting social injustices. He consistently utilizes conventional art materials alongside found objects and recycled building materials, reflecting his belief that art should serve as a conduit for personal experience and collective awareness. As he stated, “I have to follow my own path: I am not a ‘joiner’ or part of an ‘ism.’” His unwavering dedication to artistic integrity ensures that Terry Setch's legacy will endure—a landscape of protest rendered in vibrant hues and textured surfaces, forever prompting dialogue about our relationship with the environment and the responsibilities of society.

    Where to read more

    • The artist Terry Setch topimpressionists.com/en/artists/terry-setch/
    • Similar works More works to compare topimpressionists.com/en/art/similar/terry-setch-winter-wind-and-sail-iv-AR29FY-en/

    Find this online

    QR code linking to the download page for Winter Wind and Sail IV

    topimpressionists.com/en/art/download/terry-setch-winter-wind-and-sail-iv-AR29FY-en/

    Cite this artwork

    MLA
    Setch, Terry. Winter Wind and Sail IV. n.d., https://topimpressionists.com/en/art/terry-setch-winter-wind-and-sail-iv-AR29FY-en/
    APA
    Setch, Terry (n.d.). Winter Wind and Sail IV [Painting]. https://topimpressionists.com/en/art/terry-setch-winter-wind-and-sail-iv-AR29FY-en/
    Chicago
    Terry Setch. Winter Wind and Sail IV. n.d. https://topimpressionists.com/en/art/terry-setch-winter-wind-and-sail-iv-AR29FY-en/
    Harvard
    Setch, Terry (n.d.) Winter Wind and Sail IV. Available at: https://topimpressionists.com/en/art/terry-setch-winter-wind-and-sail-iv-AR29FY-en/

    Look closely

    Winter Wind and Sail IV — Terry Setch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Look back at Old Ship and Old House, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Winter Wind and Sail IV" available as a fine art print?

    A print of "Winter Wind and Sail IV" by Terry Setch can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Does "Winter Wind and Sail IV" by Terry Setch use strong contrasts or soft harmonies?

    The color composition of "Winter Wind and Sail IV" by Terry Setch combines a gentle contrast with a discordant palette harmony.

    How do I preview a reproduction of "Winter Wind and Sail IV" by Terry Setch?

    The Preview page of "Winter Wind and Sail IV" lets you preview the artwork before ordering.