Paper

Student Artwork Guide

Be Deadly - NORFORCE

Name Class Date

Tony Albert, Be Deadly - NORFORCE (2013), Australian War Memorial. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Tony Albert topimpressionists.com/en/artists/tony-albert/
Artist’s dates
1981 –
Painted
2013
Original size
140 x 100 cm
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Held at
Australian War Memorial topimpressionists.com/en/museums/australian-war-memorial-canberra/

In context

Be Deadly - NORFORCE — Tony Albert

How big is it?

The original measures 140 × 100 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 32. 0 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 2013 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/tony-albert-be-deadly-norforce-D7E4EX-en/

Colours

Measured from the image

    Main colour

    Espresso #513f3e

    Catalogued palette

    • #513F3E
    • #C8BDB1
    • #AD5B39
    • #7C776F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Be Deadly - NORFORCE — Tony Albert

    In 2012 Tony Albert became the Australian War Memorial

    Artist and museum

    Artist

    Tony Albert

    Born in Townsville, Australia

    A Voice of Indigenous Resilience

    Born in 1981 in the coastal landscape of Townsville, Australia, Tony Albert has emerged as a profoundly influential figure in contemporary art, wielding his practice to confront the heavy complexities of colonial history. As a descendant of the Girramay, Yidinji, and Kuku-Yalanji peoples, Albert’s work is deeply rooted in an interrogation of identity within Aboriginal Australian culture. His artistic journey was shaped by formal training at Griffith University's Queensland College of Art in Brisbane, where he refined his ability to translate historical trauma into a sophisticated visual language. Through a masterful command of painting, photography, and mixed media, Albert does not merely depict history; he actively deconstructs the narratives that have sought to define Indigenous existence.

    The essence of Albert’s vision lies in his deliberate engagement with the contradictions of Australia’s past and present. He possesses a unique ability to blend the vibrant, high-energy aesthetics of Pop Art and Graffiti with traditional Aboriginal motifs, creating a jarring yet captivating juxtaposition. This stylistic tension serves as a mirror to the societal frictions he explores. One of his most poignant thematic preoccupations is the use of "Aboriginalia"—kitsch objects and stereotypical memorabilia that historically commodified Indigenous people for non-Indigenous consumption. By repurposing these items, such as plaster heads, Albert transforms symbols of dispossession and assimilation into powerful tools of critique, forcing the viewer to reckon with the dehumanizing nature of colonial gaze.

    Technique, Texture, and Collective Identity

    Albert’s technical execution is marked by a meticulous attention to detail and an evocative use of texture. He often employs striking elements like black velvet to provide a deep, tactile foundation for his compositions, allowing colors to resonate with heightened intensity. This mastery of palette and material allows him to navigate between the playful and the profound. His work frequently incorporates text, a technique shared with his contemporaries in the ProppaNOW Collective, which he helped found in 2004. Through this urban-based collective, Albert has contributed to a broader, vital dialogue regarding Indigenous experiences within modern, metropolitan environments, moving away from purely traditionalist interpretations of Aboriginal art.

    The emotional weight of his work is often anchored in personal and ancestral history. He draws significant inspiration from the legacy of his grandfather, Eddie Albert, an Aboriginal serviceman who survived the hardships of World War II. This connection to the resilience of his kin informs much of his exploration into the political and historical layers of Australian identity. His ability to weave these intimate threads of lineage into large-scale installations and intricate paintings has secured his place in the global art discourse.

    Legacy and Critical Recognition

    The significance of Tony Albert’s contribution to the art world is reflected in his extensive list of achievements and the prestigious institutions that house his work. His career is marked by several landmark milestones:

    Official War Artist: In 2012, he achieved the distinction of becoming the first Aboriginal Australian official war artist, a role that allowed him to document the intersection of Indigenous identity and national service.

    Curatorial Leadership: His influence extends into curation, notably through his leadership in the 5th National Indigenous Art Triennial, titled After the rain, in 2025.

    Global Presence: With nine solo exhibitions and over fifty group presentations, his work has been featured in major galleries across Australia and internationally, securing positions in prominent public and private collections.

    Ultimately, Tony Albert’s art serves as a site of resistance and reclamation. By navigating the space between kitsch and culture, he challenges the viewer to look past the superficial layers of history to find the enduring strength of Indigenous sovereignty. His work remains an essential, unflinching commentary on the ongoing struggle for recognition, representation, and the right to define one's own story in a post-colonial world.

    Museum

    Australian War Memorial

    On show in Canberra, Australia

    A Sanctuary of Remembrance: The Soul of the Australian War Memorial

    The

    Australian War Memorial

    in Canberra stands as far more than a mere repository of historical artifacts; it is a profound articulation of national memory, a space where the echoes of sacrifice resonate with a solemn and haunting power. Conceived from the raw grief and enduring gratitude that followed the Great War, the Memorial arose from Charles Bean’s visionary impulse—a desire not simply to record the mechanics of war, but to enshrine the lived experiences of those who served. It was an effort to ensure that courage and loss would never fade into the cold abstraction of history books. Established formally in 1925, the institution slowly took shape amidst the economic hardships of the Great Depression, resulting in an architectural masterpiece that blends solemn grandeur with modern functionality. For the visitor, walking through its halls feels like traversing Australia’s military narrative, moving from the brutal, mud-soaked trenches of the Western Front to the complex peacekeeping missions of the contemporary era.

    The architectural experience of the Memorial is defined by its ability to evoke both introspection and awe. Designed by Denton Corker Marshall, the building utilizes expansive glass walls that flood the galleries with natural light, creating a sense of openness and transparency that contrasts beautifully with the weight of the subject matter. The

    Hall of Memory

    , with its soaring vaulted ceiling and polished granite floor, stands as a pinnacle of modernist design, symbolizing dignity and eternal respect. This sense of reverence is most poignantly felt at the

    Tomb of the Unknown Australian Soldier

    . Installed in 1993, this site serves as a focal point for reflection, honoring those whose identities were lost to time. The simple stone altar acts as a universal symbol of grief, drawing visitors from across the globe to find solace and contemplation within its hallowed walls.

    A Tapestry of Human Experience

    The collection itself is a breathtaking tapestry of the human condition, extending far beyond the cold steel of weaponry and the heavy silhouettes of military vehicles. It encompasses deeply personal artifacts that offer an intimate glimpse into the human cost of conflict: letters penned with trembling hands, diaries filled with raw emotion, and photographs capturing fleeting moments of camaraderie amidst the chaos of battle. Within these walls, history is not merely observed but felt through the tangible remnants of lives interrupted.

    Among the most striking features of the collection are:

    The Aircraft Hall:

    A centerpiece where a remarkable array of military aircraft hang like silent sentinels, whispering tales of daring pilots and strategic maneuvers.

    The Hall of Valour:

    Where the glint of medals and decorations illuminates acts of extraordinary heroism, representing selfless devotion under unimaginable pressure.

    Personal Archives:

    A collection of intimate items that bridge the gap between historical events and individual human emotion.

    What truly distinguishes the Australian War Memorial is its evolution into a living shrine, a place where history is actively curated to include more complete and inclusive narratives. The recent integration of the

    Australian Frontier Wars

    into the scope of commemoration demonstrates a profound commitment to acknowledging the complex history of colonial expansion and the resilience of Indigenous Australians. This dedication to truth-telling is complemented by the nightly

    Last Post Ceremony

    , a ritual held every evening since 1954. As the haunting notes of the bugle call echo through the Hall of Memory, focusing on the story of an individual veteran, the Memorial fulfills its ultimate promise: ensuring that the sacrifices made in defense of the nation are never forgotten, and that the legacy of those who served remains a vibrant, breathing part of the Australian identity.

    Where to read more

    Find this online

    QR code linking to the download page for Be Deadly - NORFORCE

    topimpressionists.com/en/art/download/tony-albert-be-deadly-norforce-D7E4EX-en/

    Cite this artwork

    MLA
    Albert, Tony. Be Deadly - NORFORCE. 2013, Australian War Memorial. https://topimpressionists.com/en/art/tony-albert-be-deadly-norforce-D7E4EX-en/
    APA
    Albert, Tony (2013). Be Deadly - NORFORCE [Painting]. Australian War Memorial. https://topimpressionists.com/en/art/tony-albert-be-deadly-norforce-D7E4EX-en/
    Chicago
    Tony Albert. Be Deadly - NORFORCE. 2013. Australian War Memorial. https://topimpressionists.com/en/art/tony-albert-be-deadly-norforce-D7E4EX-en/
    Harvard
    Albert, Tony (2013) Be Deadly - NORFORCE. Australian War Memorial. Available at: https://topimpressionists.com/en/art/tony-albert-be-deadly-norforce-D7E4EX-en/

    Look closely

    Be Deadly - NORFORCE — Tony Albert

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: indigenous australia, street culture, gang violence. Do you agree? What would you add, or take away?
    5. Look back at Once upon a time... (detail) (2013), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the color identity of "Be Deadly - NORFORCE" by Tony Albert?

    "Be Deadly - NORFORCE" is defined by an earthy palette led by espresso (#513f3e).

    What are the author and date of "Be Deadly - NORFORCE"?

    The author of "Be Deadly - NORFORCE" is Tony Albert, and the work is dated 2013.

    How strong is the contrast in "Be Deadly - NORFORCE" by Tony Albert?

    "Be Deadly - NORFORCE" by Tony Albert shows a balanced contrast between its light and dark areas.