Paper

Student Artwork Guide

At the window

Name Class Date

Vincenzo Irolli, At the window. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Vincenzo Irolli topimpressionists.com/en/artists/vincenzo-irolli/
Artist’s dates
1860 – 1949
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

At the window — Vincenzo Irolli

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 89 at death.

Shaded: the lifetime of Vincenzo Irolli (1860–1949) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/vincenzo-irolli-at-the-window-9HATDM-en/

Colours

Measured from the image

    Main colour

    Espresso #6c5145

    Catalogued palette

    • #6C5145
    • #AD9682
    • #D0C6C1
    • #1A1218

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Vincenzo Irolli over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 United States of America 25.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Vincenzo Irolli

    1. 1 The angel musician 25.0%
    2. 2 Off to school 25.0%
    3. 3 At the window this painting 25.0%
    4. 4 Far away thoughts 25.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 12 works by this artist, of which 4 were looked at at least once. This painting ranks 3 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Vincenzo Irolli

    Born in Naples, Italy

    Vincenzo Irolli: Life and Legacy

    Early Life and Education

    Vincenzo Irolli was born on September 30, 1860, in Naples, Italy. He demonstrated an early aptitude for art, leading him to enroll at the Naples Institute of Fine Arts in 1877. There, he studied under the guidance of Gioacchino Toma, a prominent figure in Neapolitan painting. Irolli successfully completed his studies three years later, graduating in 1880 and laying the foundation for his artistic career.

    Artistic Development and Style

    Initially, Irolli focused on portraits and genre scenes, regularly exhibiting his work at the Naples Società Promotrice di Belle Arti from 1879 onwards. His style evolved over time, embracing elements of Impressionism while maintaining a strong foundation in realistic representation. He skillfully captured the nuances of everyday life, often depicting intimate moments within domestic settings.

    Exhibitions and Recognition

    Irolli’s talent quickly gained recognition beyond Naples. In 1884, he exhibited at Turin, showcasing works like Amore e dovere and Le Maddalene d' oggi. Further exhibitions followed in Milan (1880) and Venice (1887), where he presented numerous drawings from life. His participation extended internationally, with showings at the Salon in Paris – where he achieved considerable success – as well as London (1904), Munich (1909), and Barcelona (1911), earning a bronze medal in the latter.

    Key Themes and Subjects

    Maternal Figures: Irolli frequently depicted mothers with their children, conveying tenderness and emotional depth.

    Genre Scenes: He captured scenes of everyday life, offering glimpses into the social customs and routines of his time.

    Portraits: His portraits were known for their realism and ability to capture the personality of the sitter.

    Religious Works: Later in his career, Irolli also explored religious themes, as evidenced by his ten works presented at the Mostra di Arte Sacra in Naples (1936).

    Collaborations and Contributions

    In 1890, Irolli became a member of the Circolo Artistico Napoletano. He collaborated with Vincenzo Migliaro and other local artists on decorative projects, most notably contributing to the embellishment of the renowned Caffè Gambrinus in Naples – a significant cultural hub.

    Legacy and Historical Significance

    Vincenzo Irolli’s work provides valuable insights into Italian society during the late 19th and early 20th centuries. His paintings offer a blend of realism, emotional sensitivity, and artistic skill. While not as widely celebrated as some of his contemporaries, he remains a notable figure in Neapolitan art history, appreciated for his ability to capture the beauty and complexity of everyday life. He passed away on November 27, 1949, leaving behind a rich artistic legacy.

    Where to read more

    Find this online

    QR code linking to the download page for At the window

    topimpressionists.com/en/art/download/vincenzo-irolli-at-the-window-9HATDM-en/

    Cite this artwork

    MLA
    Irolli, Vincenzo. At the window. n.d., https://topimpressionists.com/en/art/vincenzo-irolli-at-the-window-9HATDM-en/
    APA
    Irolli, Vincenzo (n.d.). At the window [Painting]. https://topimpressionists.com/en/art/vincenzo-irolli-at-the-window-9HATDM-en/
    Chicago
    Vincenzo Irolli. At the window. n.d. https://topimpressionists.com/en/art/vincenzo-irolli-at-the-window-9HATDM-en/
    Harvard
    Irolli, Vincenzo (n.d.) At the window. Available at: https://topimpressionists.com/en/art/vincenzo-irolli-at-the-window-9HATDM-en/

    Look closely

    At the window — Vincenzo Irolli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: solitude, domesticity, window view. Do you agree? What would you add, or take away?
    4. Look back at Off to school, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are there works similar to "At the window"?

    Works similar to "At the window" are listed on the artwork's Similars page.

    How can I get a print of "At the window" by Vincenzo Irolli?

    "At the window" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.

    Is "At the window" free of copyright?

    "At the window" by Vincenzo Irolli is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.