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Student Artwork Guide

Litho 2 (Waves 2)

Name Class Date

Willem de Kooning, Litho 2 (Waves 2) (1960). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Willem de Kooning topimpressionists.com/en/artists/willem-de-kooning/
Artist’s dates
1904 – 1997
Painted
1960
Medium
Lithography Drawn in grease on stone and printed on the principle that grease and water refuse to mix.
Original size
117 x 81 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Artistic style
Dynamic composition
Influences
Surrealism
Notable elements
Three figures, waves
Subject or theme
Human form & nature

In context

Litho 2 (Waves 2) — Willem de Kooning

How big is it?

The original measures 117 × 81 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Shaded: the lifetime of Willem de Kooning (1904–1997) ▲ this work, 1960

Compare with

  • Woman I, 1952 topimpressionists.com/en/art/willem-de-kooning-woman-i-8XZ6VM-en/
  • Painting, 1948 topimpressionists.com/en/art/willem-de-kooning-painting-8XZ6W2-en/
  • Still Life, 1945 topimpressionists.com/en/art/willem-de-kooning-still-life-9H5R4G-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/willem-de-kooning-litho-2-waves-2-AS7RM7-en/

Colours

Measured from the image

    Main colour

    Gray #6d685d

    Catalogued palette

    • #6D685D
    • #E4DBCB
    • #2E302B
    • #A9A293
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Litho 2 (Waves 2) — Willem de Kooning

    A Raw Expression of Movement and Emotion

    Willem de Kooning’s “Litho 2 (Waves 2),” created in 1960, is a potent distillation of the artist's signature style – a dynamic blend of abstraction and figuration that pulsates with raw energy. This lithograph, measuring 117 x 81 cm, offers a glimpse into de Kooning’s intensely personal vision, capturing not just a scene but a state of being. The work immediately commands attention through its bold contrasts and unsettling juxtapositions, hallmarks of the Abstract Expressionist movement that defined much of mid-20th century American art.

    The image depicts three distinct figures engaged in an ambiguous interaction within a swirling landscape dominated by waves. These aren’t idealized representations; they are fragmented, distorted forms – almost violently rendered – suggesting a struggle for control and a confrontation with the primal forces of nature. De Kooning deliberately avoids smooth transitions or harmonious compositions, instead favoring jagged lines, abrupt shifts in tone, and an overall sense of instability. This deliberate disruption mirrors the turbulent emotional landscape that informed much of his work.

    The Language of Abstraction and Gesture

    As a lithograph, “Litho 2 (Waves 2)” showcases de Kooning’s masterful control over printmaking techniques while retaining the spontaneity and immediacy characteristic of his painting. The process involved transferring ink from a stone to paper, resulting in a textured surface that amplifies the sense of movement and physicality within the image. The artist's gestural marks – visible brushstrokes and energetic lines – are particularly pronounced, echoing the “action painting” style he pioneered alongside Jackson Pollock. These aren’t simply decorative flourishes; they represent the physical act of creation itself, conveying a sense of urgency and emotional intensity.

    Interestingly, de Kooning's exploration of lithography occurred during a period when printmaking was less favored in America compared to painting. This shift reflects a broader movement within Abstract Expressionism towards large-scale canvases and a rejection of traditional artistic conventions. The lithograph format allowed him to experiment with scale and composition while retaining the expressive power of his hand.

    Symbolism and the Human Condition

    The figures in “Litho 2 (Waves 2)” are open to interpretation, inviting viewers to project their own emotions and experiences onto the scene. Some scholars suggest they represent a confrontation with mortality or the anxieties of modern life. The waves themselves can be seen as metaphors for overwhelming forces – both internal and external – that threaten to engulf the individual. De Kooning’s deliberate ambiguity ensures that the work remains perpetually relevant, resonating with viewers across generations.

    Considering de Kooning's biography—his difficult childhood marked by parental separation and a restless spirit—it’s not surprising that his art often grapples with themes of isolation, struggle, and the search for identity. “Litho 2 (Waves 2)” embodies this internal conflict through its fragmented forms and unsettling atmosphere, offering a powerful meditation on the complexities of the human condition.

    A Reproduction Worthy of Display

    WahooArt offers meticulously crafted hand-painted reproductions of “Litho 2 (Waves 2),” capturing the essence of de Kooning’s original work with exceptional detail and fidelity. Our artists utilize archival-quality materials to ensure that each reproduction will endure for generations, preserving the vibrancy and emotional impact of this iconic painting. Whether you're a seasoned art collector or seeking a striking piece to elevate your interior design, a WahooArt reproduction of “Litho 2 (Waves 2)” is an investment in timeless artistry.

    Artist and museum

    Artist

    Willem de Kooning

    Born in Rotterdam, Netherlands

    A Life Forged in Abstraction

    Willem de Kooning, a name synonymous with the raw energy and emotional depth of Abstract Expressionism, was born in Rotterdam, Netherlands, in 1904. His early life was marked by a familial split – his parents divorced when he was young – which perhaps instilled within him a sense of restless searching that would permeate his artistic journey. Leaving formal schooling at twelve, de Kooning apprenticed with a commercial art firm, laying the groundwork for his technical skill while simultaneously fueling a desire to break free from conventional constraints. Evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam provided further foundational training, but it was a yearning for something more – a bolder, more expressive language – that ultimately propelled him towards America in 1926. His arrival wasn’t straightforward; he famously stowed away on a ship, embodying the spirit of an outsider seeking new horizons. New York City became his adopted home, and its vibrant, often gritty energy profoundly shaped his evolving style. He navigated various jobs – house painter, carpenter – all while relentlessly pursuing his artistic vision, absorbing the city’s pulse into his work.

    From Urban Scenes to Abstract Fury

    De Kooning's early paintings reflected his immediate surroundings: urban landscapes and portraits that captured the dynamism of New York life. However, these were merely stepping stones towards a more profound exploration of form and emotion. A pivotal moment came with his connection to Arshile Gorky, whose influence proved transformative. Gorky encouraged de Kooning’s experimentation with abstraction, fostering a willingness to dismantle traditional representation in pursuit of something deeper. The 1930s saw de Kooning engage with social realism and mural projects through the Works Progress Administration (WPA), a period that honed his skills but also highlighted the limitations of purely representational art. He found himself drawn towards the work of Stuart Davis and John Graham, artists who were pushing boundaries in their own right. This confluence of influences gradually steered him away from literal depiction and toward an increasingly abstract vocabulary. It wasn’t a sudden shift, but rather a slow burn – a deliberate dismantling of established norms fueled by intellectual curiosity and a relentless pursuit of artistic truth.

    The Woman Series: A Landmark Achievement

    Following World War II, de Kooning emerged as a central figure in the burgeoning Abstract Expressionist movement. This period marked a turning point, culminating in his iconic “Woman” series (1950-1953). These paintings – including the monumental *Woman I* – are not merely depictions of female figures; they are visceral explorations of femininity, sexuality, and the complexities of human emotion. Characterized by aggressive brushstrokes, fragmented forms, and a jarring juxtaposition of colors, the “Woman” series challenged conventional notions of beauty and representation. They were controversial, even shocking to some, but their power lay precisely in their refusal to conform. De Kooning wasn’t interested in creating idealized images; he sought to capture the raw, untamed essence of his subjects. Beyond the "Woman" series, works like The Glazier and Excavation further demonstrated his dynamic approach to painting, showcasing a masterful command of texture, color, and composition. He didn't shy away from chaos or ambiguity; instead, he embraced them as integral components of his artistic language.

    Evolving Landscapes and Enduring Legacy

    In the 1960s, de Kooning’s style underwent another significant evolution. While abstraction remained central to his work, landscape elements began to play a more prominent role, often rendered with a brighter palette and a looser, more fluid brushstroke. He continued to experiment relentlessly throughout his life, exploring different techniques and materials, never content to rest on his laurels. His later works demonstrate a remarkable ability to reinvent himself while remaining true to his core artistic principles. Willem de Kooning’s historical significance is undeniable. He helped establish New York City as a global center for art, challenging the dominance of European traditions and paving the way for future generations of artists. His work continues to inspire awe and provoke debate, reminding us of the power of abstraction to convey profound emotional truths. De Kooning passed away in 1997, leaving behind a vast and influential body of work that stands as a testament to his unwavering commitment to artistic innovation and his enduring legacy as one of the most important American artists of the 20th century. His impact resonates still.

    Where to read more

    Find this online

    QR code linking to the download page for Litho 2 (Waves 2)

    topimpressionists.com/en/art/download/willem-de-kooning-litho-2-waves-2-AS7RM7-en/

    Cite this artwork

    MLA
    Kooning, Willem de. Litho 2 (Waves 2). 1960, https://topimpressionists.com/en/art/willem-de-kooning-litho-2-waves-2-AS7RM7-en/
    APA
    Kooning, Willem de (1960). Litho 2 (Waves 2) [Painting]. https://topimpressionists.com/en/art/willem-de-kooning-litho-2-waves-2-AS7RM7-en/
    Chicago
    Willem de Kooning. Litho 2 (Waves 2). 1960. https://topimpressionists.com/en/art/willem-de-kooning-litho-2-waves-2-AS7RM7-en/
    Harvard
    Kooning, Willem de (1960) Litho 2 (Waves 2). Available at: https://topimpressionists.com/en/art/willem-de-kooning-litho-2-waves-2-AS7RM7-en/

    Look closely

    Litho 2 (Waves 2) — Willem de Kooning

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: waves, figures, de kooning. Do you agree? What would you add, or take away?
    4. Look back at Woman I (1952), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Litho 2 (Waves 2) — Willem de Kooning

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Willem de Kooning most closely associated with?

      • A Impressionism
      • B Abstract Expressionism
      • C Renaissance Realism
    2. 2. The lithograph 'Litho 2 (Waves 2)' depicts primarily:

      • A A serene seascape with calm waves.
      • B Three figures engaged in a dynamic interaction within a coastal scene.
      • C An abstract representation of water and light.
    3. 3. In what year was 'Litho 2 (Waves 2)' created?

      • A 1930
      • B 1960
      • C 1980
    4. 4. Based on the description, what technique is evident in 'Litho 2 (Waves 2)'?

      • A Oil painting with meticulous detail.
      • B Lithography, creating a textured and slightly grainy appearance.
      • C Watercolor rendering with delicate washes.
    5. 5. The image description suggests that De Kooning's work in this period reflects a shift away from:

      • A Abstract forms and towards figurative representation.
      • B Large-scale canvases and smaller, more intimate works.
      • C Bold brushstrokes and precise lines.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4A · 5A