Paper

Student Artwork Guide

Meg

Name Class Date

Willem de Kooning, Meg (1955), Dallas Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Willem de Kooning topimpressionists.com/en/artists/willem-de-kooning/
Artist’s dates
1904 – 1997
Painted
1955
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Held at
Dallas Museum of Art topimpressionists.com/en/museums/dallas-museum-of-art-dallas/
Artistic style
abstract expressionism
Notable elements or techniques
Shapes and forms

In context

Meg — Willem de Kooning

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Painted when the artist was 51. The artist lived to 93. 37 of the 88 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Willem de Kooning (1904–1997) ▲ this work, 1955 every dated painting, decade by decade

First works: up to 1949 Main working years: 1949–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Woman I, 1952 topimpressionists.com/en/art/willem-de-kooning-woman-i-8XZ6VM-en/
  • Painting, 1948 topimpressionists.com/en/art/willem-de-kooning-painting-8XZ6W2-en/
  • Still Life, 1945 topimpressionists.com/en/art/willem-de-kooning-still-life-9H5R4G-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/willem-de-kooning-meg-D37L5F-en/

Colours

Measured from the image

    Main colour

    Gray #836267

    Catalogued palette

    • #836267
    • #E9E0E0
    • #D5C3BD
    • #B79F96

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Willem de Kooning over the last twelve months — 38 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 24.7%
    2. 2 United States of America 17.4%
    3. 3 Brazil 6.2%
    4. 4 United Kingdom 6.2%
    5. 5 Italy 4.5%
    6. 6 South Korea 4.5%
    7. 7 Belgium 3.4%
    8. 8 Spain 2.2%
    9. 9 France 2.2%
    10. 10 Romania 2.2%
    11. · 28 other countries 26.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Willem de Kooning

    1. 1 Woman I, 1952 37.7%
    2. 2 Excavation, 1950 6.3%
    3. 3 Woman V, 1952-53 (oil ^ charcoal on canvas), 1953 3.3%
    4. 4 Marilyn Monroe, 1954 3.0%
    5. 5 Women Singing II, 1966 3.0%
    6. 6 Door to the River, 1960 2.7%
    7. 7 Abstraction, 1950 2.0%
    8. 8 Seated Woman, 1940 2.0%
    9. 9 Saturday Night, 1956 2.0%
    10. 10 The visit tate gallery, 1966 2.0%
    11. 11 Composition 1.7%
    12. 12 Merritt Parkway, 1959 1.7%
    13. 13 A Tree in Naples 1.3%
    14. 14 Woman Red Hair, Large Mouth, Large Foot, 1965 1.3%
    15. 15 Excavation,1950, art institute of chicago 1.3%
    16. 16 Two Women in the Country, 1954 1.0%
    17. 17 Queen of Hearts, 1946 1.0%
    18. 18 Painting, 1948 1.0%
    19. 19 The Wave 1.0%
    20. — Meg, 1955 this painting 0.0%

    Together these works take 75.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 102 works by this artist, of which 64 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Meg — Willem de Kooning

    A Tempestuous Vision: Decoding Willem de Kooning’s “Meg”

    Willem de Kooning's 1955 work, “Meg,” is not a painting one simply looks at; it’s an experience. A swirling vortex of color and form rendered in oil, pastel, and collage on paper, “Meg” embodies the raw energy and emotional turbulence that define Abstract Expressionism. It's a piece that demands attention, pulling the viewer into its chaotic yet strangely harmonious depths. The painting eschews traditional representation, instead offering a fragmented glimpse into an internal landscape – a world of feeling rather than concrete imagery. While lacking a definitive subject in the conventional sense, hints of figuration emerge from the abstraction, suggesting perhaps a female form or interacting figures caught within a dynamic interplay of gesture and color.

    The Birth of Abstraction: De Kooning’s Artistic Journey

    To understand “Meg,” one must consider Willem de Kooning's remarkable journey. Born in Rotterdam in 1904, he immigrated to the United States in 1926, a pivotal move that would shape his artistic trajectory. Initially grappling with commercial art and realistic depictions of urban life, De Kooning gradually moved towards abstraction, influenced by encounters with fellow artists like Arshile Gorky and Jackson Pollock. The post-World War II era saw the rise of Abstract Expressionism in New York City, a movement that sought to express subjective emotional experience through spontaneous, automatic or subconscious creation. De Kooning became a central figure in this revolution, known for his bold brushwork and willingness to challenge conventional artistic boundaries. His earlier “Woman” series, though controversial for their aggressive depiction of the female form, paved the way for the more liberated abstraction seen in works like “Meg.” The year 1955 was particularly significant; it also saw the creation of "Interchange," another landmark painting demonstrating his evolving style and mastery of color.

    Technique and Texture: A Symphony of Materials

    “Meg” is a testament to De Kooning’s innovative technique. The layering of oil paint, pastel, and collage elements creates a rich, tactile surface that invites close inspection. The artist's characteristic brushstrokes – energetic, slashing, and often seemingly haphazard – build up layers of color and texture, generating a sense of movement and depth. The use of collage adds another dimension to the work, introducing fragments of paper that disrupt the smooth surface and further emphasize the painting’s fragmented nature. This isn’t about precise control; it's about embracing chance and allowing the materials to dictate aspects of the composition. The vibrant palette – a mix of reds, blues, yellows, greens, pinks, oranges, and whites – contributes to the painting’s emotional intensity, evoking feelings of both exhilaration and unease. The overall effect is one of controlled chaos, a carefully orchestrated explosion of color and form.

    Emotional Resonance: A Window into the Subconscious

    Ultimately, “Meg” transcends mere aesthetic appeal; it's a deeply emotive work that resonates with viewers on a visceral level. The painting’s ambiguity allows for multiple interpretations, inviting each individual to project their own feelings and experiences onto its surface. Some see echoes of human figures struggling within the abstract forms, while others perceive a landscape ravaged by emotional turmoil. Regardless of one's interpretation, “Meg” evokes a sense of raw energy, vulnerability, and the complexities of the human condition. It’s a powerful reminder that art can be more than just representation; it can be a direct expression of inner life, a window into the subconscious mind.

    Artist and museum

    Artist

    Willem de Kooning

    Born in Rotterdam, Netherlands

    A Life Forged in Abstraction

    Willem de Kooning, a name synonymous with the raw energy and emotional depth of Abstract Expressionism, was born in Rotterdam, Netherlands, in 1904. His early life was marked by a familial split – his parents divorced when he was young – which perhaps instilled within him a sense of restless searching that would permeate his artistic journey. Leaving formal schooling at twelve, de Kooning apprenticed with a commercial art firm, laying the groundwork for his technical skill while simultaneously fueling a desire to break free from conventional constraints. Evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam provided further foundational training, but it was a yearning for something more – a bolder, more expressive language – that ultimately propelled him towards America in 1926. His arrival wasn’t straightforward; he famously stowed away on a ship, embodying the spirit of an outsider seeking new horizons. New York City became his adopted home, and its vibrant, often gritty energy profoundly shaped his evolving style. He navigated various jobs – house painter, carpenter – all while relentlessly pursuing his artistic vision, absorbing the city’s pulse into his work.

    From Urban Scenes to Abstract Fury

    De Kooning's early paintings reflected his immediate surroundings: urban landscapes and portraits that captured the dynamism of New York life. However, these were merely stepping stones towards a more profound exploration of form and emotion. A pivotal moment came with his connection to Arshile Gorky, whose influence proved transformative. Gorky encouraged de Kooning’s experimentation with abstraction, fostering a willingness to dismantle traditional representation in pursuit of something deeper. The 1930s saw de Kooning engage with social realism and mural projects through the Works Progress Administration (WPA), a period that honed his skills but also highlighted the limitations of purely representational art. He found himself drawn towards the work of Stuart Davis and John Graham, artists who were pushing boundaries in their own right. This confluence of influences gradually steered him away from literal depiction and toward an increasingly abstract vocabulary. It wasn’t a sudden shift, but rather a slow burn – a deliberate dismantling of established norms fueled by intellectual curiosity and a relentless pursuit of artistic truth.

    The Woman Series: A Landmark Achievement

    Following World War II, de Kooning emerged as a central figure in the burgeoning Abstract Expressionist movement. This period marked a turning point, culminating in his iconic “Woman” series (1950-1953). These paintings – including the monumental *Woman I* – are not merely depictions of female figures; they are visceral explorations of femininity, sexuality, and the complexities of human emotion. Characterized by aggressive brushstrokes, fragmented forms, and a jarring juxtaposition of colors, the “Woman” series challenged conventional notions of beauty and representation. They were controversial, even shocking to some, but their power lay precisely in their refusal to conform. De Kooning wasn’t interested in creating idealized images; he sought to capture the raw, untamed essence of his subjects. Beyond the "Woman" series, works like The Glazier and Excavation further demonstrated his dynamic approach to painting, showcasing a masterful command of texture, color, and composition. He didn't shy away from chaos or ambiguity; instead, he embraced them as integral components of his artistic language.

    Evolving Landscapes and Enduring Legacy

    In the 1960s, de Kooning’s style underwent another significant evolution. While abstraction remained central to his work, landscape elements began to play a more prominent role, often rendered with a brighter palette and a looser, more fluid brushstroke. He continued to experiment relentlessly throughout his life, exploring different techniques and materials, never content to rest on his laurels. His later works demonstrate a remarkable ability to reinvent himself while remaining true to his core artistic principles. Willem de Kooning’s historical significance is undeniable. He helped establish New York City as a global center for art, challenging the dominance of European traditions and paving the way for future generations of artists. His work continues to inspire awe and provoke debate, reminding us of the power of abstraction to convey profound emotional truths. De Kooning passed away in 1997, leaving behind a vast and influential body of work that stands as a testament to his unwavering commitment to artistic innovation and his enduring legacy as one of the most important American artists of the 20th century. His impact resonates still.

    Museum

    Dallas Museum of Art

    On show in Dallas, United States of America

    A Sanctuary of Infinite Vision

    In the beating heart of the Dallas Arts District, where the urban energy of Texas meets a profound stillness of spirit, stands the

    Dallas Museum of Art

    . It is not merely a repository for objects, but a living, breathing chronicle of human creativity that spans five millennia. To step through its doors is to embark on a journey that transcends time and geography, moving seamlessly from the whispered secrets of ancient Greek vases to the visceral, boundary-pushing provocations of contemporary masters. Since its humble inception in 1903, the museum has evolved from a local gathering of enthusiasts into a global beacon of cultural excellence, driven by an unwavering commitment to making the sublime accessible to every visitor.

    The architecture itself serves as a silent protagonist in this narrative of beauty. Designed by the visionary

    Edward Larrabee Barnes

    , the museum’s structure is a masterclass in modernism, characterized by clean, sophisticated lines and an intentional dialogue with light. The expansive halls are not merely containers for art but are designed to breathe alongside it; natural light pours into the galleries, illuminating the textures of ancient ceramics and the bold strokes of oil paintings alike. This architectural brilliance creates an atmosphere of contemplative grandeur, where the soaring ceilings and open floor plans invite the wandering eye to linger on the interplay between shadow and substance.

    A Tapestry of Global Heritage

    The true soul of the DMA lies in its breathtakingly diverse collection, a rich tapestry woven from threads of countless civilizations. For the collector or the lover of antiquity, the museum offers an unparalleled encounter with the past. One might find themselves lost in the delicate elegance of Chinese porcelain or mesmerized by the rhythmic power of Indian sculptures, each piece serving as a window into the philosophical and spiritual landscapes of their creators. The collection’s strength lies in its ability to bridge the gap between the ancient and the modern, presenting a continuous stream of human expression that feels remarkably unified despite its vast chronological range.

    As one wanders deeper into the galleries, the European masters emerge with an emotional depth that continues to captivate the modern soul. The works of

    Paul Gauguin

    and

    Henri Matisse

    offer vibrant explorations of color and form, while the haunting, complex compositions of

    Francis Bacon

    challenge our very perceptions of reality. For the interior designer or the art enthusiast seeking inspiration, these masterpieces provide a profound study in how color, texture, and emotion can transform a space. This seamless blend of ancient craftsmanship and modern experimentation ensures that every visit to the DMA is an encounter with the unexpected, making it a cornerstone of the American cultural landscape.

    A Catalyst for Community and Connection

    Beyond its walls of stone and glass, the Dallas Museum of Art functions as a vibrant community hub, fostering a deep connection between the public and the transformative power of art. Through its dynamic exhibition policy, the museum breathes life into its permanent holdings with rotating displays that tackle contemporary issues and celebrate forgotten histories. Programs such as the

    Late Night

    events and the

    Arts & Letters Live

    series transform the institution into a social stage, where literature, music, and visual arts converge to inspire curiosity across all generations.

    What truly distinguishes the DMA is its radical dedication to accessibility. By offering free general admission, the museum removes the barriers between the individual and the masterpiece, ensuring that the profound beauty of its 24,000-strong collection remains a shared heritage for all. Whether it is through the scholarly depths of the

    Mayer Library

    or the engaging educational programs for young minds, the museum remains steadfast in its mission to act as a catalyst for engagement. It is a place where history is not just studied, but felt—a sanctuary where every brushstroke and every carved stone tells a story that belongs to us all.

    Where to read more

    Find this online

    QR code linking to the download page for Meg

    topimpressionists.com/en/art/download/willem-de-kooning-meg-D37L5F-en/

    Cite this artwork

    MLA
    Kooning, Willem de. Meg. 1955, Dallas Museum of Art. https://topimpressionists.com/en/art/willem-de-kooning-meg-D37L5F-en/
    APA
    Kooning, Willem de (1955). Meg [Painting]. Dallas Museum of Art. https://topimpressionists.com/en/art/willem-de-kooning-meg-D37L5F-en/
    Chicago
    Willem de Kooning. Meg. 1955. Dallas Museum of Art. https://topimpressionists.com/en/art/willem-de-kooning-meg-D37L5F-en/
    Harvard
    Kooning, Willem de (1955) Meg. Dallas Museum of Art. Available at: https://topimpressionists.com/en/art/willem-de-kooning-meg-D37L5F-en/

    Look closely

    Meg — Willem de Kooning

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: color field painting, gesture painting, collage technique. Do you agree? What would you add, or take away?
    4. Look back at Woman I (1952), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Meg — Willem de Kooning

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. In what year was Willem de Kooning’s ‘Meg’ created?

      • A 1945
      • B 1955
      • C 1965
    2. 2. ‘Meg’ is primarily characterized by which artistic style?

      • A Cubism
      • B Abstract Expressionism
      • C Impressionism
    3. 3. What medium(s) are used in the creation of 'Meg'?

      • A Oil on canvas
      • B Collage, oil, pastel and paper
      • C Watercolor on paper
    4. 4. Willem de Kooning was originally from which country?

      • A United States
      • B France
      • C Netherlands

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can "Meg" by Willem de Kooning, held at the Dallas Museum of Art, be legally reproduced?

    The original "Meg" is at the Dallas Museum of Art, and the work is still protected by copyright.

    Is "Meg" by Willem de Kooning in the public domain?

    The copyright answer for "Meg" by Willem de Kooning: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

    Where can I download "Meg" by Willem de Kooning?

    "Meg" by Willem de Kooning can be downloaded from the artwork's Download page, as a high-resolution digital image download.