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Student Artwork Guide

September

Name Class Date

William Anderson, September. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Anderson topimpressionists.com/en/artists/william-anderson/
Artist’s dates
1757 – 1837
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

September — William Anderson

When might this have been painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820
  9. 1830

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 80 at death.

Shaded: the lifetime of William Anderson (1757–1837) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-anderson-september-9DHNEZ-en/

Colours

Measured from the image

    Main colour

    Plum #a0a6d7

    Catalogued palette

    • #A0A6D7
    • #A7A090
    • #908760
    • #5A5344

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Plum
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Anderson over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 64.7%
    2. 2 Argentina 17.6%
    3. 3 South Africa 11.8%
    4. 4 United States of America 5.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 13 most looked-at works by William Anderson

    1. 1 Cavalry Embarking At Blackwall 16.7%
    2. 2 'the Bell' Inn At Erith 11.1%
    3. 3 A Flagship Departing From The Anchorage 11.1%
    4. 4 View On The Thames At Greenwich 11.1%
    5. 5 View near Deptford 11.1%
    6. 6 Hussars Embarking At Deptford 5.6%
    7. 7 Dutch Shipping With A Flagship And A States Yacht 5.6%
    8. 8 Admiral Sir Robert Calder's Action Off Cape Finisterre - 5.6%
    9. 9 Self Portrait 5.6%
    10. 10 Shipping in an Estuary, possibly the lower reaches 5.6%
    11. 11 Southampton Water 5.6%
    12. 12 A seascape_2 5.6%
    13. September this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 54 works by this artist, of which 12 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Anderson

    Born in United Kingdom

    The Shipwright’s Vision: From Timber to Canvas

    Born in Scotland in 1757, William Anderson did not begin his journey among the fine brushes of the academy, but rather amidst the scent of pine, tar, and salt spray. His early years as an apprentice shipwright provided him with a profound, tactile understanding of naval architecture—a technical mastery that would later become the very soul of his artistry. This foundational knowledge allowed him to render the complex rigging, the sturdy hulls, and the intricate construction of vessels with an unparalleled realism. When he eventually moved to London around the age of thirty, he brought with him more than just a painter's eye; he brought the disciplined precision of a craftsman who understood exactly how a ship met the sea.

    A Symphony of Light and Maritime Grandeur

    As Anderson’s career flourished at the Royal Academy, where he exhibited with distinction for decades, his style evolved into a breathtaking marriage of British Romanticism and the luminous traditions of the Dutch Golden Age. One can sense the ghostly presence of masters like Rembrandt and Vermeer in his treatment of light and shadow. His works often captured the atmospheric drama of the maritime world, utilizing a palette that could shift from the murky, industrial depths of Limehouse Reach to the ethereal, sun-drenched expanses of a Seascape With Shipping. Through his brush, the sea was not merely a backdrop but a living, breathing protagonist, capable of both serene majesty and turbulent fury.

    A Legacy Etched in Salt and Gold

    The historical significance of Anderson’s oeuvre is inextricably linked to the era of British naval supremacy. Painting through the tumultuous years of the French Revolutionary and Napoleonic Wars, he captured the very essence of a nation defined by its maritime prowess. His ability to document both the monumental and the intimate ensured his place in the canon of great marine artists. His most celebrated contributions include:

    Seascape With Shipping, a breathtaking panorama of sailing vessels rendered in luminous watercolors.

    The Battle of Waterloo, a monumental work commemorating historical triumph.

    Nederlandse Kust-scene, which showcases his deep connection to the Dutch maritime tradition.

    Today, the echoes of his craftsmanship can still be heard in the collections of the Victoria and Albert Museum and the National Maritime Museum, where his meticulous details continue to inspire awe in all who behold them.

    Where to read more

    Find this online

    QR code linking to the download page for September

    topimpressionists.com/en/art/download/william-anderson-september-9DHNEZ-en/

    Cite this artwork

    MLA
    Anderson, William. September. n.d., https://topimpressionists.com/en/art/william-anderson-september-9DHNEZ-en/
    APA
    Anderson, William (n.d.). September [Painting]. https://topimpressionists.com/en/art/william-anderson-september-9DHNEZ-en/
    Chicago
    William Anderson. September. n.d. https://topimpressionists.com/en/art/william-anderson-september-9DHNEZ-en/
    Harvard
    Anderson, William (n.d.) September. Available at: https://topimpressionists.com/en/art/william-anderson-september-9DHNEZ-en/

    Look closely

    September — William Anderson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural landscape, harvest season, golden fields. Do you agree? What would you add, or take away?
    4. Look back at Self Portrait, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant color of "September" by William Anderson?

    The color that stands out most in "September" is plum (#a0a6d7). The dominant color is useful when matching an artwork to an interior.

    Which palette and lead color define "September"?

    The color identity of "September" by William Anderson: a neutrals palette, dominated by plum (#a0a6d7).

    Is a download available for "September"?

    The image of "September" by William Anderson can be downloaded from the artwork's Download page: a high-resolution digital image download.