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Student Artwork Guide

The blasphemous Capaneus

Name Class Date

William Blake, The blasphemous Capaneus. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Blake topimpressionists.com/en/artists/william-blake/
Artist’s dates
1757 – 1827
Artistic style
Symbolic
Influences
Blake's own imagination
Notable elements or techniques
Complex etching and aquatint printing
Subject or theme
Biblical allegory

In context

The blasphemous Capaneus — William Blake

When might this have been painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Shaded: the lifetime of William Blake (1757–1827) every dated painting, decade by decade

First works: up to 1800 Main working years: 1800–1820 Late works: from 1820

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Newton topimpressionists.com/en/art/william-blake-newton-7Z4Q6G-en/
  • The Ancient of Days, 1794 topimpressionists.com/en/art/william-blake-the-ancient-of-days-7Z4Q6J-en/
  • Isaac Newton, 1795 topimpressionists.com/en/art/william-blake-isaac-newton-8Y3TN8-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-blake-the-blasphemous-capaneus-8EWSDJ-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #714a4c

    Catalogued palette

    • #714A4C
    • #3D2027
    • #E3B6AA
    • #AA7A77

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Blake over the last twelve months — 48 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 41.9%
    2. 2 United States of America 9.9%
    3. 3 Romania 8.9%
    4. 4 Singapore 5.3%
    5. 5 Hong Kong 4.2%
    6. 6 Italy 3.3%
    7. 7 Spain 3.2%
    8. 8 Brazil 2.3%
    9. 9 France 2.3%
    10. 10 Mexico 1.6%
    11. · 38 other countries 17.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Blake

    1. 1 The Ancient of Days, 1794 10.5%
    2. 2 The Great Red Dragon and the Woman Clothed in Sun, 1806 4.4%
    3. 3 El gran dragón rojo y la mujer vestida de sol 3.2%
    4. 4 The Body of Abel Found by Adam and Eve 2.5%
    5. 5 The Red Dragon and the Woman Clothed with the Sun, 1805 2.3%
    6. 6 Satan Exulting over Eve, 1795 2.2%
    7. 7 Newton 2.0%
    8. 8 The Great Red Dragon and the Woman Clothed with Sun 2.0%
    9. 9 Hecate 1.6%
    10. 10 Isaac Newton, 1795 1.5%
    11. 11 Songs of Innocence (Title page), 1825 1.4%
    12. 12 The Resurrection 1.3%
    13. 13 Elohim Creating Adam, 1795 1.2%
    14. 14 Whirlwind of Lovers 1.2%
    15. 15 Christ Nailed to the Cross The Third Hour, 1803 1.0%
    16. 16 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 1.0%
    17. 17 Nebuchadnezzar, 1795 1.0%
    18. 18 Jacob's Ladder, 1806 0.9%
    19. 19 The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, 1824 0.9%
    20. — The blasphemous Capaneus this painting 0.0%

    Together these works take 42.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 283 works by this artist, of which 204 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The blasphemous Capaneus — William Blake

    The Blasphemous Capaneus: A Visionary Confrontation

    William Blake’s “The Blasphemous Capaneus” isn't merely a painting; it’s an embodiment of Romantic idealism wrestling with biblical transgression, rendered in a style that anticipates Surrealism decades before its formal emergence. Created around 1814-15 during Blake’s intensely productive period—a time marked by feverish creativity and profound spiritual exploration—the artwork transcends simple depiction, striving instead to convey a complex tapestry of psychological and symbolic resonance.

    Subject Matter & Narrative: The painting confronts viewers with the biblical tale of Capaneus, King of Corinth, who defiantly challenged God’s authority by demanding that he allow him to ascend heaven and pronounce judgment upon his fellow monarchs. Blake eschews literal representation, opting for a dreamlike tableau that captures the essence of this audacious defiance rather than its precise visual details.

    Style & Technique: Blake's distinctive style—characterized by bold lines, flattened perspective, and vibrant color palettes—is immediately recognizable. He employs engraving techniques honed during his apprenticeship with James Basire, layering intricate linework over colored plates to achieve a stunning textural effect. This meticulous process lends the image an otherworldly luminescence, mirroring the artist’s preoccupation with visionary states.

    Historical Context: Romantic Rebellion Against Divine Order

    “The Blasphemous Capaneus” emerges from the turbulent intellectual landscape of the Romantic era—a movement fueled by disillusionment with Enlightenment rationalism and a fervent yearning for spiritual renewal. Blake’s work reflects the broader anxieties surrounding societal progress and the perceived decline of moral values, positioning Capaneus as a symbol of human arrogance and resistance to divine providence. The painting anticipates the Surrealist fascination with unconscious imagery and dreamlike distortions—a stylistic precursor that underscores Blake's pioneering role in challenging conventional artistic conventions.

    Symbolism: The central figure of Capaneus dominates the composition, sprawled on the ground yet radiating an aura of defiant grandeur. Surrounding him are smaller figures representing angels and demons—a deliberate juxtaposition that symbolizes the battle between faith and impiety. Blake’s masterful use of color—particularly crimson—evokes associations with blood sacrifice and divine retribution, reinforcing the painting's thematic core.

    Emotional Impact & Artistic Legacy

    “The Blasphemous Capaneus” commands attention through its unsettling beauty. Blake’s deliberate manipulation of perspective and color creates a palpable sense of drama and tension—drawing viewers into the artist's psychological realm. The painting speaks to themes of rebellion, transgression, and the confrontation between humanity and divinity—provoking contemplation on questions of morality and faith. Its enduring influence can be seen in subsequent artistic movements—most notably Surrealism—demonstrating Blake’s profound contribution to the history of art and his unwavering commitment to exploring the depths of human consciousness.

    Conclusion: More than just a depiction of biblical lore, “The Blasphemous Capaneus” represents Blake's audacious assertion of artistic freedom—a refusal to conform to societal expectations and an embrace of visionary imagination. It remains a testament to the transformative power of art—inspiring viewers to confront uncomfortable truths and to grapple with existential dilemmas.

    Artist and museum

    Artist

    William Blake

    Born in London, United Kingdom

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it a distinctive textural quality and allowing for greater artistic freedom than traditional methods. Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven and Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelite Brotherhood, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to inspire poets, painters, and thinkers across disciplines. His exploration of complex philosophical and religious ideas through art remains profoundly relevant, challenging us to question conventional wisdom and embrace the power of individual vision. Blake’s legacy isn't simply about his artistic achievements; it is about his unwavering commitment to creative freedom—a testament to the enduring power of imagination in a world often dominated by reason and constraint.

    Where to read more

    Find this online

    QR code linking to the download page for The blasphemous Capaneus

    topimpressionists.com/en/art/download/william-blake-the-blasphemous-capaneus-8EWSDJ-en/

    Cite this artwork

    MLA
    Blake, William. The blasphemous Capaneus. n.d., https://topimpressionists.com/en/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/
    APA
    Blake, William (n.d.). The blasphemous Capaneus [Painting]. https://topimpressionists.com/en/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/
    Chicago
    William Blake. The blasphemous Capaneus. n.d. https://topimpressionists.com/en/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/
    Harvard
    Blake, William (n.d.) The blasphemous Capaneus. Available at: https://topimpressionists.com/en/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/

    Look closely

    The blasphemous Capaneus — William Blake

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: biblical story, heaven climb, divine punishment. Do you agree? What would you add, or take away?
    4. Look back at Newton, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of William Blake: blake visionary style, religious mythos, divine justice. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The blasphemous Capaneus — William Blake

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What biblical story does “The Blasphemous Capaneus” depict?

      • A Noah’s Ark
      • B David and Goliath
      • C Moses parting the Red Sea
    2. 2. William Blake is primarily known for his contributions to which artistic movement?

      • A Renaissance
      • B Impressionism
      • C Romantic
    3. 3. The painting utilizes engraving techniques, a method pioneered by Blake. Why was this technique significant during Blake's time?

      • A It allowed for mass production of artworks.
      • B It enabled detailed depictions of textures and surfaces.
      • C It was primarily used for portraiture
    4. 4. What is the overall atmosphere conveyed by “The Blasphemous Capaneus”?

      • A Peaceful and serene
      • B Joyful and celebratory
      • C Dramatic and intense
    5. 5. Blake’s artistic style is characterized by a blend of imagination, symbolism, and visionary imagery. How does this stylistic approach reflect the broader intellectual currents of the Romantic Age?

      • A It emphasized rational thought and scientific observation.
      • B It celebrated classical ideals of beauty and proportion.
      • C It prioritized emotional expression and subjective experience

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3B · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What mood and emotion come together in "The blasphemous Capaneus"?

    In "The blasphemous Capaneus", a romantic mood accompanies a dramatic emotion.

    Where can I find statistics about "The blasphemous Capaneus" by William Blake?

    Statistics about "The blasphemous Capaneus" by William Blake are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    Who created "The blasphemous Capaneus"?

    The artist behind "The blasphemous Capaneus" is William Blake. The work is catalogued under William Blake's name.