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Student Artwork Guide

Taking His Steps

Name Class Date

William Conor, Taking His Steps (1920). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Conor topimpressionists.com/en/artists/william-conor/
Artist’s dates
1881 – 1968
Painted
1920
Original size
49 x 44 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

Taking His Steps — William Conor

How big is it?

The original measures 49 × 44 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 87 at death.

Painted when the artist was 39. The artist lived to 87. 4 of the 34 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Conor (1881–1968) ▲ this work, 1920 every dated painting, decade by decade

First works: up to 1921 Main working years: 1921–1935 Late works: from 1935

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-conor-taking-his-steps-AQVF9R-en/

Colours

Measured from the image

    Main colour

    Putty #d2c1a3

    Catalogued palette

    • #D2C1A3
    • #9F8D6D
    • #3C2616
    • #635741

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Conor over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 Germany 16.7%
    3. 3 United Kingdom 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by William Conor

    1. 1 The Concertina Player (Ballyclare, County Antrim), 1930 20.0%
    2. 2 The Jaunting Car, 1933 10.0%
    3. 3 Councillor James A. Doran (1848–1934), JP, 1930 10.0%
    4. 4 On the Road 10.0%
    5. 5 Charles Stewart Henry Vane Tempest Stewart (1878–1949), 7th Marquess of Londonderry, 1926 5.0%
    6. 6 The Latest News, 1922 5.0%
    7. 7 Building an Air Raid Shelter, 1941 5.0%
    8. 8 Open Air Market (County Antrim), 1933 5.0%
    9. 9 Jaunting Car, 1933 5.0%
    10. 10 The Turf Barrow (County Antrim), 1920 5.0%
    11. 11 The Reader, 1939 5.0%
    12. 12 Men of Iron, 1922, 1922 5.0%
    13. 13 Girl Drying Her Hair 5.0%
    14. 14 Daffodils 5.0%
    15. Taking His Steps, 1920 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 63 works by this artist, of which 14 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Conor

    A Belfast Visionary: The Life and Legacy of William Conor

    Born amidst the industrial heartbeat of Victorian Belfast in 1881, William Conor emerged as a profound chronicler of the human condition and the rugged beauty of Ulster life. His origins at 5 Fortingale Street, a locale nestled between the Shankill Road and the Old Lodge Road, deeply informed his artistic soul. Descended from a lineage of wrought-iron workers, Conor’s early years were shaped by the grit and determination of Belfast's working class. This industrial backdrop provided more than just a setting; it offered a lifelong reservoir of subject matter. His path toward greatness was ignited at the tender age of ten, when the keen eyes of music teacher Louis Mantell recognized the latent brilliance in Conor’s chalk drawings, ultimately guiding him toward the formal training of the College of Art.

    The development of Conor’s technique was a meticulous journey of discipline and discovery. Before fully committing to the canvas, he served an apprenticeship as a lithographer for David Allen and Sons. This period in the poster design department was far from a detour; rather, it instilled in him a rigorous approach to craftsmanship and a mastery of printmaking that would later manifest in his precise compositions. As he matured, Conor’s horizons expanded far beyond the shipyard vistas of his home. His travels through the Blasket Islands, Dingle Bay, and the vibrant streets of Paris acted as vital catalysts for his creative evolution. In the studios of France, he immersed himself in the study of Dutch and Italian masters, absorbing the dramatic chiaroscuro of Rembrandt and the luminous stillness of Vermeer. These influences allowed him to blend a modern Impressionistic sensibility with a timeless, representational depth.

    Mastery of Emotion and the Ulster Spirit

    Conor’s artistry is defined by an extraordinary ability to find the extraordinary within the ordinary. He possessed a rare, empathetic gaze that could transform a simple domestic scene into a profound meditation on existence. Whether capturing the quiet intimacy of The Elder Sister or the nostalgic warmth of Taking His Steps, his work resonates with a deep sense of human connection and Irish heritage. His brushwork, often characterized by a balance of bold strokes and delicate detail, served to elevate the lives of working-class people to the level of high art. He did not merely paint scenes; he captured the very atmosphere of a changing era—the camaraderie of urban life, the serenity of a snow-covered City Hall, and the rhythmic pulse of the Belfast shipyards.

    During the tumultuous years of the First World War, Conor’s significance took on a historical dimension. Commissioned by the British government to produce official pictorial records, he documented the lives of soldiers and munitions workers, providing a visual testament to the era's sacrifices. This period of service solidified his role as an artist of national importance. His later years saw him establishing a formidable presence in the London art scene, socializing with luminaries such as Sir John Lavery and Augustus John, while simultaneously maintaining a deep connection to his roots through frequent exhibitions at the Royal Hibernian Academy (RHA) from 1918 until 1967.

    The enduring legacy of William Conor lies in his role as a visual poet of Northern Ireland. His achievements are marked by several key milestones:

    Academic Distinction: His influential roles within the Royal Institute of Painters in Water Colours (RPIWC) and the Ulster Academy of Arts.

    Cultural Documentation: His unparalleled ability to document the social fabric of Belfast, from industrial landscapes to intimate domesticity.

    Technical Versatility: A seamless transition from the disciplined precision of lithography to the emotive fluidity of oil painting.

    Historical Recognition: The preservation of his significant works within prestigious institutions like the Ulster Museum.

    Ultimately, Conor remains a cornerstone of Irish art history. He bridged the gap between the industrial reality of the late 19th century and the burgeoning modernism of the 20th, leaving behind a body of work that continues to evoke warmth, nostalgia, and a profound respect for the resilient spirit of the people of Ulster.

    Where to read more

    Find this online

    QR code linking to the download page for Taking His Steps

    topimpressionists.com/en/art/download/william-conor-taking-his-steps-AQVF9R-en/

    Cite this artwork

    MLA
    Conor, William. Taking His Steps. 1920, https://topimpressionists.com/en/art/william-conor-taking-his-steps-AQVF9R-en/
    APA
    Conor, William (1920). Taking His Steps [Painting]. https://topimpressionists.com/en/art/william-conor-taking-his-steps-AQVF9R-en/
    Chicago
    William Conor. Taking His Steps. 1920. https://topimpressionists.com/en/art/william-conor-taking-his-steps-AQVF9R-en/
    Harvard
    Conor, William (1920) Taking His Steps. Available at: https://topimpressionists.com/en/art/william-conor-taking-his-steps-AQVF9R-en/

    Look closely

    Taking His Steps — William Conor

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: domesticity, family, elderly woman. Do you agree? What would you add, or take away?
    4. Look back at Charles Stewart Henry Vane Tempest Stewart (1878–1949), 7th Marquess of Londonderry (1926), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Do the colors of "Taking His Steps" appear strong or soft?

    The colors in "Taking His Steps" by William Conor have a balanced intensity.

    How does the subject of "Taking His Steps" relate to William Conor's usual themes?

    William Conor's recurring themes include irish realism, conor's legacy, impressionistic touch, domesticity, rural life, family values", belfast scenes; "Taking His Steps" focuses on domesticity, family, elderly woman, baby, caregiving, intimacy, irish heritage, portraiture.

    What kind of colors does "Taking His Steps" use?

    "Taking His Steps" by William Conor uses an earthy color palette. The palette summarizes the work's overall color character.