Paper

Student Artwork Guide

In Mexico

Name Class Date

William Henry Holmes, In Mexico (1918). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Henry Holmes topimpressionists.com/en/artists/william-henry-holmes/
Artist’s dates
1846 – 1933
Painted
1918
Original size
24 x 36 cm

In context

In Mexico — William Henry Holmes

How big is it?

The original measures 24 × 36 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 87 at death.

Painted when the artist was 72. The artist lived to 87. 17 of the 34 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Henry Holmes (1846–1933) ▲ this work, 1918 every dated painting, decade by decade

First works: up to 1880 Main working years: 1880–1927 Late works: from 1927

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-henry-holmes-in-mexico-AQTRSS-en/

Colours

Measured from the image

    Main colour

    Putty #ccc0b2

    Catalogued palette

    • #CCC0B2
    • #898364
    • #525546
    • #ABA19C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Henry Holmes over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.0%1,800 visits
    2. 2 Hong Kong 20.0%600 visits
    3. 3 United States of America 13.3%400 visits
    4. 4 Mexico 3.3%100 visits
    5. 5 Singapore 3.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Henry Holmes

    1. 1 Field of Blossoms, 1927 14.3%500 visits
    2. 2 The Normal Rock Creek, 1910 8.6%300 visits
    3. 3 Long's Peak, Colorado, 1874, 1874 5.7%200 visits
    4. 4 Ancient Stone Round Tower, 1875 5.7%200 visits
    5. 5 Autumn in the Meadow Edge 5.7%200 visits
    6. 6 Cliff Houses on the Rio Mancos, Colorado, 1878 5.7%200 visits
    7. 7 A Mexican Laundry, 1895 5.7%200 visits
    8. 8 A Gypsy Camp 5.7%200 visits
    9. 9 Royal Oak, 1932 2.9%100 visits
    10. 10 In Mexico, 1918 this painting 2.9%100 visits
    11. 11 Mountain Gorge, Colorado, 1923 2.9%100 visits
    12. 12 On the Sunset Hill, 1926, 1926 2.9%100 visits
    13. 13 (Summer Scene), 1920 2.9%100 visits
    14. 14 The Enchanted Mesa, 1927 2.9%100 visits
    15. 15 Over the Maryland Fields 2.9%100 visits
    16. 16 Deserted Bed of a Glacier 2.9%100 visits
    17. 17 In Jamaica 2.9%100 visits
    18. 18 My Old Mill, Holmescroft, near Rockville 2.9%100 visits
    19. 19 On the Coast of California 2.9%100 visits
    20. 20 Cherry Blossoms 2.9%100 visits

    Together these works take 91.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 59 works by this artist, of which 23 were looked at at least once. This painting ranks 10 of them, with 2.9% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    In Mexico — William Henry Holmes

    The painting In Mexico by William Henry Holmes is a stunning watercolor that showcases the artist's skill and attention to detail. Created in 1918, this piece measures 24 x 36 cm and is currently housed at the Smithsonian American Art Museum in the United States.

    A Brief Overview of the Artist

    William Henry Holmes was a renowned American artist, anthropologist, and geologist. His work spanned various fields, including art, science, and exploration. As an artist, he was known for his meticulous and detailed style, which is evident in In Mexico.

    The Painting's Composition and Style

    The painting depicts a serene mountainous landscape with a town nestled in the valley below. The scene features a large hillside covered in trees, with several houses scattered throughout the area. A person is visible near the bottom left of the painting, adding a sense of human presence to the otherwise natural scenery. The overall atmosphere of the piece conveys a sense of tranquility and harmony between nature and human habitation. Key Features of the painting include:

    The use of watercolor and opaque watercolor to create a sense of depth and texture

    The attention to detail in the depiction of the landscape and architecture

    The sense of serenity and peacefulness that pervades the entire scene

    Conclusion

    In Mexico by William Henry Holmes is a captivating painting that showcases the artist's skill and attention to detail. For those interested in learning more about the artist and his work, visit /art/list/?Filter=AQTRSS-William-Henry-Holmes-In-Mexico to explore more of his paintings. Additionally, the Smithsonian American Art Museum website provides further information on the artist and his contributions to the world of art.

    To discover more about other artists and their works, visit /en/art/show/art-aqtrss-en/ and explore the vast collection of handmade oil painting reproductions available on AllPaintingsStore.com.

    Artist and museum

    Artist

    William Henry Holmes

    Born in Harrison County, United States of America

    Early Life and Education

    Born: Harrison County, United States of America (1846)

    Died: 1933

    William Henry Holmes was born on a farm near Cadiz, in Harrison County, Ohio, to Joseph and Mary Heberling Holmes on December 1, 1846.

    He graduated from the McNeely Normal School, Hopedale, Ohio in 1870.

    Briefly taught drawing, painting, natural history, and geology at the school.

    Received an honorary A.B. (Bachelor of Arts) degree from the school in 1889.

    Received an honorary Doctor of Science degree from The George Washington University in 1918.

    Career as Artist, Illustrator and Geologist

    In 1871, he went to Washington, D.C., to study art under Theodore Kaufmann.

    Employed by the Smithsonian Institution drawing and sketching fossil shells and shells of live mollusks.

    Became an artist/topographer with the government survey of Ferdinand Vandeveer Hayden in 1872, replacing Thomas Moran.

    First trip out West was to Yellowstone National Park.

    Gained a national reputation as a scientific illustrator, cartographer, pioneering archaeologist, and geologist during the 1870s.

    His work on the laccolith influenced Grove Karl Gilbert's own work.

    Worked closely with photographer William H. Jackson.

    Helped produce Hayden’s Geological and Geographical Atlas of Colorado (1877, 1881).

    Studied at Munich, Germany under Frank Duveneck to further his art studies.

    Took lessons in "museum making" from Adolphe B. Meyer of Dresden's Anthropology Museum.

    Assigned to Clarence Dutton as a geologist and illustrator after returning to the U.S.

    Illustrated the atlas for Dutton’s Tertiary History of the Grand Canyon District (1882).

    Created a triptych panorama of the Grand Canyon from Point Sublime, considered a masterpiece.

    Archaeological Work and Ethnological Studies

    Began studying Ancestral Pueblo culture remains in Utah in 1875.

    His models of ancient Indian ruins were displayed at the Centennial International Exhibition in Philadelphia.

    Became an expert in prehistoric pottery, shell art, textiles, and Native American arts.

    Discovered and reported Indian petroglyphs in central West Virginia in 1889.

    Published "Art in Shell of the American Indians" (1883) and "Pottery of the Ancient Pueblos" (1886).

    Studied the Etowah Indian Mounds of the Mississippian culture in Georgia.

    Published his synthesis of pottery in 1903.

    Museum Directorship and Later Life

    Served as head curator of anthropology at the U.S. National Museum (1897-1932).

    Chief of the Bureau of American Ethnology (1902–1909).

    Director of National Gallery of Art (now Smithsonian American Art Museum) (1920–32).

    Assembled exhibits of Indian arts from the Northwest Coast.

    Published "Handbook of Aboriginal American Antiquities" (1919).

    Lived in Royal Oak, Michigan upon retirement in 1932.

    Died April 20, 1933.

    Legacy and Significance

    Known for his contributions to scientific illustration, archaeology, and anthropology.

    Influential figure in establishing professional archaeology in the United States.

    His work on the antiquity of humans in the Americas had a conservative influence on archaeological research.

    A "Renaissance Man" with diverse talents and interests.

    His detailed illustrations significantly contributed to geological and anthropological understanding.

    Where to read more

    Find this online

    QR code linking to the download page for In Mexico

    topimpressionists.com/en/art/download/william-henry-holmes-in-mexico-AQTRSS-en/

    Cite this artwork

    MLA
    Holmes, William Henry. In Mexico. 1918, https://topimpressionists.com/en/art/william-henry-holmes-in-mexico-AQTRSS-en/
    APA
    Holmes, William Henry (1918). In Mexico [Painting]. https://topimpressionists.com/en/art/william-henry-holmes-in-mexico-AQTRSS-en/
    Chicago
    William Henry Holmes. In Mexico. 1918. https://topimpressionists.com/en/art/william-henry-holmes-in-mexico-AQTRSS-en/
    Harvard
    Holmes, William Henry (1918) In Mexico. Available at: https://topimpressionists.com/en/art/william-henry-holmes-in-mexico-AQTRSS-en/

    Look closely

    In Mexico — William Henry Holmes

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Deserted Bed of a Glacier, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Henry Holmes was about 72 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which color stands out most in "In Mexico"?

    putty (#ccc0b2) is the leading color of "In Mexico" by William Henry Holmes.

    Can I watch "In Mexico" as a full-screen slideshow?

    A slideshow is available: the Diaporama page of "In Mexico" by William Henry Holmes.

    How big is the original "In Mexico"?

    "In Mexico" measures 24 x 36 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.