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Student Artwork Guide

The Cherry Tree

Name Class Date

William Hoggatt, The Cherry Tree, Manx Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Hoggatt topimpressionists.com/en/artists/william-hoggatt/
Artist’s dates
1879 – 1961
Original size
50 x 56 cm
Held at
Manx Museum topimpressionists.com/en/museums/manx-museum-douglas/

In context

The Cherry Tree — William Hoggatt

How big is it?

The original measures 50 × 56 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of William Hoggatt (1879–1961) every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1935 Late works: from 1935

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-hoggatt-the-cherry-tree-AQSCZX-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9f9a7a

    Catalogued palette

    • #9F9A7A
    • #554A3C
    • #C0BCA3
    • #7B765F

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Hoggatt over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 11 most looked-at works by William Hoggatt

    1. 1 Crook O'Lune, 1905 15.4%
    2. 2 Landscape Sketch 15.4%
    3. 3 Castle Rushen from the Bridge House, 1960 7.7%
    4. 4 Tree and Landscape in Snow, 1961 7.7%
    5. 5 Girl with Geese 7.7%
    6. 6 In Glendown Glen 7.7%
    7. 7 South Barrule from above Glendower 7.7%
    8. 8 Ducks in a Field 7.7%
    9. 9 Landscape with Cottages 7.7%
    10. 10 The Cherry Tree this painting 7.7%
    11. 11 Top of the 'Howe Glen' 7.7%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 11 were looked at at least once. This painting ranks 10 of them, with 7.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Hoggatt

    William Hoggatt: A Painter of Isle of Man’s Tranquil Landscapes

    William Hoggatt (1879 – 1961) was a British artist who established himself as a prominent landscape painter, particularly celebrated for his depictions of the Isle of Man. Born in Lancaster, England, Hoggatt possessed an early aptitude for art and pursued formal training at the Royal College of Art before prioritizing an apprenticeship with Shrigley & Hunt in stained glass – a craft that would profoundly influence his artistic sensibilities. His subsequent studies at the Storrey Institute further honed his skills and broadened his understanding of artistic principles.

    Sponsored by H.L. Storey, Hoggatt embarked on a transformative journey to Paris in 1899-1901 where he immersed himself in the vibrant atmosphere of the Académie Julian. This formative experience exposed him to Impressionistic techniques and encouraged experimentation with color and light – elements that would become hallmarks of his distinctive style. Returning to England, Hoggatt worked briefly at the Tate Gallery before relocating to the Isle of Man in 1907 alongside his wife, Dazine Archer.

    The Isle of Man became Hoggatt’s lifelong home and muse, providing an endless source of inspiration for his artistic endeavors. He meticulously captured the beauty of the island's rugged coastline, verdant valleys, and picturesque villages, producing a substantial body of watercolor paintings that are now treasured possessions of Manx National Heritage and prominently displayed at the Manx Museum in Douglas. His work exemplifies a dedication to capturing the essence of place and conveying its serene atmosphere with remarkable precision.

    Throughout his career, Hoggatt’s canvases gained recognition at prestigious institutions such as the Royal Academy, cementing his reputation as a respected artist within the British art community. Elected to the Royal Institute of Painters in Watercolors in 1925 and serving as a member of the Liverpool and Manchester Academies, Hoggatt continued to cultivate artistic excellence until his peaceful passing in Port Erin on June 4th, 1961. His legacy endures through his evocative landscapes—a testament to his unwavering passion for observation and masterful execution.

    Notable Exhibitions: Royal Academy

    Membership: Royal Institute of Painters in Watercolors & Liverpool/Manchester Academies

    Influences: Impressionism, Stained Glass Craftsmanship

    Selected Artwork Highlights

    Girl with Geese: A captivating watercolor capturing a moment of quiet contemplation amidst the pastoral landscape.

    Solitude: This serene piece exemplifies Hoggatt’s ability to convey emotion through subtle tonal variations and delicate brushwork.

    The Ancient Village of Cregneash: A masterful depiction showcasing Hoggatt's meticulous attention to detail and his commitment to portraying the authentic character of Manx villages.

    Further Exploration

    For a deeper understanding of William Hoggatt’s artistic vision and contribution to British landscape painting, visit Manx National Heritage. Discover the captivating journey through time! Explore Viking treasures, TT racing heritage & unique artifacts at the Manx Museum in Douglas – a cultural treasure trove celebrating Isle of Man’s rich history.

    Museum

    Manx Museum

    On show in Douglas, United States of America

    A Tapestry of Time and Stone

    The Manx Museum

    in Douglas stands as much more than a mere destination for the curious traveler; it is a profound architectural narrative where the echoes of healing and heritage intertwine. Originally part of the venerable Noble’s Hospital, the structure itself carries a weight of Victorian philanthropy, a legacy bequeathed by Rebecca Noble that transformed a space once dedicated to physical restoration into a sanctuary for cultural preservation. Stepping through its doors feels akin to entering a carefully preserved echo of history, where the very walls seem to pulse with the ten millennia of human endeavor that define the Isle of Man. For the art lover and the historian alike, the museum offers a unique atmosphere where the ruggedness of archaeological discovery meets the refined elegance of British architectural ambition, creating a space that is both grounding and deeply evocative.

    The Convergence of Norse and Celtic Souls

    Within the hallowed galleries, one encounters a visceral connection to the ancient world, most notably through the museum’s extraordinary Viking collections. The halls are haunted by the presence of the Norsemen, whose influence left an indelible mark on the island's cultural landscape. Visitors can trace the intricate lineages of the Viking Age through

    gleaming silver hoards

    and the hauntingly beautiful Manx runestones, which represent a masterful synthesis of Norse tradition and local Celtic artistry. These artifacts are not merely relics; they are sculptural masterpieces that speak to a time of seafaring warriors and burgeoning maritime trade. For collectors and designers, the textures found here—the weathered stone, the cold sheen of ancient silver, and the intricate carvings—offer a rich palette of historical motifs that can inspire a sense of timelessness and strength in any curated space.

    A Kinetic Legacy and Artistic Reflection

    The museum’s narrative does not dwell solely in the distant past but transitions seamlessly into the high-octane energy of modern Manx identity. The legendary spirit of the

    Tourist Trophy (TT) motorcycle races

    is captured with equal fervor, presenting a striking juxtaposition between the ancient and the contemporary. This blend of adrenaline-fueled motorsport history alongside serene artistic expressions creates a dynamic cultural crossroads. For those seeking aesthetic inspiration, the museum’s collection includes works by artists such as

    Allan Douglas Davidson

    , whose oil paintings capture the grandeur of Tynwald, and

    Charles Warburton Young

    , whose watercolors depict the tranquil, salt-kissed landscapes of the island. This duality—the rugged, mechanical power of the TT era meeting the delicate, light-filled beauty of Manx landscapes—provides a limitless source of inspiration for interior designers looking to balance strength with serenity in their creative compositions.

    Where to read more

    • The artist William Hoggatt topimpressionists.com/en/artists/william-hoggatt/
    • The museum Manx Museum topimpressionists.com/en/museums/manx-museum-douglas/
    • Similar works More works to compare topimpressionists.com/en/art/similar/william-hoggatt-the-cherry-tree-AQSCZX-en/

    Find this online

    QR code linking to the download page for The Cherry Tree

    topimpressionists.com/en/art/download/william-hoggatt-the-cherry-tree-AQSCZX-en/

    Cite this artwork

    MLA
    Hoggatt, William. The Cherry Tree. n.d., Manx Museum. https://topimpressionists.com/en/art/william-hoggatt-the-cherry-tree-AQSCZX-en/
    APA
    Hoggatt, William (n.d.). The Cherry Tree [Painting]. Manx Museum. https://topimpressionists.com/en/art/william-hoggatt-the-cherry-tree-AQSCZX-en/
    Chicago
    William Hoggatt. The Cherry Tree. n.d. Manx Museum. https://topimpressionists.com/en/art/william-hoggatt-the-cherry-tree-AQSCZX-en/
    Harvard
    Hoggatt, William (n.d.) The Cherry Tree. Manx Museum. Available at: https://topimpressionists.com/en/art/william-hoggatt-the-cherry-tree-AQSCZX-en/

    Look closely

    The Cherry Tree — William Hoggatt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Girl with Geese, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "The Cherry Tree" by William Hoggatt vivid or muted?

    The colors of "The Cherry Tree" by William Hoggatt show a subtle color saturation with a balanced intensity.

    Is "The Cherry Tree" by William Hoggatt a light or a dark artwork?

    The recorded values for "The Cherry Tree" by William Hoggatt are: bright brightness, gentle luminance luminance.

    What shape and dimensions is "The Cherry Tree" by William Hoggatt?

    The format of "The Cherry Tree" is landscape, and the original measures 50 x 56 cm. Both are useful when planning a reproduction.