Paper
Name Class Date

William Mcgregor Paxton, Leaving the Studio. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Mcgregor Paxton topimpressionists.com/en/artists/william-mcgregor-paxton/
Artist’s dates
1869 – 1941

In context

Leaving the Studio — William Mcgregor Paxton

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Shaded: the lifetime of William Mcgregor Paxton (1869–1941) every dated painting, decade by decade

First works: up to 1908 Main working years: 1908–1917 Late works: from 1917

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • The New Necklace, 1910 topimpressionists.com/en/art/william-mcgregor-paxton-the-new-necklace-8YDJDF-en/
  • Woman Sewing, 1919 topimpressionists.com/en/art/william-mcgregor-paxton-woman-sewing-8YEA3K-en/
  • Tea Leaves, 1909 topimpressionists.com/en/art/william-mcgregor-paxton-tea-leaves-8YE4Q4-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/

Colours

Measured from the image

    Main colour

    Bronze #c69337

    Catalogued palette

    • #C69337
    • #170806
    • #D1B292
    • #723E2E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Mcgregor Paxton over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 54.5%1,200 visits
    2. 2 United States of America 27.3%600 visits
    3. 3 Belgium 18.2%400 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Mcgregor Paxton

    1. 1 Nausicaa 19.4%600 visits
    2. 2 The New Necklace, 1910 9.7%300 visits
    3. 3 The Other Room, 1916 9.7%300 visits
    4. 4 Woman Sewing, 1919 6.5%200 visits
    5. 5 Portrait of Enid Hallin 6.5%200 visits
    6. 6 The Tam 6.5%200 visits
    7. 7 Girl with a Hand Mirror, 1915 3.2%100 visits
    8. 8 The Sisters, 1904 3.2%100 visits
    9. 9 The crystal 3.2%100 visits
    10. 10 Girl combing her hair 3.2%100 visits
    11. 11 Tea Leaves, 1909 3.2%100 visits
    12. 12 Portrait of Louise Converse, 1915 3.2%100 visits
    13. 13 The Yellow Jacket, 1907 3.2%100 visits
    14. 14 The White Veranda, 1902 3.2%100 visits
    15. 15 Pretty Girl, 1926 3.2%100 visits
    16. 16 The Shade Hat, 1912 3.2%100 visits
    17. 17 Nude, 1915 3.2%100 visits
    18. 18 In the Studio 3.2%100 visits
    19. 19 Seated nude with sculpture 3.2%100 visits
    20. — Leaving the Studio this painting 0.0%0 visits

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 41 works by this artist, of which 19 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Mcgregor Paxton

    Born in Baltimore, United States of America

    a boston school luminary

    william mcgregor paxton, an american painter and instructor, left an indelible mark on the art world with his captivating portraits and interior scenes. born on june 22, 1869, in the united states, paxton's artistic journey is a testament to his dedication to the boston school paradigm.

    early life and education

    paxton's artistic odyssey began at cowles art school, where he not only honed his skills but also met his wife, elizabeth okie paxton. he later taught briefly at this institution, further solidifying his connection to the boston art community. his tenure at the museum of fine arts school in boston deepened his understanding of the city's vibrant art scene.

    artistic contributions

    paxton is renowned for his portraits, including those of two u.s. presidents: grover cleveland and calvin coolidge. his interior scenes, often featuring women, showcase his mastery of capturing the essence of his subjects. notably, his wife, elizabeth okie paxton, has been a frequent subject in his works.

    notable works and locations

    - girl with a hand mirror (reading public museum, pennsylvania), a quintessential example of paxton's opulent interior scenes. - portraits of grover cleveland and calvin coolidge, showcasing his skill in capturing the essence of historical figures.

    museums and collections featuring his work

    - the butler institute of american art (youngstown, ohio), a significant institution for american art, featuring paxton's works among its diverse collection. - somerville college (oxford, uk), while not exclusively focused on paxton, its collection includes notable works that reflect the broader context of american and british art.

    explore william mcgregor paxton's artworks on AllPaintingsStore

    discover the butler institute of american art on AllPaintingsStore

    learn more about william mcgregor paxton on wikipedia

    conclusion: william mcgregor paxton's legacy is a testament to his significant contributions to american art, particularly within the boston school. his captivating portraits and interior scenes continue to inspire, offering a glimpse into the lives of those he painted.

    Where to read more

    • The artist William Mcgregor Paxton topimpressionists.com/en/artists/william-mcgregor-paxton/
    • Similar works More works to compare topimpressionists.com/en/art/similar/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/

    Find this online

    QR code linking to the download page for Leaving the Studio

    topimpressionists.com/en/art/download/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/

    Cite this artwork

    MLA
    Paxton, William Mcgregor. Leaving the Studio. n.d., https://topimpressionists.com/en/art/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/
    APA
    Paxton, William Mcgregor (n.d.). Leaving the Studio [Painting]. https://topimpressionists.com/en/art/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/
    Chicago
    William Mcgregor Paxton. Leaving the Studio. n.d. https://topimpressionists.com/en/art/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/
    Harvard
    Paxton, William Mcgregor (n.d.) Leaving the Studio. Available at: https://topimpressionists.com/en/art/william-mcgregor-paxton-leaving-the-studio-9H5TF5-en/

    Look closely

    Leaving the Studio — William Mcgregor Paxton

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The New Necklace (1910), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do contrast and harmony combine in "Leaving the Studio"?

    The color analysis of "Leaving the Studio" by William Mcgregor Paxton records a statement contrast and a strong color unity harmony.

    Can I examine "Leaving the Studio" in more detail?

    "Leaving the Studio" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    What saturation and intensity does "Leaving the Studio" by William Mcgregor Paxton show?

    "Leaving the Studio" by William Mcgregor Paxton is recorded with a balanced soft saturation and a balanced intensity.