Paper
Name Class Date

William Sidney Cooper, Evening At Sturry. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Sidney Cooper topimpressionists.com/en/artists/william-sidney-cooper/
Artist’s dates
1854 – 1927

In context

Evening At Sturry — William Sidney Cooper

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Shaded: the lifetime of William Sidney Cooper (1854–1927) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-sidney-cooper-evening-at-sturry-9CW62F-en/

Colours

Measured from the image

    Main colour

    Putty #e5dac8

    Catalogued palette

    • #E5DAC8
    • #30291F
    • #9D8B6C
    • #5B4D3B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Sidney Cooper over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 90.9%
    2. 2 Hong Kong 9.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by William Sidney Cooper

    1. 1 Evening At Sturry this painting 25.0%
    2. 2 Herne Bay 25.0%
    3. 3 Sunlit Pastures 8.3%
    4. 4 Landscape with a Canal Lock and a Flock of Sheep 8.3%
    5. 5 Cattle Watering On The River Stour 8.3%
    6. 6 Sheep 8.3%
    7. 7 In The Shade 8.3%
    8. 8 The Thames, Basildon, Essex 8.3%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 18 works by this artist, of which 8 were looked at at least once. This painting ranks 1 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Sidney Cooper

    Early Life and Artistic Training

    William Sidney Cooper (1854–1927) emerged as a prominent figure in British landscape painting during the late Victorian era, leaving an indelible mark on Kentish art history. Born in Canterbury, he benefited from a privileged upbringing thanks to his family’s considerable wealth and connections—his great-uncle Thomas Sidney Cooper established a prestigious School of Art in Canterbury, providing William with invaluable artistic instruction. This formative influence instilled within him a deep appreciation for observation and meticulous detail, shaping the trajectory of his lifelong creative pursuits.

    A Royal Artist and Landscape Style

    Cooper’s talent quickly garnered recognition, propelling him to success at the Royal Academy and the Royal Society of British Artists (Suffolk Street Galleries). He skillfully blended realism with Impressionistic techniques—particularly capturing the subtle nuances of light and atmosphere—resulting in landscapes that are both aesthetically pleasing and scientifically accurate. His canvases frequently depicted scenes from Kent’s countryside, notably around Herne Bay, where he resided for decades. Cooper's masterful portrayal of cattle – a recurring motif in his oeuvre – exemplifies his dedication to portraying the natural world with remarkable fidelity.

    Herne Bay and Artistic Legacy

    Moving to Herne Bay in 1890 solidified Cooper’s artistic identity, transforming it into a focal point for his creative output. The coastal town's rolling hills and grazing livestock became enduring subjects of his paintings, reflecting not only the beauty of the region but also a profound connection to its rural traditions. His home, Alcroft Grange, famously hosted the eccentric Podgers family, adding an element of local folklore to Cooper’s artistic world.

    Beyond Painting: Interests and Activities

    Cooper wasn't solely devoted to painting; he pursued diverse interests that enriched his life and informed his artistic vision. He was a passionate golfer, enjoying the challenge of competition and the camaraderie of fellow players. Furthermore, he possessed musical inclinations, participating in local performances and demonstrating a versatility beyond the easel.

    Notable Achievements and Recognition

    William Sidney Cooper’s contribution to British landscape art is undeniable. His paintings are held in numerous museums and private collections worldwide, testament to their enduring appeal and artistic merit. He achieved considerable acclaim during his lifetime, securing membership in prestigious organizations like the Royal Academy and establishing himself as one of Kent's most celebrated artists—a legacy that continues to inspire admiration for his meticulous observation and evocative depictions of the English countryside.

    Where to read more

    • The artist William Sidney Cooper topimpressionists.com/en/artists/william-sidney-cooper/
    • Similar works More works to compare topimpressionists.com/en/art/similar/william-sidney-cooper-evening-at-sturry-9CW62F-en/

    Find this online

    QR code linking to the download page for Evening At Sturry

    topimpressionists.com/en/art/download/william-sidney-cooper-evening-at-sturry-9CW62F-en/

    Cite this artwork

    MLA
    Cooper, William Sidney. Evening At Sturry. n.d., https://topimpressionists.com/en/art/william-sidney-cooper-evening-at-sturry-9CW62F-en/
    APA
    Cooper, William Sidney (n.d.). Evening At Sturry [Painting]. https://topimpressionists.com/en/art/william-sidney-cooper-evening-at-sturry-9CW62F-en/
    Chicago
    William Sidney Cooper. Evening At Sturry. n.d. https://topimpressionists.com/en/art/william-sidney-cooper-evening-at-sturry-9CW62F-en/
    Harvard
    Cooper, William Sidney (n.d.) Evening At Sturry. Available at: https://topimpressionists.com/en/art/william-sidney-cooper-evening-at-sturry-9CW62F-en/

    Look closely

    Evening At Sturry — William Sidney Cooper

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sunset. Do you agree? What would you add, or take away?
    4. Look back at Cattle On A Bridge, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How strong is the contrast in "Evening At Sturry" by William Sidney Cooper?

    "Evening At Sturry" by William Sidney Cooper shows a statement contrast between its light and dark areas.

    What colors dominate "Evening At Sturry" by William Sidney Cooper?

    The color identity of "Evening At Sturry" by William Sidney Cooper: an earthy palette, dominated by putty (#e5dac8).

    How many people view "Evening At Sturry"?

    The Stats page of "Evening At Sturry" by William Sidney Cooper presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.