Paper

Student Artwork Guide

Philip Meyer

Name Class Date

William Yellowlees, Philip Meyer (1824), Enfield Museum Service. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Yellowlees topimpressionists.com/en/artists/william-yellowlees/
Artist’s dates
1796 – 1855
Painted
1824
Original size
29 x 24 cm
Held at
Enfield Museum Service topimpressionists.com/en/museums/enfield-museum-service-london/

In context

Philip Meyer — William Yellowlees

How big is it?

The original measures 29 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 28. The artist lived to 59. 1 of the 3 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Yellowlees (1796–1855) ▲ this work, 1824 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/william-yellowlees-philip-meyer-AS7VVZ-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2b291d

    Catalogued palette

    • #2B291D
    • #CBA37D
    • #4F3F27
    • #816842

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Yellowlees over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 1 most looked-at works by William Yellowlees

    1. 1 Philip Meyer, 1824 this painting 100.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Yellowlees

    William Yellowlees: The Little Raeburn and the Dawn of Victorian Portraiture

    William Yellowlees, a name perhaps less familiar than those of his contemporaries, nevertheless holds a significant place in the history of 19th-century British art. Born in Mellerstain, Berwickshire, in 1796, Yellowlees’s career unfolded against the backdrop of rapid social and artistic change, ultimately establishing him as a prominent portrait painter known for his intimate depictions of individuals and his subtle yet powerful engagement with Victorian society. His journey from a small Scottish village to London's art scene is a testament to his talent and dedication, marked by both quiet success and enduring influence.

    Yellowlees’s artistic training began under the tutelage of William Shiels, a celebrated animal painter who had gained renown for his dramatic depictions of wildlife. This early exposure to Shiels's style—characterized by bold brushwork and a focus on capturing the essence of his subjects— undoubtedly shaped Yellowlees’s approach to portraiture. However, it was Yellowlees’s own distinctive sensibility that would ultimately define his artistic legacy. He quickly developed a reputation for producing remarkably small-scale portraits, earning him the affectionate sobriquet “the Little Raeburn,” a comparison referencing the renowned Scottish painter Henry Raeburn and acknowledging the miniature size of Yellowlees's works alongside their exceptional quality.

    Early Years and Edinburgh’s Artistic Circle

    Following his training with Shiels, Yellowlees established himself as a portrait painter in Edinburgh during the 1820s. This period coincided with a flourishing artistic community in the city, attracting artists from across Britain and Europe. Yellowlees quickly integrated into this vibrant scene, establishing connections with other prominent figures such as Sir Walter Scott and Prince Albert. His ability to capture not only physical likeness but also subtle nuances of personality made him a sought-after artist among the wealthy elite of Edinburgh.

    Yellowlees’s style during his time in Edinburgh was characterized by a refined elegance and a meticulous attention to detail. He favored a muted palette, employing delicate washes of color to create a sense of atmosphere and depth. His portraits often featured subjects posed in comfortable domestic settings, reflecting the prevailing trends of Victorian portraiture. Notably, he contributed twenty portraits to the Royal Academy between 1829 and 1845, demonstrating his growing recognition within the established art world.

    London and a Patron’s Favor

    In the late 1830s, Yellowlees moved to London, seeking new opportunities and a wider audience. His relocation proved fortuitous, as he quickly gained the patronage of Prince Albert, who recognized his talent and commissioned numerous portraits of members of the royal family and other prominent figures. This association significantly elevated Yellowlees’s status within the art world and provided him with access to influential circles.

    During his time in London, Yellowlees continued to refine his artistic style, experimenting with new techniques and approaches. He developed a particular skill for capturing the fleeting expressions of his subjects, imbuing his portraits with a sense of immediacy and intimacy. His work during this period is often characterized by a subtle psychological depth, revealing not only the outward appearance but also the inner thoughts and emotions of those he depicted.

    A Legacy of Intimacy and Observation

    William Yellowlees’s artistic legacy extends beyond his individual portraits. He was a keen observer of human nature, capturing the essence of Victorian society through his intimate depictions of individuals. His small-scale works, often executed with remarkable delicacy and precision, offer a unique window into the lives and personalities of those who inhabited Britain during the 19th century.

    Yellowlees’s influence on subsequent generations of portrait painters is also noteworthy. His emphasis on capturing psychological depth and his innovative use of color and light paved the way for new approaches to portraiture, contributing to the development of a more nuanced and expressive art form. Though he may not be as widely celebrated as some of his contemporaries, William Yellowlees remains a significant figure in British art history—a testament to the power of observation, skill, and quiet artistic vision.

    Museum

    Enfield Museum Service

    On show in London, United Kingdom

    A Tapestry of Time: The Quiet Grandeur of Enfield Museum Service

    Nestled within the vibrant pulse of North London, the Enfield Museum Service offers an experience that transcends the typical museum visit. It is not a place of overwhelming spectacle or monumental masterpieces designed to intimidate, but rather a sanctuary for contemplation and discovery. The architecture itself, part of the Dugdale Arts Centre, invites visitors into a serene environment where the unassuming façade belies the profound depth of the stories held within. Here, history is not presented as a distant, unreachable concept, but as an intimate narrative woven from the very fabric of local life.

    Echoes of Antiquity and Industrial Ingenuity

    To wander through the museum's galleries is to embark on a journey across millennia. The collection serves as a poignant bridge between the primordial past and the technological present. One cannot help but feel a sense of awe when encountering the

    colossal mammoth bones

    unearthed from Tatem Park, relics that evoke a landscape dominated by magnificent, prehistoric giants. This sense of ancient wonder continues with the museum’s Roman treasures, most notably an

    extraordinary lead coffin

    that serves as a silent, tangible link to the individuals who once inhabited this region, prompting deep reflections on mortality and the enduring legacy of ancient civilizations.

    Yet, the narrative does not rest in antiquity. The museum masterfully transitions into the era of human progress, showcasing the transformative power of the Industrial Revolution. Through a curated selection of artifacts—ranging from early firearms to the nostalgic glow of early televisions and vintage household appliances—the collection celebrates the relentless pursuit of innovation. These objects are more than mere relics; they are symbols of evolving domestic routines and the technological heartbeat that shaped Enfield’s manufacturing identity.

    A Living Connection to Community and Nature

    What truly distinguishes the Enfield Museum Service is its role as a vital cultural hub, where the boundaries between the past and the present are perpetually blurred. The museum’s vast collection of over 20,000 objects is thoughtfully organized into themes that resonate with the human experience:

    Nature:

    Exploring the biological heritage and prehistoric wonders of the region.

    Home:

    Delving into the evolution of domestic life and personal belongings.

    Production:

    Honoring the industrial spirit and technological milestones.

    People:

    Celebrating the stories of notable residents and the community's shared history.

    Through interactive elements like QR codes and rotating exhibitions that often feature local contributions, the museum fosters an active sense of participation. It is a place where every visitor, whether an art lover, a historian, or a designer seeking inspiration in texture and form, can find a personal connection to the enduring spirit of Enfield.

    Where to read more

    Find this online

    QR code linking to the download page for Philip Meyer

    topimpressionists.com/en/art/download/william-yellowlees-philip-meyer-AS7VVZ-en/

    Cite this artwork

    MLA
    Yellowlees, William. Philip Meyer. 1824, Enfield Museum Service. https://topimpressionists.com/en/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    APA
    Yellowlees, William (1824). Philip Meyer [Painting]. Enfield Museum Service. https://topimpressionists.com/en/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    Chicago
    William Yellowlees. Philip Meyer. 1824. Enfield Museum Service. https://topimpressionists.com/en/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    Harvard
    Yellowlees, William (1824) Philip Meyer. Enfield Museum Service. Available at: https://topimpressionists.com/en/art/william-yellowlees-philip-meyer-AS7VVZ-en/

    Look closely

    Philip Meyer — William Yellowlees

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sir William Wightman (1784–1863), Honorary Fellow (1859) (1841), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Yellowlees was about 28 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color harmony does "Philip Meyer" by William Yellowlees display?

    "Philip Meyer" by William Yellowlees displays a strong color unity color harmony.

    Which palette and lead color define "Philip Meyer"?

    The color identity of "Philip Meyer" by William Yellowlees: an earthy palette, dominated by phthalo green (#2b291d).

    How do I preview a reproduction of "Philip Meyer" by William Yellowlees?

    A preview of "Philip Meyer" by William Yellowlees is available on the artwork's Preview page.