Paper

Student Artwork Guide

The Three

Name Class Date

Xul Solar, The Three (1923). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Xul Solar topimpressionists.com/en/artists/xul-solar/
Artist’s dates
1887 – 1963
Painted
1923
Original size
11 x 25 cm

In context

The Three — Xul Solar

How big is it?

The original measures 11 × 25 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 36. The artist lived to 76. 1 of the 19 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Xul Solar (1887–1963) ▲ this work, 1923 every dated painting, decade by decade

First works: up to 1923 Main working years: 1923–1935 Late works: from 1935

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/xul-solar-the-three-D4A57Q-en/

Colours

Measured from the image

    Main colour

    Clay #a17058

    Catalogued palette

    • #A17058
    • #604537
    • #CCC2B5
    • #CCA85A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Xul Solar over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.1%
    2. 2 Germany 42.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Xul Solar

    1. 1 City and Abysses, 1946 40.0%
    2. 2 I, the 80, 1923 20.0%
    3. 3 Two mestizos of airplane and people, 1935 10.0%
    4. 4 Couple, 1923 10.0%
    5. 5 Four Indian Women, 1923 10.0%
    6. 6 Colonial House, 1924 10.0%
    7. — The Three, 1923 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 19 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Xul Solar

    Born in San Fernando, Argentina

    A Luminary of the Avant-Garde: The Enigmatic World of Xul Solar

    Oscar Agustín Alejandro Schulz Solari, known to the world as Xul Solar, was a figure who defied easy categorization. Born in San Fernando, Argentina, in 1887, his life and art were a vibrant tapestry woven with threads of cosmopolitan upbringing, esoteric exploration, and an unwavering dedication to artistic innovation. His parents—a Baltic German father and an Italian mother—instilled in him a sensibility open to diverse cultural currents, a foundation that would profoundly shape his artistic journey. Though initially educated as both a musician and architect, it was during extensive travels through Europe – London, Paris, Turin, Genoa, Milan – that Schulz Solari discovered his true calling: painting. He began with watercolor, later embracing tempera and occasionally oils, each medium serving as a vehicle for increasingly complex visions. The adoption of the name “Xul Solar” itself is deeply revealing; derived from the Latin "lux" (light) and "solar," it embodies the artist’s fascination with illumination, energy, and the universal forces that underpin existence. It wasn't merely a pseudonym but an invocation of his artistic philosophy.

    Influences and Artistic Development

    Xul Solar’s early work reflected the prevailing European avant-garde movements, yet he quickly transcended imitation to forge a uniquely personal style. His encounter with British occultist Aleister Crowley in 1924, though brief, left an indelible mark, sparking an interest in mysticism and symbolism that would permeate his art. Upon returning to Buenos Aires, Xul Solar became a central figure in the “Florida Group” (also known as the "Martín Fierro group"), a hub of intellectual and artistic ferment. Here, he forged close friendships with literary giants Jorge Luis Borges and Leopoldo Marechal, relationships that fostered a cross-pollination of ideas and profoundly influenced his creative output. This association wasn’t merely social; it was an exchange of philosophical inquiries, linguistic experimentation, and shared explorations of the subconscious. His paintings began to incorporate invented alphabets, geometric abstractions infused with occult symbolism, and dreamlike landscapes populated by enigmatic figures. He didn't simply depict reality; he constructed alternate realities governed by his own internal logic.

    A Universe of Symbols and Languages

    The core of Xul Solar’s artistic practice lay in the creation of a personal mythology—a universe brimming with invented languages, symbolic systems, and fantastical creatures. He developed two complete artificial languages: “Neocriollo,” a poetic blend of Portuguese and Spanish intended for spoken communication, and “Panlengua,” an ambitious attempt at a universal language linking mathematics, music, astrology, and the visual arts. These linguistic endeavors weren’t merely intellectual exercises; they were integral to his artistic vision, informing the intricate patterns and coded messages embedded within his paintings. He believed that language held the key to unlocking deeper truths about the universe, and he sought to create a system of communication that transcended cultural boundaries. This fascination extended to other areas: he designed musical instruments based on esoteric principles and even invented a complex board game called “Panajedrez,” governed by rules derived from his semiotic experiments.

    Legacy and Lasting Impact

    Despite achieving recognition during his lifetime, with a significant exposition at the Musée National d'Art Moderne in Paris in 1962, Xul Solar remained somewhat of an enigmatic figure until after his death in Tigre, Argentina, in 1963. Emilio Pettoruti’s biography published five years later helped to solidify his place within the canon of Argentine art and beyond. Today, Xul Solar is celebrated as a pivotal figure of the Latin American avant-garde—an artist whose work anticipated many of the concerns that would come to define Surrealism and other 20th-century movements. His paintings, with their vibrant colors, intricate symbolism, and otherworldly atmosphere, continue to captivate audiences worldwide. Naná Watzin, Leader of Snakes, and Four Indian Women are just a few examples of his masterpieces that showcase his unique artistic vision. Xul Solar’s legacy extends beyond the realm of painting; he was a visionary thinker, an inventor, and a cultural innovator who dared to imagine alternative realities and challenge conventional modes of thought. His work remains a testament to the power of art to transcend boundaries, explore the mysteries of existence, and illuminate the hidden dimensions of the human experience.

    Where to read more

    • The artist Xul Solar topimpressionists.com/en/artists/xul-solar/
    • Similar works More works to compare topimpressionists.com/en/art/similar/xul-solar-the-three-D4A57Q-en/

    Find this online

    QR code linking to the download page for The Three

    topimpressionists.com/en/art/download/xul-solar-the-three-D4A57Q-en/

    Cite this artwork

    MLA
    Solar, Xul. The Three. 1923, https://topimpressionists.com/en/art/xul-solar-the-three-D4A57Q-en/
    APA
    Solar, Xul (1923). The Three [Painting]. https://topimpressionists.com/en/art/xul-solar-the-three-D4A57Q-en/
    Chicago
    Xul Solar. The Three. 1923. https://topimpressionists.com/en/art/xul-solar-the-three-D4A57Q-en/
    Harvard
    Solar, Xul (1923) The Three. Available at: https://topimpressionists.com/en/art/xul-solar-the-three-D4A57Q-en/

    Look closely

    The Three — Xul Solar

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Leader of Snakes (1923), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Xul Solar was about 36 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What shape and dimensions is "The Three" by Xul Solar?

    The format of "The Three" is panoramic, and the original measures 11 x 25 cm. Both are useful when planning a reproduction.

    When was "The Three" made?

    "The Three" dates from 1923. The date places the work within Xul Solar's career and its era.

    Is Xul Solar, creator of "The Three", known under other names?

    Other names recorded for Xul Solar, creator of "The Three", include Oscar Agustin Alejandro Schulz Solari, Oscar Schulz Solari.