Javier Álvarez Mon — 3D Virtual Museum

Walk through a virtual gallery hung with 32 works by Javier Álvarez Mon.

• Kul-e Farah relief I
• Kul-e Farah relief IV, detail of an archer in panel C
• View of Kul-e Farah relief IV with panel divisions
• Kul-e Farah open-air sanctuary
• Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs in front of relief I
• Kul-e Farah relief I, detail of Hanni of Ayapir with line drawing
• Shekaft-e Salman reliefs co-opted by Hanni six centuries after their manufacture
• View of Kurangun open-air santuary
• Shekaft-e Salman cave with four Elamite reliefs
• Kul-e Farah relief III, northern face
• Kul-e Farah relief IV, Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs with central panel A
• Kul-e Farah relief III, vessel-bearer and orchestra on the northern face
• Naqsh-e Rustam, remains of Elamite relief
• Kul-e Farah relief I, detail of Shutruru weapon bearer, ragipal and gilirra of Hanni
• Shekaft-e Salman Relief III
• Shekaft-e Salman Relief II, detail of the Elamite queen
• Kul-e Farah relief III, detail of individual from the northern face
• The Fahliyan River, arrow indicating the location of Kurangun open-air sanctuary
• Kul-e Farah relief I, detail of zebu sacrifice
• Kul-e Farah relief I panel
• View of Kurangun with superimposed line drawing
• Kul-e Farah relief III boulder
• Xong-e Azdhar boulder relief
• Kul-e Farah relief I, Tepti-Huban
• Kul-e Farah relief I, detail of Hanni of Ayapir
• Landsat image of the Fahliyan river in the Mamasani Valley
• Kul-e Farah Relief V, line drawing of the sacrificial ceremony with fire-stand
• Kul-e Farah Relief VI, line drawing with participants numbered 1, 3-16
• Kul-e Farah Relief II, line drawing of the sacrificial ceremony
• Kul-e Farah Relief II
• Kul-e Farah relief III, line drawing and schematic diagram of the ritual ceremony
• Shah Savar relief