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      Adolf Eberle, 1843 – 1914

      The 21 Most Famous Adolf Eberle Paintings, Ranked

      The best-loved painting by Adolf Eberle is A futile attempt (1880). Return from the Hunt (1886) and Two Hunters with Girl in the Room and Gemsbok (1886) come next among the canvases readers know best. Our catalogue holds 21 works by Adolf Eberle: here are the 21 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Adolf Eberle
      Adolf Eberle · 1843 – 1914
      Born · died
      1843 – 1914, Munich
      Movement
      Realism
      Works in our catalogue
      21
      Most famous
      A futile attempt (1880)
      Most works at
      Petit Palais

      Top 10 Adolf Eberle paintings: the canvases everyone knows

      A futile attempt (1880) by Adolf Eberle
      1

      A futile attempt

      1880 · Lithograph

      The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source, perhaps a doorway or a window, casting long, heavy shadows across the floorboards. An elderly man sits at the center, his presence anchored by the gravity of age. Around him, three figures—a young girl and two women—gather in a silent circle. They…

      Hand-painted oil reproduction from $253 28 × 36 cm
      Return from the Hunt (1886) by Adolf Eberle
      2

      Return from the Hunt

      1886 · Oil

      A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's catch upon a table. He holds a rifle, his presence anchoring the composition. Beside him, a woman and a young boy observe the bounty, while a young man to the right holds both a rifle and a fox. The room is filled…

      Hand-painted oil reproduction from $253 36 × 28 cm Same size as the original $355 71 × 61 cm Order at original size →
      Two Hunters with Girl in the Room and Gemsbok (1886) by Adolf Eberle
      3

      Two Hunters with Girl in the Room and Gemsbok

      1886 · Oil On Canvas

      The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right side of the frame, three figures occupy the space: two men are seated at a table, while a young woman stands nearby. To the left, the scene shifts toward the results of a hunt, featuring a dead gemsbok lying on the floor…

      Hand-painted oil reproduction from $228 36 × 28 cm Same size as the original $299 65 × 51 cm Order at original size →

      More Adolf Eberle canvases, 11 to 21

      What Adolf Eberle painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Adolf Eberle's canvases hang

      The museum that holds the most of the paintings on this page.

      Museum City Works by Adolf Eberle Paintings from this list
      Petit Palais, ParisPetit Palais Paris 1 Whose Dinner is it

      Adolf Eberle's best-loved canvases, year by year

      Adolf Eberle at the easel over 18 years, 1869 to 1886: the best-loved canvases of each year, in order.

      1. 1869
      2. 1869
      3. 1880
        A futile attempt (1880) by Adolf Eberle
        1 of 21

        A futile attempt

        Age 37

        The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source,…

      4. 1886
        Return from the Hunt (1886) by Adolf Eberle
        Canvas 2 of 21

        Return from the Hunt

        Age 43

        A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's…

      5. 1886
        Two Hunters with Girl in the Room and Gemsbok (1886) by Adolf Eberle
        Ranked 3 of 21

        Two Hunters with Girl in the Room and Gemsbok

        Age 43

        The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right…

      About Adolf Eberle's canvases: your questions answered

      What is the best-known painting by Adolf Eberle?Read the answer

      A futile attempt (1880), followed by Return from the Hunt (1886) and Two Hunters with Girl in the Room and Gemsbok (1886).

      What age was Adolf Eberle when A futile attempt was painted?Read the answer

      Adolf Eberle, born in 1843, was 37 years old: A futile attempt dates from 1880.

      What are the 10 most famous paintings by Adolf Eberle?Read the answer

      A futile attempt, Return from the Hunt, Two Hunters with Girl in the Room and Gemsbok, A bedtime story, Thatched barn, Breakfast Time, The natural history lesson, The successful letter, The Day's Bag and Happy family in a barn interior. Each canvas in the ranking above comes with its year and its museum.

      How many works did Adolf Eberle paint in all?Read the answer

      21 works by Adolf Eberle are in our catalogue, dated 1869 to 1886.

      Where can I see Adolf Eberle's most famous canvases?Read the answer

      Mostly in Petit Palais (Paris); the list above names each museum and its canvases.

      When did Adolf Eberle paint the best-loved canvases?Read the answer

      In 1869, which gave 2 of the 21 works on this page, A bedtime story among them.

      Which are Adolf Eberle's earliest and latest famous canvases?Read the answer

      The earliest canvas here is A bedtime story (1869); the latest is Return from the Hunt (1886).

      What did Adolf Eberle paint most often?Read the answer

      Woman (3), Table (3) and Man (2), across the 21 works on this page.

      Which movement is Adolf Eberle's painting part of?Read the answer

      Realism, as the canvases on this page show.

      Can I buy a reproduction of a Adolf Eberle canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Adolf Eberle: a life in paint

      Early Life and Artistic Training

      Adolf Eberle was born in Munich, Germany, on January 11, 1843, into a family deeply rooted in the artistic tradition of Bavaria. His father, Robert Eberle, himself a painter, instilled in young Adolf a passion for visual art from an early age—a formative influence that would shape his entire career trajectory. Recognizing his son’s talent, Robert ensured he received a comprehensive education encompassing both academic pursuits and practical artistic training. Notably, Eberle enrolled at the Academy of Fine Arts in Munich in 1860, where he studied under Karl von Piloty, a respected instructor known for fostering realism and meticulous observation within the landscape genre. This mentorship proved invaluable, equipping Eberle with the foundational skills necessary to excel as a painter.

      Emergence as Genre Painter

      Eberle’s artistic focus quickly crystallized around genre painting—a tradition particularly prominent in Bavaria during the latter half of the 19th century. Unlike historical or mythological subjects, genre painters sought to depict everyday life, capturing scenes from rural communities and portraying the customs, traditions, and occupations of ordinary people. Eberle skillfully captured the essence of Bavarian and Tyrolean society, depicting farmers tending their fields, huntsmen pursuing game in mountainous terrain, and families engaging in domestic activities—subjects that resonated deeply with audiences of his time. His early works demonstrated a remarkable ability to convey atmosphere and emotion through precise detail and nuanced color palettes. The engraving of *Pfändung der letzten Kuh* (Mortgaging the Last Cow), created by William Unger in 1861, established him as a rising talent within the artistic landscape and garnered critical acclaim for its realism and evocative portrayal of rural life.

      Notable Paintings and Artistic Style

      Eberle’s oeuvre comprises numerous paintings that exemplify his distinctive artistic style—characterized by meticulous observation, tonal harmony, and an unwavering commitment to portraying authentic human experience. Among his most celebrated pieces are *Erster Rehbock* (First Stag), completed in 1879, which vividly captures the thrill of the hunt amidst the Bavarian Alps; *Feldschule in Wallensteins Lager*(Field School in Wallenstein’s Camp), depicting a classroom setting within a military encampment—a testament to his versatility as an artist; and *Die verunglückte Musikprobe*(Music Test Gone Wrong)—a poignant depiction of youthful ambition thwarted by circumstance. His paintings are imbued with warmth and luminosity, achieved through masterful use of color and light—techniques honed during his studies under Piloty. Furthermore, Eberle’s meticulous attention to detail—evident in the rendering of textures, costumes, and facial expressions—elevated his work beyond mere representation, transforming it into emotionally resonant narratives that convey a profound understanding of human psychology.

      Recognition and Legacy

      Adolf Eberle achieved considerable recognition during his lifetime for his contributions to Bavarian art history. His paintings were exhibited extensively in Munich and internationally, attracting critical acclaim from prominent art critics and collectors alike. The sale of *Childhood Fun* at Bonhams in 2007—fetching $16,800—demonstrated the enduring appeal of his work and underscored its significance within the broader context of Impressionist aesthetics. Similarly, the auction of *The Day's Bag* at Christie’s in London in 2012 garnered £7,500, affirming Eberle’s reputation as a master of genre painting. Beyond his artistic achievements, Eberle’s legacy extends to the naming of Solln’s Eberlestraße after him—a symbolic tribute to his enduring influence on Bavarian culture and artistic heritage. His paintings continue to inspire admiration for their ability to capture the spirit of a bygone era and convey timeless themes of rural life, family values, and human emotion.