A. Patrick
The Portraitist of 1830 The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment. The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Bena…
—
works mapped
—
subjects
An Interactive Constellation
The Subject Atlas
A chart of A. Patrick's corpus mapped not by date but by subject. Spokes are what they painted; rings are when; and the threads between stars reveal the patrons and places that secretly connect them.
Focus a Subject
Trace a Context
Spokes — Subject
Each arm of the atlas gathers works by what they depict: portraits, sacred scenes, mythologies, and the scientific studies. Click a spoke to swing that cluster to the top.
Rings — Career Period
Distance from the center marks time. The innermost ring is the earliest period; the outermost, the final years. Style matures as you move outward.
Threads — Shared Context
Coloured lines link works bound by the same patron, commission, or theme. Trace a context to watch related clusters light up across subjects.