The Master of Color Stampa, Switzerland, 1877. The air in the Val Bregaglia is sharp, and for Antonio Augusto Giacometti, the world begins with the heavy weight of lineage. He is a second cousin to Giovanni Giacometti, part of an extended family tree that would eventually produce Alberto and Diego. His early years are shaped by the schools of Stampa, Zurich, and Chur, but his eyes soon drift toward the light of Paris. In Paris, between 1897 and 1901, the atmosphere shifts. Under the guidance of Eugène Grasset at the School of Decorative Arts, Giacometti learns the language of floral graphic…
A chart of Augusto Giacometti's corpus mapped not by date but by subject. Spokes are what they painted; rings are when; and the threads between stars reveal the patrons and places that secretly connect them.
Each arm of the atlas gathers works by what they depict: portraits, sacred scenes, mythologies, and the scientific studies. Click a spoke to swing that cluster to the top.
Distance from the center marks time. The innermost ring is the earliest period; the outermost, the final years. Style matures as you move outward.
Coloured lines link works bound by the same patron, commission, or theme. Trace a context to watch related clusters light up across subjects.