A Life Painted in Plaster and Light In the quiet village of San Sebastiano Curone, a child was born who would eventually decorate the very walls of history. Felice Giani did not merely paint; he transformed spaces. His early years took him to Pavia, where he sat at the feet of Carlo Antonio Bianchi and the architect Antonio Galli Bibiena. This early exposure to architectural design shaped his hands, teaching him how a figure might inhabit a ceiling or how a painted drapery could follow the curve of a vault. He moved through Bologna, studying under Ubaldo Gandolfi and Domenico Pedrini, absorb…
A chart of Felice Giani's corpus mapped not by date but by subject. Spokes are what they painted; rings are when; and the threads between stars reveal the patrons and places that secretly connect them.
Each arm of the atlas gathers works by what they depict: portraits, sacred scenes, mythologies, and the scientific studies. Click a spoke to swing that cluster to the top.
Distance from the center marks time. The innermost ring is the earliest period; the outermost, the final years. Style matures as you move outward.
Coloured lines link works bound by the same patron, commission, or theme. Trace a context to watch related clusters light up across subjects.