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      Bernardo Strozzi, 1581 – 1644

      Bernardo Strozzi: The 100 Best-Known Paintings

      Of all Bernardo Strozzi's paintings, Sleeping Child is the most famous; it hangs in the Residenzgalerie, Salzburg. Close behind come Banquet at the House of Simon (detail) (1630) and David with the Head of Goliath (1635). Among the 118 works by Bernardo Strozzi in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Bernardo Strozzi
      Bernardo Strozzi · 1581 – 1644
      Born · died
      1581 – 1644, Campo Ligure
      Movement
      Baroque
      Works in our catalogue
      118
      Most famous
      Sleeping Child
      Most works at
      Gallerie dell'Accademia di Venezia

      Bernardo Strozzi's 10 most celebrated paintings

      Sleeping Child by Bernardo Strozzi
      1

      Sleeping Child

      Oil On Canvas · Residenzgalerie, Salzburg

      A Serene Masterpiece: Capturing Innocence in "Sleeping Child" The Subject: A Moment of Pure Tranquility Bernardo Strozzi's "Sleeping Child" is a poignant portrayal of an infant in peaceful slumber. The artwork captures the essence of innocence and vulnerability, offering viewers a moment of quiet reflection. The child's serene expression and relaxed posture evoke a sense of calm, making this piece a timeless representation of childhood purity. Style and Technique: Baroque…

      Hand-painted oil reproduction from $178 38 × 27 cm Same size as the original $199 48 × 35 cm Order at original size →
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      Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
      2

      Banquet at the House of Simon (detail)

      1630 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venice

      To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas does more than merely depict a meal; it captures an entire atmosphere—a moment suspended in rich color and human connection. The air seems thick with the scent of exotic spices, spilled wine, and lively conversation. Strozzi masterfully orchestrates a scene of pure…

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      David with the Head of Goliath (1635) by Bernardo Strozzi
      3

      David with the Head of Goliath

      1635 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      To stand before Bernardo Strozzi's depiction of David with the Head of Goliath is to confront a moment suspended between brutal conflict and sublime victory. This painting, executed in 1635, does more than merely record a biblical episode; it captures the very essence of human courage pitted against overwhelming odds. The composition immediately draws the eye to the central figure—David—whose bearing suggests not just physical prowess, but an unshakeable moral…

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      Allegory of Arts (1640) by Bernardo Strozzi
      4

      Allegory of Arts

      1640 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures more than just three figures; it encapsulates a profound celebration of human creativity and the enduring power of female genius. The composition draws the eye immediately to the interplay between the three elegantly draped women, their poses suggesting a moment suspended in…

      Hand-painted oil reproduction from $178 28 × 35 cm Same size as the original $789 140 × 152 cm Order at original size →
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      Saint Catherine of Alexandria (1615) by Bernardo Strozzi
      5

      Saint Catherine of Alexandria

      1615 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

      The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal arrangement, her presence commanding the space with a quiet, regal strength. She does not look at the viewer; instead, her eyes are turned upward, caught in a moment of spiritual ecstasy or perhaps a silent communion with the divine. Her skin possesses…

      Hand-painted oil reproduction from $178 26 × 38 cm Same size as the original $764 122 × 168 cm Order at original size →
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      St Maurice and the Angel (1640) by Bernardo Strozzi
      6

      St Maurice and the Angel

      1640 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      In this oil on canvas work from 1640, two figures occupy the central space against a solid, architectural backdrop. A man, identified as Saint Maurice, is depicted in a suit of armor, complete with a helmet and a sword at his side. He holds a book in one hand and a bow and arrow in the other. Beside him stands a female figure with wings extending from her back, signifying…

      Hand-painted oil reproduction from $178 35 × 29 cm Same size as the original $399 101 × 82 cm Order at original size →
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      St Francis of Assisi adoring the Crucifix (1615) by Bernardo Strozzi
      7

      St Francis of Assisi adoring the Crucifix

      1615 · Oil On Canvas · Art Gallery of South Australia, Adelaide

      The air in the room feels heavy, thick with the scent of old wood and the weight of silent devotion. St. Francis of Assisi leans upward, his body a vessel for a sudden, overwhelming surge of religious ecstasy. His gaze is fixed upon the figure of Christ on the cross, eyes wide and upturned as if searching for a connection that transcends the physical realm. The light does not merely…

      Hand-painted oil reproduction from $203 27 × 37 cm
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      St. Gerardo Sagredo, Bishop of Csanád (1630) by Bernardo Strozzi
      8

      St. Gerardo Sagredo, Bishop of Csanád

      1630 · Oil On Canvas · Art Institute of Chicago, Chicago

      To stand before this portrait is to encounter a figure emerging from an immense, dark void. The Bishop of Csanád does not demand attention through movement, but rather through a quiet, heavy stillness. There is a profound sense of weight here, found in the way the light catches the textured folds of his white alb and the stiff, embroidered edges of his liturgical vestments. The background remains indeterminate, a deep…

      Hand-painted oil reproduction from $178 27 × 37 cm Same size as the original $542 100 × 130 cm Order at original size →
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      Portrait of a Genoese Nobleman (1612) by Bernardo Strozzi
      9

      Portrait of a Genoese Nobleman

      1612 · Oil On Canvas · Birmingham Museum and Art Gallery, Birmingham

      The artwork titled Portrait of a Genoese Nobleman is an oil on canvas painting executed by the artist Bernardo Strozzi. This portrait depicts an elderly gentleman, presented in a three-quarter length composition. The subject is positioned slightly off-center, seated within a dark chair against a background of deep tones.

      Hand-painted oil reproduction from $178 29 × 34 cm Same size as the original $538 102 × 127 cm Order at original size →
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      Portrait of Nikola Kuchi (1637) by Bernardo Strozzi
      10

      Portrait of Nikola Kuchi

      1637 · Oil On Canvas · National Gallery of Armenia, Yerevan

      An elderly man gazes toward the viewer's right, his eyes meeting the observer with a steady, dignified presence. He is rendered in three-quarter length, positioned slightly off-center against an atmospheric background of deep browns and blacks. A strong light source strikes the side of his face and the front of his heavy red cloak, leaving the remainder of his figure to recede into deep shadow. This dramatic use of light…

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $526 100 × 126 cm Order at original size →
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      Bernardo Strozzi paintings ranked 11 to 100

      Bishop Alvise Grimani (1633) by Bernardo Strozzi
      #14

      Bishop Alvise Grimani

      1633 · National Gallery of Art

      The portrait presents a three-quarter length view of Bishop Alvise Grimani, positioned against a dark, indeterminate background. Directional light enters from the upper left, carving the subject's features…

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      Saint Francis (1612) by Bernardo Strozzi
      #17

      Saint Francis

      1612 · Museum Boijmans Van Beuningen

      The oil on canvas before us presents Saint Francis, a figure caught in a moment of profound spiritual weight. This portrait of the saint emerges from the shadows,…

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      St Cecilia (1620) by Bernardo Strozzi
      #19

      St Cecilia

      1620 · Nelson-Atkins Museum of Art

      In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted around 1620,…

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      David (1606) by Bernardo Strozzi
      #22

      David

      1606

      The painting titled David is a religious work by the Italian Baroque artist Bernardo Strozzi. This canvas captures a specific biblical scene, focusing on the aftermath of the…

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      S. Cecilia (1606) by Bernardo Strozzi
      #24

      S. Cecilia

      1606

      This work, titled S. Cecilia, is a significant oil on canvas by the Italian Baroque painter Bernardo Strozzi. Born in 1581 in Campo Ligure, Italy, Strozzi developed a…

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      St John the Baptist (1615) by Bernardo Strozzi
      #31

      St John the Baptist

      1615 · Accademia Ligustica di Belle Arti

      This religious art piece, titled St John the Baptist, was executed by the artist Bernardo Strozzi. The composition focuses on the figure of John the Baptist, a central…

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      Christ at Emmaus (1630) by Bernardo Strozzi
      #34

      Christ at Emmaus

      1630 · Musée de Grenoble

      In Christ at Emmaus, Bernardo Strozzi captures a moment of sudden spiritual recognition. The scene is a tight, intimate grouping of three male figures seated around a table,…

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      The Concert (1635) by Bernardo Strozzi
      #36

      The Concert

      1635 · Royal Collection

      In this oil painting from 1635, two musicians are positioned in a tight, intimate composition that pushes their figures toward the viewer. The scene is defined by a…

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      Three Angels (1633) by Bernardo Strozzi
      #37

      Three Angels

      1633 · Museum of Fine Arts

      Three Angels is an oil on canvas painted by Bernardo Strozzi. Created about 1633, the work belongs to the period when the artist was establishing his reputation within…

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      Berenice (1640) by Bernardo Strozzi
      #42

      Berenice

      1640

      A young woman gazes upward, her expression caught between sudden surprise and deep contemplation. She is draped in ornate armor and fine jewelry, suggesting the status of a…

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      Berenice (1640) by Bernardo Strozzi
      #44

      Berenice

      1640 · El Paso Museum of Art

      In this intimate portrait of Berenice by Bernardo Strozzi, the composition is tightly framed, focusing our attention on the subject’s face and upper body. The artist employs a…

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      Allegory of Arts (1640) by Bernardo Strozzi
      #46

      Allegory of Arts

      1640

      The Allegory of Arts is an oil painting by Bernardo Strozzi. Created about 1640, this work is held in the Hermitage Museum, Saint Petersburg collection. The composition features…

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      Gamba Player (1635) by Bernardo Strozzi
      #49

      Gamba Player

      1635 · Gemäldegalerie

      Bernardo Strozzi’s captivating portrait, *Gamba Player*, transports us directly into the vibrant, emotionally charged atmosphere of 17th-century Italian life. At its heart stands a woman, poised with an…

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      The Annunciation (1643) by Bernardo Strozzi
      #54

      The Annunciation

      1643 · Szépművészeti Múzeum

      To stand before this depiction of The Annunciation is to step across the threshold into a moment suspended between the earthly and the divine. Bernardo Strozzi, master of…

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      The Cook (1640) by Bernardo Strozzi
      #55

      The Cook

      1640 · Scottish National Gallery

      In the soft, amber glow of a domestic afternoon, Bernardo Strozzi captures a scene of profound, unassuming stillness. The Cook is not merely a portrait of a woman…

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      St Cecilia (1623) by Bernardo Strozzi
      #57

      St Cecilia

      1623 · Thyssen-Bornemisza Museum

      In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted between 1623…

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      Concert (1631) by Bernardo Strozzi
      #65

      Concert

      1631 · Detroit Institute of Arts

      In this intimate oil painting from 1635, we find ourselves drawn into a private, dimly lit room where music acts as the primary connection between the figures. The…

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      Tribute Money (1630) by Bernardo Strozzi
      #67

      Tribute Money

      1630 · Szépművészeti Múzeum

      The painting titled Tribute Money is a work by the Italian artist Bernardo Strozzi. Born in 1581 in Campo Ligure, Italy, Strozzi lived until 1644. This specific canvas…

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      St Roch (1640) by Bernardo Strozzi
      #72

      St Roch

      1640 · Scuola Grande di San Rocco

      In this 1640 portrait, we encounter a man who carries the weight of his mission in his very posture. He is a figure of quiet strength, bearded and…

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      Lute Player (1630) by Bernardo Strozzi
      #75

      Lute Player

      1630 · Kunsthistorisches Museum

      In the heart of the Venetian Baroque era, amidst the vibrant textures and dramatic light of Italy, Bernardo Strozzi captured a moment that transcends the mere act of…

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      Salome (1630) by Bernardo Strozzi
      #76

      Salome

      1630 · Gemäldegalerie

      The oil on canvas painting titled Salome was executed by the Italian Baroque painter Bernardo Strozzi. This work dates to 1630. The composition depicts a biblical scene involving…

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      Berenice by Bernardo Strozzi
      #78

      Berenice

      Bavarian State Painting Collections

      Bernardo Strozzi's Berenice represents a significant subject from the first half of the 17th century. The work identifies the figure as Queen Berenice, the daughter of the King…

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      Portrait of a Knight (1640) by Bernardo Strozzi
      #93

      Portrait of a Knight

      1640 · Gallerie dell'Accademia di Venezia

      Bernardo Strozzi's “Portrait of the Knight Giovanni Grimani,” painted circa 1640, stands as a testament to the Venetian Baroque’s fascination with aristocratic grandeur and psychological depth. Executed in…

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      Bernardo Strozzi's canvases, period by period

      Early Period

      1600 – 1618 · 15 works in this list
      Saint Catherine of Alexandria (1615), Bernardo Strozzi #5 Saint Catherine of Alexandria 1615 · Los Angeles County Museum of Art St Francis of Assisi adoring the Crucifix (1615), Bernardo Strozzi #7 St Francis of Assisi adoring the Crucifix 1615 · Art Gallery of South Australia Portrait of a Genoese Nobleman (1612), Bernardo Strozzi #9 Portrait of a Genoese Nobleman 1612 · Birmingham Museum and Art Gallery Joseph as Interpreter of Dreams (Fragment) (1612), Bernardo Strozzi #13 Joseph as Interpreter of Dreams (Fragment) 1612 · Bavarian State Painting Collections Old Man with a Pupil (1600), Bernardo Strozzi #21 Old Man with a Pupil 1600 · Slovak National Gallery

      Mature Period

      1615 – 1640 · 45 works in this list
      Sleeping Child, Bernardo Strozzi #1 Sleeping Child Residenzgalerie Allegory of Arts (1640), Bernardo Strozzi #4 Allegory of Arts 1640 · Hermitage Museum St Maurice and the Angel (1640), Bernardo Strozzi #6 St Maurice and the Angel 1640 · Hermitage Museum Portrait of Nikola Kuchi (1637), Bernardo Strozzi #10 Portrait of Nikola Kuchi 1637 · National Gallery of Armenia Salome with the head of St John the Baptist (1635), Bernardo Strozzi #11 Salome with the head of St John the Baptist 1635 · Kunsthistorisches Museum

      Venetian Period

      1630 – 1631 · 4 works in this list
      St. Gerardo Sagredo, Bishop of Csanád (1630), Bernardo Strozzi #8 St. Gerardo Sagredo, Bishop of Csanád 1630 · Art Institute of Chicago Doge Francesco Erizzo (1566-1646) (1631), Bernardo Strozzi #18 Doge Francesco Erizzo (1566-1646) 1631 · Kunsthistorisches Museum Banquet at the House of Simon (1630), Bernardo Strozzi #66 Banquet at the House of Simon 1630 · Gallerie dell'Accademia di Venezia Banquet at the House of Simon (detail) (1630), Bernardo Strozzi #89 Banquet at the House of Simon (detail) 1630 · Gallerie dell'Accademia di Venezia

      Venetian period

      1630 – 1635 · 3 works in this list
      Banquet at the House of Simon (detail) (1630), Bernardo Strozzi #2 Banquet at the House of Simon (detail) 1630 · Gallerie dell'Accademia di Venezia Gamba Player (1635), Bernardo Strozzi #49 Gamba Player 1635 · Gemäldegalerie Berenice, Bernardo Strozzi #78 Berenice Bavarian State Painting Collections

      Late Period

      1620 – 1644 · 10 works in this list
      The Sermon of St. John the Baptist (1644), Bernardo Strozzi #15 The Sermon of St. John the Baptist 1644 · Kunsthistorisches Museum A Venetian Gentleman (1634), Bernardo Strozzi #35 A Venetian Gentleman 1634 · Polesden Lacey Berenice (1640), Bernardo Strozzi #44 Berenice 1640 · El Paso Museum of Art Portrait of a Man (1635), Bernardo Strozzi #48 Portrait of a Man 1635 · Castelvecchio Museum St.Francis in ecstasy (1637), Bernardo Strozzi #50 St.Francis in ecstasy 1637

      Baroque

      1630 – 1640 · 3 works in this list
      Portrait of Claudio Monteverdi (1640), Bernardo Strozzi #70 Portrait of Claudio Monteverdi 1640 The Charity Of St Lawrence 1, Bernardo Strozzi #87 The Charity Of St Lawrence 1 Tobias Curing His Father's Blindness (1630), Bernardo Strozzi #92 Tobias Curing His Father's Blindness 1630 · Metropolitan Museum of Art

      What Bernardo Strozzi painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Man 36 works

      St Francis of Assisi adoring the Crucifix (1615), Bernardo Strozzi #7 St Francis of Assisi adoring the Crucifix 1615 · Art Gallery of South Australia Portrait of a Genoese Nobleman (1612), Bernardo Strozzi #9 Portrait of a Genoese Nobleman 1612 · Birmingham Museum and Art Gallery Portrait of Nikola Kuchi (1637), Bernardo Strozzi #10 Portrait of Nikola Kuchi 1637 · National Gallery of Armenia Joseph as Interpreter of Dreams (Fragment) (1612), Bernardo Strozzi #13 Joseph as Interpreter of Dreams (Fragment) 1612 · Bavarian State Painting Collections

      Woman 19 works

      Saint Catherine of Alexandria (1615), Bernardo Strozzi #5 Saint Catherine of Alexandria 1615 · Los Angeles County Museum of Art Salome with the head of St John the Baptist (1635), Bernardo Strozzi #11 Salome with the head of St John the Baptist 1635 · Kunsthistorisches Museum Old Coquette (1625), Bernardo Strozzi #12 Old Coquette 1625 Portrait of a Lady in Half-Figure (1606), Bernardo Strozzi #23 Portrait of a Lady in Half-Figure 1606

      People 18 works

      The Calling of Saint Matthew (1620), Bernardo Strozzi #29 The Calling of Saint Matthew 1620 · Worcester Art Museum Christ at Emmaus (1630), Bernardo Strozzi #34 Christ at Emmaus 1630 · Musée de Grenoble Adoration of the Shepherds (1616), Bernardo Strozzi #47 Adoration of the Shepherds 1616 · Walters Art Museum The Charity of St Lawrence (1615), Bernardo Strozzi #52 The Charity of St Lawrence 1615 · Galleria Nazional d Art Antica

      Dark background 17 works

      Sleeping Child, Bernardo Strozzi #1 Sleeping Child Residenzgalerie St. Gerardo Sagredo, Bishop of Csanád (1630), Bernardo Strozzi #8 St. Gerardo Sagredo, Bishop of Csanád 1630 · Art Institute of Chicago Bishop Alvise Grimani (1633), Bernardo Strozzi #14 Bishop Alvise Grimani 1633 · National Gallery of Art Doge Francesco Erizzo (1566-1646) (1631), Bernardo Strozzi #18 Doge Francesco Erizzo (1566-1646) 1631 · Kunsthistorisches Museum

      Where Bernardo Strozzi's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Bernardo Strozzi Paintings from this list
      Gallerie dell'Accademia di Venezia, VeniceGallerie dell'Accademia di Venezia Venice 5 Banquet at the House of Simon (detail), Banquet at the House of Simon, Portrait of a Knight (detail)
      Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 5 Salome with the head of St John the Baptist, The Sermon of St. John the Baptist, Doge Francesco Erizzo (1566-1646)
      Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 5 David with the Head of Goliath, Allegory of Arts, St Maurice and the Angel
      Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 3 Joseph as Interpreter of Dreams (Fragment), Berenice, The Parable of the Widow's Mite
      Accademia Ligustica di Belle Arti, GenovaAccademia Ligustica di Belle Arti Genova 3 St John the Baptist, Lamentation over the Dead Christ, St Augustine Washing the Feet of Christ
      Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 St Francis of Assisi adoring the Crucifix, Study for St Francis of Assisi adoring the cross
      National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Bishop Alvise Grimani, Saint Francis in Prayer
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 Saint Francis, David with Goliaths Head

      Decade by decade: Bernardo Strozzi's most celebrated canvas

      1. 1600s
        Old Man with a Pupil (1600) by Bernardo Strozzi
        Canvas 21 of 100

        Old Man with a Pupil

        Age 19 – 28 · Slovak National Gallery

        The oil painting titled Old Man with a Pupil was executed by the artist Bernardo Strozzi. This work is dated about 1600. The composition focuses on an intimate,…

      2. 1610s
        Saint Catherine of Alexandria (1615) by Bernardo Strozzi
        Ranked 5 of 100

        Saint Catherine of Alexandria

        Age 29 – 38 · Los Angeles County Museum of Art

        The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal…

      3. 1620s
        Old Coquette (1625) by Bernardo Strozzi
        Ranked 12 of 100

        Old Coquette

        Age 39 – 48

        A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

      4. 1630s
        Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
        2 of 100

        Banquet at the House of Simon (detail)

        Age 49 – 58 · Gallerie dell'Accademia di Venezia

        To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas…

      5. 1640s
        Allegory of Arts (1640) by Bernardo Strozzi
        Canvas 4 of 100

        Allegory of Arts

        Age 59 – 63 · Hermitage Museum

        To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures…

      Your questions on Bernardo Strozzi's paintings, answered

      Which is the most celebrated painting by Bernardo Strozzi?Read the answer

      Sleeping Child, Residenzgalerie, Salzburg. Banquet at the House of Simon (detail) (1630) and David with the Head of Goliath (1635) follow.

      Which ten paintings is Bernardo Strozzi most famous for?Read the answer

      Sleeping Child, Banquet at the House of Simon (detail), David with the Head of Goliath, Allegory of Arts, Saint Catherine of Alexandria, St Maurice and the Angel, St Francis of Assisi adoring the Crucifix, St. Gerardo Sagredo, Bishop of Csanád, Portrait of a Genoese Nobleman and Portrait of Nikola Kuchi. Each canvas in the ranking above comes with its year and its museum.

      How many paintings by Bernardo Strozzi are known?Read the answer

      118 works by Bernardo Strozzi are in our catalogue, dated 1600 to 1644.

      Which museums hold Bernardo Strozzi's best-known canvases?Read the answer

      Mostly in Gallerie dell'Accademia di Venezia (Venice), Kunsthistorisches Museum (Vienna) and Hermitage Museum (Saint Petersburg); the list above names each museum and its canvases.

      In which years did Bernardo Strozzi paint the most celebrated canvases?Read the answer

      In 1630s, which gave 34 of the 100 works on this page, Banquet at the House of Simon (detail) among them.

      What are the first and the last of Bernardo Strozzi's famous canvases?Read the answer

      The earliest canvas here is Old Man with a Pupil (1600); the latest is The Sermon of St. John the Baptist (1644).

      Which subjects return most often in Bernardo Strozzi's paintings?Read the answer

      Man (36), Woman (19) and People (18), across the 100 works on this page.

      What did Bernardo Strozzi usually paint with?Read the answer

      Oil On Canvas, used in 64 of the 100 works on this page.

      To which art movement does Bernardo Strozzi belong?Read the answer

      Baroque, as the canvases on this page show.

      What can I see by Bernardo Strozzi at the Gallerie dell'Accademia di Venezia?Read the answer

      The Gallerie dell'Accademia di Venezia, Venice holds 5 of the works on this page, among them Banquet at the House of Simon (detail), Banquet at the House of Simon and Portrait of a Knight (detail).

      Can I order a hand-painted copy of a painting by Bernardo Strozzi?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Bernardo Strozzi: the painter's story

      early life and training

      bernardo strozzi, also known as il cappuccino and il prete genovese, was a prominent italian baroque painter and engraver born in 1581 in genoa, italy. his early training took place in the workshop of cesare corte, a minor genoese painter, under whose guidance strozzi developed his skills until 1596. he then joined the workshop of pietro sorri, an innovative sienese painter, who led strozzi towards a more naturalistic style.

      artistic career

      strozzi's career can be divided into two main periods: his early years in genoa and his later work in venice. in genoa, he worked on various projects, including the frescoes in the choir of the san domenico church, commissioned by members of the doria family.

      influence and legacy

      strozzi's powerful art, characterized by rich colors and broad brushstrokes, had a significant impact on the artistic developments in both genoa and venice. he is considered one of the principal founders of the venetian baroque style.
      • notable patrons:
      • doge francesco erizzo
      • catholic cardinal and patriarch of venice federico baldissera
      • prominent venetian artists, including claudio monteverdi and barbara strozzi

      later life and death

      strozzi's later years were marked by his work as an engineer. he died in venice in 1644, leaving behind a legacy as a versatile and prolific artist. view more works by bernardo strozzi on TopImpressionists: [https://TopImpressionists.com/@/bernardo-strozzi](https://TopImpressionists.com/@/bernardo-strozzi) explore the pinacoteca di vicenza, italy, featuring works from various periods and styles: /en/art/show/art-d3afpd-en/
      All 118 works by Bernardo Strozzi → Bernardo Strozzi painting reproductions, with prices →