Forest Landscape with Bathing Children (1867) is the painting Carl Ebert is best remembered for; it belongs to the Bavarian State Painting Collections, Munich. Evening Landscape (1875) and Landscape society in a park complete the trio of best-loved canvases. Our catalogue counts 5 works by Carl Ebert. Here are the 5 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Carl Ebert | Paintings from this list |
|---|---|---|---|
| Munich | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| Munich | 1 | Isar Landscape |
Roughly a decade at the easel, 1867 to 1875: Carl Ebert's dated canvases, one year after another.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Munich. Evening Landscape (1875) and Landscape society in a park follow.
Carl Ebert, born in 1821, was 46 years old: Forest Landscape with Bathing Children dates from 1867.
5 works by Carl Ebert are in our catalogue, dated 1867 to 1875.
Mostly in Bavarian State Painting Collections (Munich) and Lenbachhaus (Munich); the list above names each museum and its canvases.
The earliest canvas here is Forest Landscape with Bathing Children (1867); the latest is Evening Landscape (1875).
The Bavarian State Painting Collections, Munich holds 2 of the works on this page, among them Forest Landscape with Bathing Children and Evening Landscape.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.