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      Chaim Soutine, 1893 – 1943

      Chaim Soutine's 100 Most Famous Paintings

      Chicken Hanging in Front of a Brick Wall (1924) is the painting Chaim Soutine is best remembered for; it belongs to the Kunstmuseum Bern, Берн. Hanging Duck (1925) and Suburban Landscape with Red Houses (1917) complete the trio of best-loved canvases. Our catalogue counts 118 works by Chaim Soutine. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Chaim Soutine
      Chaim Soutine · 1893 – 1943
      Born · died
      1893 – 1943, Smilavičy
      Movement
      Expressionism
      Works in our catalogue
      118
      Most famous
      Chicken Hanging in Front of a Brick Wall (1924)
      Most works at
      Musee de l'Orangerie

      The ten best-loved paintings by Chaim Soutine

      Chicken Hanging in Front of a Brick Wall (1924) by Chaim Soutine
      1

      Chicken Hanging in Front of a Brick Wall

      1924 · Oil On Canvas · Kunstmuseum Bern, Берн

      The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy moment of existence. It is a study of form and mortality, rendered in oil on canvas with a weight that feels almost physical.

      Hand-painted oil reproduction from $178 27 × 37 cm Same size as the original $240 47 × 65 cm Order at original size →
      Suburban Landscape with Red Houses (1917) by Chaim Soutine
      3

      Suburban Landscape with Red Houses

      1917 · Oil On Canvas

      In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

      Hand-painted oil reproduction from $178 34 × 29 cm
      Girl in Red (1919) by Chaim Soutine
      4

      Girl in Red

      1919 · Oil

      A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

      Hand-painted oil reproduction from $178 28 × 36 cm
      Portrait of a Child (1937) by Chaim Soutine
      5

      Portrait of a Child

      1937 · Oil

      In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

      Hand-painted oil reproduction from $178 25 × 40 cm
      Untitled (1411) by Chaim Soutine
      6

      Untitled (1411)

      Watercolor · National Museum of Western Art, Tokyo

      A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

      Hand-painted oil reproduction from $178 24 × 41 cm
      Beef and calf's head (1923) by Chaim Soutine
      7

      Beef and calf's head

      1923 · Oil On Canvas · Musee de l'Orangerie, Paris

      The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $352 73 × 92 cm Order at original size →
      The Gipsy (1926) by Chaim Soutine
      8

      The Gipsy

      1926 · Oil On Canvas · Statens Museum For Kunst, Copenhagen

      The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

      Hand-painted oil reproduction from $178 29 × 35 cm
      Return from School After the Storm by Chaim Soutine
      9

      Return from School After the Storm

      Oil

      Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

      Hand-painted oil reproduction from $178 32 × 31 cm
      Ceret Lanscape (1920) by Chaim Soutine
      10

      Ceret Lanscape

      1920 · Oil On Canvas

      In this work, titled Ceret Lanscape, Chaim Soutine presents a quiet, rural scene that captures a specific moment in the artist's development. Created about 1920, the painting focuses on a village nestled within a mountainous landscape. It is a study of place and atmosphere, rendered with the singular intensity that characterizes Soutine's hand.

      Hand-painted oil reproduction from $178 35 × 29 cm

      Chaim Soutine: canvases 11 to 100 of the ranking

      Self-Portrait (1916) by Chaim Soutine
      #12

      Self-Portrait

      1916 · Hermitage Museum

      Chaim Soutine’s Self-Portrait, created about 1916, presents a close-up study of the head and upper shoulders. The subject is positioned against a non-descript, textured background that offers no…

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      Seated Woman (1923) by Chaim Soutine
      #18

      Seated Woman

      1923 · Cleveland Museum of Art

      The gaze meets a solitary woman in Seated Woman, an expressionist oil painting by Chaim Soutine. Created about 1923, the work presents a centered, frontal portrait that pulls…

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      Man with Horse (1920) by Chaim Soutine
      #21

      Man with Horse

      1920 · Metropolitan Museum of Art

      In Man with Horse, Chaim Soutine presents a scene of heavy, shifting forms. Painted about 1920, the work centers on a figure, likely a man, moving alongside a…

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      Little Girl in Blue (1935) by Chaim Soutine
      #24

      Little Girl in Blue

      1935 · Kunstmuseum Bern

      Chaim Soutine's "Little Girl in Blue," painted circa 1934-1935, is not merely a portrait; it’s an immersion into the heart of emotional vulnerability. This arresting canvas, currently residing…

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      Dead Fowl (1926) by Chaim Soutine
      #25

      Dead Fowl

      1926 · Art Institute of Chicago

      is an oil on canvas painted by Chaim Soutine in 1926. The work is part of the Joseph Winterbotham Collection. It is also known by the alternate titles…

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      The Table (1919) by Chaim Soutine
      #27

      The Table

      1919 · Musee de l'Orangerie

      The Table is an oil on canvas work by Chaim Soutine. Created circa 1919, this still life captures a moment of domestic disarray. It resides within the collection…

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      The Turkey (1925) by Chaim Soutine
      #28

      The Turkey

      1925 · Musee de l'Orangerie

      is an oil on canvas created by Chaim Soutine. Executed about 1925, the work belongs to the Jean Walter et Paul Guillaume collection. It is currently held at…

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      Farm Girl [La Fille de Ferme] (1919) by Chaim Soutine
      #48

      Farm Girl [La Fille de Ferme]

      1919 · Nagoya City Art Museum

      白ロシア共和国(現ベラルーシ共和国)ミンスク近郊の寒村に生まれたスーチンがパリに出たのは19歳の時だった。貧困と、作品に対する無理解に苦しみながら、一人異国の地で模索する、そんな彼の才能をいち早く見い出したのがモディリアーニであった。教養もなければ、礼儀も知らず、野生児そのままといったスーチンに、モディリアーニはナイフやフォークの使い方を教え、制作の助言をし、しばしば絶望感にさいなまれる彼を励ました。しかし、彼は生涯野生児のままであった。30歳目前の若さでアメリカ人のコレクターに見い出され、作品が売れ、流行の背広に身を包むようになっても、彼の孤独と不安は、ついにいやされることはなかった。 スーチンの作品に一貫して表現されているのは、彼の孤独と不安の叫びである。その絵画世界では、あらゆるものがゆがみ、ねじまげられ、苦し気にのたうっているが、それはまさしくスーチン自身の内面の姿にほかならない。 《農家の娘》でも筆致の速さは目立つものの、スーチン特有のうねり、ゆがみの表現は比較的少なく、モデルの素朴な印象が引き立つように色彩は抑えられている。画家の描く対象との向き合い方を物語る一枚である。(出典: 名古屋市美術館展示解説カード)

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      Chaim Soutine's canvases, period by period

      What Chaim Soutine painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Chaim Soutine's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Chaim Soutine Paintings from this list
      Musee de l'Orangerie, ParisMusee de l'Orangerie Paris 9 Beef and calf's head, The Table, The Turkey
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 7 Woman in Red Blouse, Man with Horse, Apples
      Nagoya City Art Museum, NagoyaNagoya City Art Museum Nagoya 3 Still Life with Fowl [Nature Morte à La Volaille], Farm Girl [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
      Kunstmuseum Bern, БернKunstmuseum Bern Берн 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Seated Woman, Still Life with Rayfish
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Dead Fowl, Landscape at Cagnes
      Buffalo AKG Art Museum, BuffaloBuffalo AKG Art Museum Buffalo 2 untitled (3759), untitled (6142)
      Musée de Grenoble, GrenobleMusée de Grenoble Grenoble 2 The Alley of Trees

      Chaim Soutine's most famous canvas, decade after decade

      1. 1910s
        Suburban Landscape with Red Houses (1917) by Chaim Soutine
        Canvas 3 of 100

        Suburban Landscape with Red Houses

        Age 17 – 26

        In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with…

      2. 1920s
        Chicken Hanging in Front of a Brick Wall (1924) by Chaim Soutine
        Ranked 1 of 100

        Chicken Hanging in Front of a Brick Wall

        Age 27 – 36 · Kunstmuseum Bern

        The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy…

      3. 1930s
        Portrait of a Child (1937) by Chaim Soutine
        Ranked 5 of 100

        Portrait of a Child

        Age 37 – 46

        In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents…

      Chaim Soutine's canvases, question by question

      Which canvas is Chaim Soutine most remembered for?Read the answer

      Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Берн. Hanging Duck (1925) and Suburban Landscape with Red Houses (1917) follow.

      Chicken Hanging in Front of a Brick Wall: how old was Chaim Soutine when it was painted?Read the answer

      Chaim Soutine, born in 1893, was 31 years old: Chicken Hanging in Front of a Brick Wall dates from 1924.

      What are Chaim Soutine's ten most famous canvases?Read the answer

      Chicken Hanging in Front of a Brick Wall, Hanging Duck, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm and Ceret Lanscape. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Chaim Soutine create?Read the answer

      118 works by Chaim Soutine are in our catalogue, dated 1916 to 1937.

      Where do Chaim Soutine's most famous canvases hang today?Read the answer

      Mostly in Musee de l'Orangerie (Paris), Metropolitan Museum of Art (New York) and Nagoya City Art Museum (Nagoya); the list above names each museum and its canvases.

      When did Chaim Soutine paint the most famous canvases?Read the answer

      In 1920s, which gave 36 of the 100 works on this page, Chicken Hanging in Front of a Brick Wall among them.

      Which famous Chaim Soutine canvas came first, and which came last?Read the answer

      The earliest canvas here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

      Which subjects did Chaim Soutine paint most?Read the answer

      Woman (8), Portrait painting (6) and Portrait (5), across the 100 works on this page.

      Which medium appears most in Chaim Soutine's paintings?Read the answer

      Oil On Canvas, used in 24 of the 100 works on this page.

      Which movement is Chaim Soutine associated with?Read the answer

      Expressionism, as the canvases on this page show.

      Which paintings by Chaim Soutine are held by the Musee de l'Orangerie?Read the answer

      The Musee de l'Orangerie, Paris holds 7 of the works on this page, among them Beef and calf's head, The Table and The Turkey.

      Where can I buy a reproduction of a Chaim Soutine painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Chaim Soutine

      A Life Forged in Turmoil: The World of Chaim Soutine

      Born into a large, impoverished Jewish family in Smilovichi, Russia (present-day Belarus) in 1893, Chaim Soutine’s early life was steeped in hardship. This formative experience—a childhood marked by both material scarcity and the restrictions imposed upon his Orthodox community—would profoundly shape his artistic vision. Though figural representation was discouraged within his religious upbringing, a nascent talent for drawing blossomed nonetheless, hinting at the passionate intensity that would come to define his work. He received formal training at an art academy in Vilna (now Vilnius, Lithuania) from 1910 to 1913, but it was his emigration to Paris in 1913 that proved truly pivotal. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself amidst a vibrant artistic community, yet he remained largely outside of prevailing trends, forging a path uniquely his own. His initial years in Paris were characterized by extreme poverty, a struggle that mirrored the emotional turbulence simmering beneath the surface of his canvases.

      An Expressionist Apart: Style and Influences

      While often categorized as an Expressionist, to label Soutine solely within this framework feels limiting. His style was profoundly individual, a compelling synthesis of traditional European painting—particularly the Dutch Masters like Rembrandt and Chardin, and the Realism of Courbet—filtered through a lens of raw emotional intensity. He didn’t simply mimic these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own inner world. Bold colors, applied with thick impasto – a textured application of paint that gives his surfaces a palpable physicality – and agitated brushwork are hallmarks of his style. Soutine wasn’t interested in precise representation; he sought to capture the emotional essence of his subjects, often imbuing them with a sense of unease or psychological tension. Landscapes, portraits, and still lifes became his preferred vehicles for this exploration, recurring themes like food and animals reflecting both personal experiences and his Jewish heritage. These weren’t merely depictions; they were visceral expressions of feeling, painted with an almost desperate energy.

      Development and Defining Works

      Soutine's artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) saw him grappling with his voice amidst financial hardship. The period spent in Céret between 1919 and 1922 proved crucial. It was here, surrounded by the dramatic landscapes of southern France, that he produced many of his most celebrated works. These paintings are characterized by vibrant colors, distorted forms, and a sense of almost violent energy. Trees, cliffs, and fields become swirling masses of paint, reflecting not just what Soutine saw but how he *felt* in their presence. His portraits, too, stand apart for their psychological depth. He often depicted working-class individuals with a raw honesty that challenged conventional portraiture, revealing the dignity and vulnerability of his subjects. Similarly, his still lifes—arrangements of food and objects—convey a sense of vitality, but also an unsettling energy, as if even inanimate objects are imbued with life and emotion. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret, and poignant portraits of Russian émigrés in Paris.

      Recognition, Legacy, and Lasting Impact

      Soutine was a key figure within the School of Paris, a diverse group of artists working in the city during the early 20th century. However, his path to recognition wasn’t straightforward. The art dealer Leopold Zborowski played an instrumental role in promoting Soutine's work and securing his financial stability, recognizing the unique power of his vision. Initial critical reception was mixed, but his reputation grew steadily over time. His expressive use of paint and emotional intensity profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in Soutine a kindred spirit—an artist willing to push the boundaries of representation in pursuit of authentic expression. Today, Chaim Soutine is rightfully recognized as a major figure in Expressionism and a significant contributor to 20th-century art. His works are held in prestigious museums worldwide, testaments to his enduring legacy. He represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. His innovative style paved the way for future generations of artists seeking to explore the depths of human emotion through the power of paint.