Of all Charles Bertier's paintings, Les Fréaux near La Grave (1894) is the most famous; it hangs in the Musée de Grenoble, Grenoble. Close behind come Romanche Valley at Pied-du-Col (1894) and The Vénéon Valley in Saint-Christophe-en-Oisans (1894). Among the 4 works by Charles Bertier in our catalogue, these 4 are the most celebrated, each shown with its date, its museum and its story.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Charles Bertier | Paintings from this list |
|---|---|---|---|
| Grenoble | 4 | Les Fréaux near La Grave, Romanche Valley at Pied-du-Col, The Vénéon Valley in Saint-Christophe-en-Oisans |
A long career in colour: 17 years, 1894 to 1910, and Charles Bertier's most celebrated canvases of each year.
Les Fréaux near La Grave (1894), Musée de Grenoble, Grenoble. Romanche Valley at Pied-du-Col (1894) and The Vénéon Valley in Saint-Christophe-en-Oisans (1894) follow.
Charles Bertier, born in 1860, was 34 years old: Les Fréaux near La Grave dates from 1894.
4 works by Charles Bertier are in our catalogue, dated 1894 to 1910.
Mostly in Musée de Grenoble (Grenoble); the list above names each museum and its canvases.
In 1894, which gave 3 of the 4 works on this page, Les Fréaux near La Grave among them.
The earliest canvas here is Les Fréaux near La Grave (1894); the latest is Between Two Rains, Lac Robert. Chamrousse (1910).
The Musée de Grenoble, Grenoble holds 4 of the works on this page, among them Les Fréaux near La Grave, Romanche Valley at Pied-du-Col and The Vénéon Valley in Saint-Christophe-en-Oisans.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Born in 1860 in the French city of Grenoble, Charles Alexandre Bertier was destined to follow a path shaped by both family tradition and a profound connection to the mountains. His family operated a glove making business, and for a time, he followed this practical route. He enrolled in a vocational school to master the family trade, learning the discipline of drawing alongside the craft of leather. However, the pull of the landscape proved stronger than the demands of commerce. After serving his military duty, where he first began to display his creative output, he sought formal training at the École des Beaux-Arts in Paris. It was there that his talent for capturing the essence of the natural world began to take a definitive shape.
His early education was deeply influenced by his teacher, Laurent Guetal, who introduced him to the majesty of mountain scenery. This mentorship helped shape a style that would become central to the École Dauphinoise. Alongside contemporaries like Ernest Victor Hareux and Jean Achard, Bertier sought to translate the rugged, imposing presence of the Alps onto canvas. His work was not merely a recording of geography, but an attempt to capture the atmosphere of the high peaks and the valleys that lie beneath them.
The career of Bertier was marked by both significant recognition and sudden, personal loss. He achieved considerable success within the French art establishment, earning thirty-one awards and becoming a member of the Société des Artistes Français. His reputation grew to the point that he was invited to provide decorations for Le Train Bleu, the celebrated restaurant near the Gare de Lyon in Paris. He even ventured briefly into portraiture, working for a benefactor in Russia who intended to place his works in the Hermitage.
His dedication to the mountains was a constant, even when faced with hardship. In 1913, a devastating fire destroyed his studio, consuming his paintings, drawings, and manuscripts. Rather than succumbing to this loss, he sought solace in the very landscapes he loved. He traveled through the French and Swiss Alps, including the heights of Mont Blanc, to find fresh inspiration and resume his exhibitions.
His artistic output included several notable depictions of the Alpine regions, such as:
Bertier was a man deeply embedded in the institutional life of French art. He was a founding member of the Société des Peintres de Montagne and frequently served as a judge on various art competition juries. His ability to render the specific light and texture of the mountains earned him a permanent place in the history of landscape painting. He remained in Grenoble, the city of his birth, until his death in 1924.