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      Charles Bertier, 1860 – 1924

      Charles Bertier: The 4 Best-Known Paintings

      Of all Charles Bertier's paintings, Les Fréaux near La Grave (1894) is the most famous; it hangs in the Musée de Grenoble, Grenoble. Close behind come Romanche Valley at Pied-du-Col (1894) and The Vénéon Valley in Saint-Christophe-en-Oisans (1894). Among the 4 works by Charles Bertier in our catalogue, these 4 are the most celebrated, each shown with its date, its museum and its story.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Charles Bertier
      Charles Bertier · 1860 – 1924
      Born · died
      1860 – 1924, Grenoble
      Works in our catalogue
      4
      Most famous
      Les Fréaux near La Grave (1894)
      Most works at
      Musée de Grenoble

      Charles Bertier's 10 most celebrated paintings

      Where Charles Bertier's canvases hang

      The museum that holds the most of the paintings on this page.

      Museum City Works by Charles Bertier Paintings from this list
      Musée de Grenoble, GrenobleMusée de Grenoble Grenoble 4 Les Fréaux near La Grave, Romanche Valley at Pied-du-Col, The Vénéon Valley in Saint-Christophe-en-Oisans

      Year by year: Charles Bertier's most celebrated canvases

      A long career in colour: 17 years, 1894 to 1910, and Charles Bertier's most celebrated canvases of each year.

      1. 1894
      2. 1894
      3. 1894
      4. 1910

      Your questions on Charles Bertier's paintings, answered

      Which is the most celebrated painting by Charles Bertier?Read the answer

      Les Fréaux near La Grave (1894), Musée de Grenoble, Grenoble. Romanche Valley at Pied-du-Col (1894) and The Vénéon Valley in Saint-Christophe-en-Oisans (1894) follow.

      How old was Charles Bertier at the time of Les Fréaux near La Grave?Read the answer

      Charles Bertier, born in 1860, was 34 years old: Les Fréaux near La Grave dates from 1894.

      How many paintings by Charles Bertier are known?Read the answer

      4 works by Charles Bertier are in our catalogue, dated 1894 to 1910.

      Which museums hold Charles Bertier's best-known canvases?Read the answer

      Mostly in Musée de Grenoble (Grenoble); the list above names each museum and its canvases.

      In which years did Charles Bertier paint the most celebrated canvases?Read the answer

      In 1894, which gave 3 of the 4 works on this page, Les Fréaux near La Grave among them.

      What are the first and the last of Charles Bertier's famous canvases?Read the answer

      The earliest canvas here is Les Fréaux near La Grave (1894); the latest is Between Two Rains, Lac Robert. Chamrousse (1910).

      What can I see by Charles Bertier at the Musée de Grenoble?Read the answer

      The Musée de Grenoble, Grenoble holds 4 of the works on this page, among them Les Fréaux near La Grave, Romanche Valley at Pied-du-Col and The Vénéon Valley in Saint-Christophe-en-Oisans.

      Can I order a hand-painted copy of a painting by Charles Bertier?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Charles Bertier: the painter's story

      The Son of Grenoble

      Born in 1860 in the French city of Grenoble, Charles Alexandre Bertier was destined to follow a path shaped by both family tradition and a profound connection to the mountains. His family operated a glove making business, and for a time, he followed this practical route. He enrolled in a vocational school to master the family trade, learning the discipline of drawing alongside the craft of leather. However, the pull of the landscape proved stronger than the demands of commerce. After serving his military duty, where he first began to display his creative output, he sought formal training at the École des Beaux-Arts in Paris. It was there that his talent for capturing the essence of the natural world began to take a definitive shape.

      His early education was deeply influenced by his teacher, Laurent Guetal, who introduced him to the majesty of mountain scenery. This mentorship helped shape a style that would become central to the École Dauphinoise. Alongside contemporaries like Ernest Victor Hareux and Jean Achard, Bertier sought to translate the rugged, imposing presence of the Alps onto canvas. His work was not merely a recording of geography, but an attempt to capture the atmosphere of the high peaks and the valleys that lie beneath them.

      A Life of Color and Fire

      The career of Bertier was marked by both significant recognition and sudden, personal loss. He achieved considerable success within the French art establishment, earning thirty-one awards and becoming a member of the Société des Artistes Français. His reputation grew to the point that he was invited to provide decorations for Le Train Bleu, the celebrated restaurant near the Gare de Lyon in Paris. He even ventured briefly into portraiture, working for a benefactor in Russia who intended to place his works in the Hermitage.

      His dedication to the mountains was a constant, even when faced with hardship. In 1913, a devastating fire destroyed his studio, consuming his paintings, drawings, and manuscripts. Rather than succumbing to this loss, he sought solace in the very landscapes he loved. He traveled through the French and Swiss Alps, including the heights of Mont Blanc, to find fresh inspiration and resume his exhibitions.

      His artistic output included several notable depictions of the Alpine regions, such as:

      The Legacy of the Alpine Painter

      Bertier was a man deeply embedded in the institutional life of French art. He was a founding member of the Société des Peintres de Montagne and frequently served as a judge on various art competition juries. His ability to render the specific light and texture of the mountains earned him a permanent place in the history of landscape painting. He remained in Grenoble, the city of his birth, until his death in 1924.