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      Chuck Close, 1940 – 2021

      The 12 Most Famous Chuck Close Paintings, Ranked

      The best-loved painting by Chuck Close is Big Self-Portrait (1968), which hangs in the Walker Art Center, Minneapolis. Barack Obama by Chuck Close (2013) and Alex (1994) come next among the canvases readers know best. Our catalogue holds 17 works by Chuck Close: here are the 12 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026.

      Portrait of Chuck Close
      Chuck Close · 1940 – 2021
      Born · died
      1940 – 2021, Monroe
      Movement
      Contemporary realism
      Works in our catalogue
      17
      Most famous
      Big Self-Portrait (1968)
      Most works at
      Walker Art Center

      Top 10 Chuck Close paintings: the canvases everyone knows

      Big Self-Portrait (1968) by Chuck Close
      1

      Big Self-Portrait

      1968 · Black and White Photography · Walker Art Center, Minneapolis

      To stand before a work like Big Self-Portrait is not merely to observe a likeness; it is to confront an intensely rendered meditation on identity itself. Created in 1968, this piece by Chuck Close captures the artist at a pivotal moment, presenting a self that feels both intimately known and profoundly alien. The composition is a masterful study in compression, tightly framing the head and shoulders until the viewer has…

      Barack Obama by Chuck Close (2013) by Chuck Close
      2

      Barack Obama by Chuck Close

      2013 · Acrylic On Canvas · National Portrait Gallery, London

      Barack Obama by Chuck Close: A Portrait of Resilience and Reflection Chuck Close’s “Barack Obama” is more than just a photograph; it's a testament to the artist’s groundbreaking approach to portraiture and a poignant exploration of identity. Created in 2013, this diptych—featuring two black and white prints—captures Obama’s gaze with remarkable detail and immediacy, embodying Close’s signature style: monumental hyperrealism achieved through a meticulous grid system. The artwork speaks volumes…

      Alex (1994) by Chuck Close
      3

      Alex

      1994 · Silkscreen

      is a portrait by the American artist Chuck Close. Executed about 1994, the work focuses on the face of a man. The composition captures the subject in a close-up view, emphasizing the specific features of the individual through a detailed lens.

      Alex/Reduction Block (1993) by Chuck Close
      4

      Alex/Reduction Block

      1993 · Acrylic On Canvas · Parrish Art Museum, Water Mill

      A Portrait of Resilience: Examining Chuck Close’s “Alex/Reduction Block” Chuck Close's "Alex/Reduction Block," completed in 1993, stands as a testament to both artistic innovation and personal struggle—a cornerstone of monumental portraiture that continues to captivate audiences today. Created from a reduction linoleum cut silk screen print, this striking image depicts the face of Alex, a man Close had known for years, capturing him in an unflinching gaze directed towards the…

      Lorna I (1997) by Chuck Close
      6

      Lorna I

      1997 · Photography · Kemper Museum of Contemporary Art, Kansas City

      Lorna I is a photograph created by the artist Chuck Close. The original image was produced in 1996, and the specific version of this work was printed in 1997. This piece is an inkjet print on kozo paper. The composition focuses on a close-up view of a woman, capturing her face and upper torso against a dark gray backdrop. The subject features tightly coiled hair and a direct gaze toward…

      More Chuck Close canvases, 11 to 12

      Fanny/Fingerpainting (1985) by Chuck Close

      Shown from the shoulders up against a white background, an elderly woman gazing at us fills this black and white vertical portrait painting. The portrait is created with…

      What Chuck Close painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Chuck Close's canvases hang

      The 4 museums that hold the most of the paintings on this page.

      Museum City Works by Chuck Close Paintings from this list
      Walker Art Center, MinneapolisWalker Art Center Minneapolis 1 Big Self-Portrait
      National Portrait Gallery, LondonNational Portrait Gallery London 1 Barack Obama by Chuck Close
      Parrish Art Museum, Water MillParrish Art Museum Water Mill 1 Alex/Reduction Block
      Kemper Museum of Contemporary Art, Kansas CityKemper Museum of Contemporary Art Kansas City 1 Lorna I

      Chuck Close's best-loved canvas of each decade

      1. 1960s
        Big Self-Portrait (1968) by Chuck Close
        Ranked 1 of 12

        Big Self-Portrait

        Age 20 – 29 · Walker Art Center

        To stand before a work like Big Self-Portrait is not merely to observe a likeness; it is to confront an intensely rendered meditation on identity itself. Created in…

      2. 1970s
        Nat (1971) by Chuck Close
        Ranked 7 of 12

        Nat

        Age 30 – 39
      3. 1980s
      4. 1990s
        Alex (1994) by Chuck Close
        Canvas 3 of 12

        Alex

        Age 50 – 59

        is a portrait by the American artist Chuck Close. Executed about 1994, the work focuses on the face of a man. The composition captures the subject in a…

      5. 2010s
        Barack Obama by Chuck Close (2013) by Chuck Close
        Ranked 2 of 12

        Barack Obama by Chuck Close

        Age 70 – 79 · National Portrait Gallery

        Barack Obama by Chuck Close: A Portrait of Resilience and Reflection Chuck Close’s “Barack Obama” is more than just a photograph; it's a testament to the artist’s groundbreaking…

      About Chuck Close's canvases: your questions answered

      What is the best-known painting by Chuck Close?Read the answer

      Big Self-Portrait (1968), Walker Art Center, Minneapolis. Barack Obama by Chuck Close (2013) and Alex (1994) follow.

      What age was Chuck Close when Big Self-Portrait was painted?Read the answer

      Chuck Close, born in 1940, was 28 years old: Big Self-Portrait dates from 1968.

      What are the 10 most famous paintings by Chuck Close?Read the answer

      Big Self-Portrait, Barack Obama by Chuck Close, Alex, Alex/Reduction Block, Self-Portrait, Lorna I, Nat, Mark, Robert - (104,072) and Self-Portrait Spitbite White on Black. Each canvas in the ranking above comes with its year and its museum.

      How many works did Chuck Close paint in all?Read the answer

      17 works by Chuck Close are in our catalogue, dated 1968 to 2013.

      Where can I see Chuck Close's most famous canvases?Read the answer

      Mostly in Walker Art Center (Minneapolis), National Portrait Gallery (London) and Parrish Art Museum (Water Mill); the list above names each museum and its canvases.

      When did Chuck Close paint the best-loved canvases?Read the answer

      In 1990s, which gave 3 of the 12 works on this page, Alex among them.

      Which are Chuck Close's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Big Self-Portrait (1968); the latest is Barack Obama by Chuck Close (2013).

      What did Chuck Close paint most often?Read the answer

      Face (3), Portrait (3) and Detail (2), across the 12 works on this page.

      Which medium did Chuck Close paint in most often?Read the answer

      Acrylic On Canvas, used in 2 of the 12 works on this page.

      Which movement is Chuck Close's painting part of?Read the answer

      Contemporary realism, as the canvases on this page show.

      Chuck Close: a life in paint

      A Life Etched in Detail: The World of Chuck Close

      Charles Thomas Close, born July 5, 1940, in Monroe, Washington, and who passed away on August 19, 2021, in Oceanside, New York, was a monumental figure in the landscape of contemporary art. His journey, marked by both profound artistic innovation and personal adversity, redefined portraiture for generations. From an early age, Close faced significant challenges – a neuromuscular condition coupled with dyslexia created obstacles that shaped his unique perspective. These difficulties fostered a deep observation of the world around him, a quality that would become central to his artistic practice. His childhood was further impacted by family tragedy; the loss of his father and his mother’s illness instilled in him a resilience that mirrored the meticulous dedication he later brought to his art. Early exposure to Jackson Pollock's drip paintings at the Seattle Art Museum proved pivotal, igniting within him a passion for pushing artistic boundaries. He pursued formal education at the University of Washington, earning a B.A. in 1962, and continued honing his skills at Yale University, receiving both a BFA (1963) and an MFA (1964). A Fulbright scholarship then propelled him to Vienna’s Akademie der Bildenden Künste, broadening his artistic horizons before he returned to the United States.

      From Abstraction to Hyperrealism: The Evolution of a Style

      Close's artistic trajectory began with explorations in Abstract Expressionism, but it was during the late 1960s that he embarked on the path that would define his career – photorealism. Rejecting the gestural freedom of abstraction, Close turned to photography as his primary source material. He didn’t aim to merely copy a photograph; instead, he developed an intricate process of translation. Utilizing a grid system, he meticulously transferred photographic images onto enormous canvases, breaking down the image into manageable squares and replicating each detail with painstaking accuracy using acrylic paints and airbrush techniques. This method wasn't about flawless reproduction but rather about revealing the underlying structure of perception itself. His early portraits were monumental in scale, confronting viewers with an almost overwhelming level of detail. He didn’t shy away from imperfections – bloodshot eyes, broken capillaries, pores, and wrinkles were all rendered with unflinching honesty. This emphasis on the flaws of human features wasn't a critique of beauty standards but rather an exploration of the inherent limitations of both photography and representation. He explored various media throughout his career, including fingerprint patterns and color printing processes, always seeking new ways to deconstruct and rebuild the image.

      Innovation in the Face of Adversity: A Legacy Forged Through Resilience

      The 1970s witnessed Close’s ascent to prominence as a leading figure in photorealism. His large-scale portraits garnered widespread recognition, establishing him as an artist who dared to challenge conventional notions of portraiture. His “fingerprint series” demonstrated a remarkable innovative approach to texture and abstraction; using his own fingerprints to create subtle gradations of gray, he transformed the personal into the universal. However, in 1988, Close’s life took another dramatic turn when he suffered a spinal artery occlusion, resulting in paralysis from the neck down. This devastating event could have ended his career, but instead, it spurred him to adapt and innovate further. He continued to paint, developing new techniques that allowed him to work with limited mobility – even painting with his mouth. This unwavering dedication to his craft is a testament to his artistic spirit and resilience. His work has been exhibited extensively worldwide and resides in prestigious museum collections such as the Art Institute of Chicago, the Museum of Modern Art (New York), and the Tate Gallery (London).

      Influences and Lasting Impact: A Transformation of Portraiture

      Chuck Close’s artistic lineage is complex. While initially inspired by Pollock's expressive freedom, he ultimately forged his own path, influenced by a desire to objectively observe and meticulously recreate reality. He challenged the traditional understanding of portraiture, moving away from idealized representations towards a more analytical and objective approach. His work questioned the very nature of seeing and representation, forcing viewers to confront the mechanics of perception. Close’s exploration of scale, detail, and process profoundly impacted the development of photorealism and contemporary art as a whole. He demonstrated that photography wasn't simply a tool for capturing reality but also a medium for artistic interpretation and transformation. His influence extends beyond painting; his techniques have resonated with artists working in various disciplines, from sculpture to digital media. Notable works like the striking black-and-white diptych of Barack Obama, the monumental self-portrait *Big Self-Portrait*, the pixelated detail of *Self-Portrait Spitbite White on Black*, and powerful portraits such as *Mark* (Richard Serra) and *Nat* stand as enduring testaments to his artistic vision. Chuck Close’s legacy is not merely one of technical mastery but also of unwavering perseverance, demonstrating that art can flourish even in the face of profound adversity.

      A Continuing Dialogue: Chuck Close's Enduring Relevance

      • Photorealism Pioneer: Close remains a central figure in the history of photorealism, inspiring generations of artists to explore the boundaries between photography and painting.
      • Technical Innovation: His grid system and innovative use of materials continue to be studied and emulated by artists today.
      • Resilience and Adaptation: His ability to overcome physical challenges and continue creating art serves as a powerful example of the human spirit’s capacity for adaptation.
      • Exploration of Identity & Perception: His portraits delve into themes of identity, perception, and representation, prompting viewers to question their own understanding of reality.
      Despite controversies surrounding allegations of harassment later in his life, Chuck Close’s artistic contributions remain undeniable. He leaves behind a body of work that continues to challenge, provoke, and inspire, solidifying his place as one of the most important artists of the 20th and 21st centuries. His art invites us to look closer, not just at the images he created but also at ourselves and the world around us.