Of all Constant Cap's paintings, Remembering the National Festivities of 1880 (1880) is the most famous; it hangs in the Royal Museum of Fine Arts Antwerp, Antwerp. Among the 1 works by Constant Cap in our catalogue, these 1 are the most celebrated, each shown with its date, its museum and its story.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Constant Cap | Paintings from this list |
|---|---|---|---|
| Antwerp | 1 | Remembering the National Festivities of 1880 |
One year, 1880, holds every dated canvas by Constant Cap on this page: here they are, most famous first.
Remembering the National Festivities of 1880 (1880).
Constant Cap, born in 1842, was 38 years old: Remembering the National Festivities of 1880 dates from 1880.
1 works by Constant Cap are in our catalogue.
Mostly in Royal Museum of Fine Arts Antwerp (Antwerp); the list above names each museum and its canvases.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Constant Aimé Marie Cap lived his life within the borders of Belgium, moving from Saint-Nicolas to the streets of Antwerp. He spent his days as both a painter and an engraver, working with a focus on academic precision. His hands were trained at the Royal Academy of Fine Arts in Antwerp, where he learned to capture the small, steady movements of daily life.
His work often rests on the stillness of a single moment. In pieces like A Woman gazing through a window, there is a sense of looking without being seen. He had a way of placing figures in quiet settings, such as Femmes en prière dans une église, where the focus remains on the weight of the atmosphere rather than grand gestures.
Cap looked backward as much as he looked at the present. He used his skill to document the textures of the past, particularly through works like De goudweger/Oud Antwerpen/XVI eeuw and Oud Antwerpen-Het laatste Keersken. These paintings carry the weight of history, rendered with the careful detail of an engraver's eye.
The subjects he chose were often ordinary, yet he treated them with a specific gravity:
He died in Antwerp in 1915, leaving behind a body of work that remains tied to the light and the specific corners of his Belgian home.