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      Daniel Saint, 1778 – 1847

      Daniel Saint's 5 Most Famous Paintings

      Portrait de Mme Savary, duchesse de Rovigo (1840) is the painting Daniel Saint is best remembered for. Portrait of the duchess of berry and Unknown Man complete the trio of best-loved canvases. Our catalogue counts 7 works by Daniel Saint. Here are the 5 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Daniel Saint
      Daniel Saint · 1778 – 1847
      Born · died
      1778 – 1847, Saint-Lô
      Works in our catalogue
      7
      Most famous
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Most works at
      Nationalmuseum

      The ten best-loved paintings by Daniel Saint

      Lady with a Greyhound (1842) by Daniel Saint
      5

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Hand-painted oil reproduction from $178 24 × 41 cm

      Where Daniel Saint's canvases hang

      The 2 museums that hold the most of the paintings on this page.

      Museum City Works by Daniel Saint Paintings from this list
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saint's most famous canvases, one year after another

      The dated canvases of Daniel Saint here span only 3 years, from 1840 to 1842: one year after another.

      1. 1840
      2. 1842
        Lady with a Greyhound (1842) by Daniel Saint
        Canvas 5 of 5

        Lady with a Greyhound

        Age 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saint's canvases, question by question

      Which canvas is Daniel Saint most remembered for?Read the answer

      Portrait de Mme Savary, duchesse de Rovigo (1840), followed by Portrait of the duchess of berry and Unknown Man.

      Portrait de Mme Savary, duchesse de Rovigo: how old was Daniel Saint when it was painted?Read the answer

      Daniel Saint, born in 1778, was 62 years old: Portrait de Mme Savary, duchesse de Rovigo dates from 1840.

      How many paintings did Daniel Saint create?Read the answer

      7 works by Daniel Saint are in our catalogue, dated 1840 to 1842.

      Where do Daniel Saint's most famous canvases hang today?Read the answer

      Mostly in Nationalmuseum (Stockholm) and Château de Chambord (Chambord); the list above names each museum and its canvases.

      Which famous Daniel Saint canvas came first, and which came last?Read the answer

      The earliest canvas here is Portrait de Mme Savary, duchesse de Rovigo (1840); the latest is Lady with a Greyhound (1842).

      Which paintings by Daniel Saint are held by the Nationalmuseum?Read the answer

      The Nationalmuseum, Stockholm holds 2 of the works on this page, among them Unknown Man and Charles X, King of France and Navarre.

      Where can I buy a reproduction of a Daniel Saint painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.