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      Edward Lear, 1812 – 1888

      Edward Lear's 100 Most Famous Paintings

      Cogoleto, Italy is the painting Edward Lear is best remembered for. Crescenza and Blue And Yellow Macaw complete the trio of best-loved canvases. Our catalogue counts 419 works by Edward Lear. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Edward Lear
      Edward Lear · 1812 – 1888
      Born · died
      1812 – 1888, Highgate
      Movement
      Romanticism
      Works in our catalogue
      419
      Most famous
      Cogoleto, Italy
      Most works at
      Yale Center for British Art

      The ten best-loved paintings by Edward Lear

      Cogoleto, Italy by Edward Lear
      1

      Cogoleto, Italy

      Watercolor

      The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

      Hand-painted oil reproduction from $178 39 × 26 cm
      Crescenza by Edward Lear
      2

      Crescenza

      Watercolor

      Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

      Hand-painted oil reproduction from $178 46 × 22 cm
      Blue And Yellow Macaw by Edward Lear
      3

      Blue And Yellow Macaw

      Watercolor

      The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.

      Hand-painted oil reproduction from $178 26 × 39 cm
      View of Taormina in Sicily with Etna in the distance (1852) by Edward Lear
      4

      View of Taormina in Sicily with Etna in the distance

      1852 · Oil On Canvas

      This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…

      Hand-painted oil reproduction from $178 40 × 25 cm Same size as the original $275 82 × 51 cm Order at original size →
      View of Bethlehem (1859) by Edward Lear
      5

      View of Bethlehem

      1859 · Oil On Canvas · Israel Museum, Jerusalem

      The scene known as View of Bethlehem emerges from the brush of Edward Lear. This oil on canvas captures a specific moment in time, dated 1861. The work stretches across a surface measuring 71 x 115 cm, offering a wide window into a quiet, rural existence. One feels the weight of the atmosphere through the medium of oil, which allows for a delicate layering of color and light.

      Hand-painted oil reproduction from $178 39 × 26 cm
      The Pyramids of Ghizeh (1873) by Edward Lear
      6

      The Pyramids of Ghizeh

      1873 · Watercolor

      In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…

      Hand-painted oil reproduction from $203 45 × 22 cm
      The Temple of Apollo at Bassae (1855) by Edward Lear
      7

      The Temple of Apollo at Bassae

      1855 · Oil On Canvas · Fitzwilliam College, Cambridge

      The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

      Hand-painted oil reproduction from $178 40 × 25 cm Same size as the original $1156 230 × 146 cm Order at original size →
      Plains Of Ashdod, Israel by Edward Lear
      8

      Plains Of Ashdod, Israel

      Watercolor

      Plains Of Ashdod, Israel is a landscape painting by Edward Lear. The work depicts the Plains of Ashdod in Israel, focusing on the specific geography of the region. The scene presents a wide, flat expanse of land that characterizes the local terrain. This landscape captures the essential physical features of the area through a series of horizontal planes.

      Hand-painted oil reproduction from $178 49 × 20 cm
      View Of Eze, Italy by Edward Lear
      9

      View Of Eze, Italy

      Watercolor

      View Of Eze, Italy is a landscape painting by Edward Lear. The work captures a coastal scene in Italy, focusing on a village perched amidst rugged cliffs. The Mediterranean Sea extends toward the horizon, providing a vast backdrop to the terrestrial features. A distant castle sits atop one of the peaks, adding a sense of history to the topography.

      Hand-painted oil reproduction from $178 39 × 26 cm
      Ithaca, Ionian Islands by Edward Lear
      10

      Ithaca, Ionian Islands

      Watercolor

      Ithaca, Ionian Islands is a watercolor sketch by Edward Lear, executed in April 1863. The work captures a landscape scene of Ithaca, one of the Ionian Islands, focusing on the region's topography and vegetation. It was produced during a period when Lear was documenting the natural beauty of the Mediterranean through intimate observations of place.

      Hand-painted oil reproduction from $178 38 × 26 cm

      Edward Lear: canvases 11 to 100 of the ranking

      Philae, Egypt (1863) by Edward Lear
      #14

      Philae, Egypt

      1863 · Yale Center for British Art

      Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

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      The Mountains of Thermopylae (1852) by Edward Lear
      #18

      The Mountains of Thermopylae

      1852 · Bristol Museum - Art Gallery

      Edward Lear’s Thermopylae: A Landscape of Quiet Resolve Edward Lear (1812–1888), a figure largely remembered for his delightfully absurd verse and whimsical illustrations—particularly “The Owl and the Pussy…

      Order this canvas from $178 →
      Thermopylae (1872) by Edward Lear
      #45

      Thermopylae

      1872 · The Ashmolean Museum of Art And Archaeology

      In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

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      What Edward Lear painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Edward Lear's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Edward Lear Paintings from this list
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
      Government Art Collection, LondonGovernment Art Collection London 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
      The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
      Israel Museum, JerusalemIsrael Museum Jerusalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
      Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
      Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
      Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

      Edward Lear's most famous canvas, decade after decade

      1. 1830s
      2. 1840s
        Between Olavano and Civitella (1842) by Edward Lear
        Ranked 16 of 100

        Between Olavano and Civitella

        Age 28 – 37 · Yale Center for British Art

        Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

      3. 1850s
      4. 1860s
        Philae, Egypt (1863) by Edward Lear
        Canvas 14 of 100

        Philae, Egypt

        Age 48 – 57 · Yale Center for British Art

        Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

      5. 1870s
        The Pyramids of Ghizeh (1873) by Edward Lear
        Ranked 6 of 100

        The Pyramids of Ghizeh

        Age 58 – 67

        In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong…

      6. 1880s
        The Plains of Lombardy from Monte Generoso (1880) by Edward Lear
        Ranked 15 of 100

        The Plains of Lombardy from Monte Generoso

        Age 68 – 76 · The Ashmolean Museum of Art And Archaeology

        In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

      Edward Lear's canvases, question by question

      Which canvas is Edward Lear most remembered for?Read the answer

      Cogoleto, Italy, followed by Crescenza and Blue And Yellow Macaw.

      What are Edward Lear's ten most famous canvases?Read the answer

      Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy and Ithaca, Ionian Islands. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Edward Lear create?Read the answer

      419 works by Edward Lear are in our catalogue, dated 1839 to 1882.

      Where do Edward Lear's most famous canvases hang today?Read the answer

      Mostly in Yale Center for British Art (New Haven), Government Art Collection (London) and The Ashmolean Museum of Art And Archaeology (Oxford); the list above names each museum and its canvases.

      When did Edward Lear paint the most famous canvases?Read the answer

      In 1860s, which gave 14 of the 100 works on this page, Philae, Egypt among them.

      Which famous Edward Lear canvas came first, and which came last?Read the answer

      The earliest canvas here is Civita Castellana (1839); the latest is The Marble Rocks - Nerbudda Jubbolpore (1882).

      Which subjects did Edward Lear paint most?Read the answer

      Landscape (12), Scenes (10) and Italy (10), across the 100 works on this page.

      Which medium appears most in Edward Lear's paintings?Read the answer

      Watercolor, used in 8 of the 100 works on this page.

      Which movement is Edward Lear associated with?Read the answer

      Romanticism, as the canvases on this page show.

      Which paintings by Edward Lear are held by the Yale Center for British Art?Read the answer

      The Yale Center for British Art, New Haven holds 14 of the works on this page, among them Philae, Egypt, Between Olavano and Civitella and A Study of Ferns, Civitella.

      Where can I buy a reproduction of a Edward Lear painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Edward Lear

      A Life Painted in Nonsense and Light

      Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

      From Ornithological Precision to Landscape’s Embrace

      Lear's artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. However, failing eyesight and respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity, often rendered in delicate watercolors that capture the subtle nuances of light and shadow.

      The Poet of Nonsense: A World Unbound

      While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear's limericks often explored themes of loneliness, longing, and the absurdity of existence, cloaked within a veneer of whimsicality. He didn’t simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. The Owl and the Pussy-Cat, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery.

      A Legacy of Innovation and Enduring Charm

      Edward Lear’s influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

      Influences and Artistic Development

      • Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.
      • Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
      • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
      • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.