The Masters · Chromatic Profile
Philipp
Haller
1698
—
1772
· Early Modern
The Venetian Shadow in Innsbruck Innsbruck, 1698. A child is born into the Alpine landscape, but the pull of the Adriatic is already felt in the lineage of his training. Philipp Haller moves from the mountains toward the light of Venice, where the influence of …
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The Palette Genome
A portrait built from Philipp Haller's own colours
Every 2 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
← Cool · Shadow
Warm · Earth
Gold · Light →
Bands follow the hue wheel; visually identical tones are merged.
Four-Colour Decomposition
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The Chromatic Knot
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Reading the Genome
The signature, in numbers
The Source Works
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.