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      Gilbert Stuart, 1755 – 1828

      The 100 Most Famous Gilbert Stuart Paintings, Ranked

      The best-loved painting by Gilbert Stuart is George Washington (The Athenaeum Portrait) (1796), which hangs in the National Portrait Gallery, London. George Washington (8) (1820) and George Washington (The Landsdowne Portrait) (1796) come next among the canvases readers know best. Our catalogue holds 386 works by Gilbert Stuart: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Gilbert Stuart
      Gilbert Stuart · 1755 – 1828
      Born · died
      1755 – 1828, North Kingstown
      Movement
      Neoclassicism
      Works in our catalogue
      386
      Most famous
      George Washington (The Athenaeum Portrait) (1796)
      Most works at
      Harvard Art Museums

      Top 10 Gilbert Stuart paintings: the canvases everyone knows

      George Washington (The Athenaeum Portrait) (1796) by Gilbert Stuart
      1

      George Washington (The Athenaeum Portrait)

      1796 · Painting · National Portrait Gallery, London

      To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment of nascent American ideals. This portrait, painted in 1796, transcends simple portraiture, becoming instead a monumental testament to leadership and enduring vision. Stuart captured the first President of the United States at a pivotal moment—a man whose quiet dignity belied the immense…

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $492 94 × 121 cm Order at original size →
      George Washington (8) (1820) by Gilbert Stuart
      2

      George Washington (8)

      1820 · Oil On Panel · National Gallery of Art, Washington

      In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…

      Hand-painted oil reproduction from $178 29 × 35 cm
      George Washington (The Landsdowne Portrait) (1796) by Gilbert Stuart
      3

      George Washington (The Landsdowne Portrait)

      1796 · Oil On Canvas

      The Majesty of a Republic: Encountering the Lansdowne Portrait To stand before Gilbert Stuart’s George Washington (The Lansdowne Portrait) is to encounter the very soul of early American identity. Painted in 1796, this masterpiece transcends mere portraiture, serving as a profound visual manifesto of a nascent nation. Stuart, a master of the Neoclassical style, does not merely capture a likeness; he constructs an icon. The composition presents Washington in a…

      Hand-painted oil reproduction from $178 25 × 40 cm
      George Washington (1732-1799), LL.D. 1781 (1800) by Gilbert Stuart
      4

      George Washington (1732-1799), LL.D. 1781

      1800 · Oil On Canvas · Yale University Art Gallery, New Haven

      A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…

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      George Washington (1798) by Gilbert Stuart
      5

      George Washington

      1798 · Oil On Canvas · Metropolitan Museum of Art, New York

      To stand before this portrait is to encounter the quiet gravity of a man who carried the weight of a new nation upon his shoulders. The composition focuses on a bust-length view of George Washington, positioned slightly off-center as he faces toward the right, though his gaze remains fixed forward. There is a certain stoicism in his expression, a sense of authority that does not need to shout to be…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $283 60 × 74 cm Order at original size →
      Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) by Gilbert Stuart
      6

      Admiral Sir Charles Morice Pole (1757–1830), Bt

      1786 · Oil On Canvas · National Trust, Plymouth

      To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $296 64 × 76 cm Order at original size →
      Thomas Robinson (1738–1786), 2nd Baron Grantham (1785) by Gilbert Stuart
      7

      Thomas Robinson (1738–1786), 2nd Baron Grantham

      1785 · Oil On Canvas · National Trust, Plymouth

      To stand before this portrait of Thomas Robinson, the 2nd Baron Grantham, is to step directly into the refined drawing rooms of late eighteenth-century England. Painted in 1785 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status, intellect, and enduring masculine dignity. The subject gazes out with an unwavering directness that seems to challenge the viewer, inviting an…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $296 64 × 76 cm Order at original size →
      Mrs. Aaron Lopez and Her Son Jushua (1773) by Gilbert Stuart
      8

      Mrs. Aaron Lopez and Her Son Jushua

      1773 · Oil On Canvas · Detroit Institute of Arts, Detroit

      This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…

      Hand-painted oil reproduction from $178 28 × 35 cm
      George Washington (1795) by Gilbert Stuart
      9

      George Washington

      1795 · Oil · Metropolitan Museum of Art, New York

      A Vision of Command: The Portrait of George Washington George Washington stands before us not merely as a historical figure, but as an enduring symbol of dignity and resolute leadership. In this striking portrait, the first president of the United States is captured with a profound sense of presence that transcends the canvas. Clad in a formal suit featuring a crisp white collar and tie, his countenance is framed by…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $298 64 × 77 cm Order at original size →
      George Washington (1796) by Gilbert Stuart
      10

      George Washington

      1796 · Oil On Canvas · Sterling and Francine Clark Art Institute, Williamsburg

      To stand before a portrait of George Washington is not merely to observe a likeness; it is to encounter the very embodiment of a nascent nation's spirit. Gilbert Stuart, the master chronicler of America's founding fathers, captured more than just the features of the first President; he immortalized an epoch. This painting, dating from 1796, presents Washington with a dignity that transcends the passing years. The subject is rendered in…

      Hand-painted oil reproduction from $178 29 × 35 cm

      More Gilbert Stuart canvases, 11 to 100

      Henry Rice (1815) by Gilbert Stuart
      #11

      Henry Rice

      1815 · Metropolitan Museum of Art

      In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

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      George Washington (1795) by Gilbert Stuart
      #14

      George Washington

      1795 · Metropolitan Museum of Art

      Gilbert Stuart's “George Washington” is more than just a portrait; it’s an embodiment of the nascent American republic, a carefully constructed symbol of leadership and the promise of…

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      George Washington (1796) by Gilbert Stuart
      #16

      George Washington

      1796 · Museum of Fine Arts

      Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a likeness; it’s an embodiment of nascent American leadership and the very spirit of a nation forging its identity.…

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      Josiah Quincy (1824) by Gilbert Stuart
      #18

      Josiah Quincy

      1824 · Museum of Fine Arts

      Gilbert Stuart's portrait of Josiah Quincy, completed in 1824, is more than just a likeness; it’s a carefully constructed embodiment of the burgeoning intellectual and political landscape of…

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      John Adams (1800) by Gilbert Stuart
      #21

      John Adams

      1800 · National Gallery of Art

      Gilbert Stuart’s 1800 portrait of John Adams, currently residing in the National Gallery of Art in Washington D.C., is more than just a likeness; it's a carefully constructed…

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      George Washington (1796) by Gilbert Stuart
      #22

      George Washington

      1796 · The Frick Collection

      Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a portrait; it’s a carefully constructed embodiment of the nascent American republic. This remarkable work, now housed within the…

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      Fisher Ames (1807) by Gilbert Stuart
      #33

      Fisher Ames

      1807 · National Portrait Gallery

      Fisher Ames sits in a three-quarter view, his gaze meeting the viewer with a steady, somber composure. The portrait, executed around 1807, captures the subject in a moment…

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      John Jay (1784) by Gilbert Stuart
      #41

      John Jay

      1784 · National Portrait Gallery

      In this oil on canvas, Gilbert Stuart captures the likeness of John Jay, a prominent American statesman. The subject sits with a quiet, heavy presence, his form anchored…

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      William Hale (1794-1821) (1820) by Gilbert Stuart
      #49

      William Hale (1794-1821)

      1820 · Harvard Art Museums

      This formal oil portrait, executed in 1820, presents a bust-length depiction of a young man named William Hale. The subject is positioned slightly off-center, facing toward the viewer's…

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      Samuel Smith (1800) by Gilbert Stuart
      #52

      Samuel Smith

      1800 · National Portrait Gallery

      This oil on canvas portrait, titled Samuel Smith, was executed by the artist Gilbert Stuart around 1800. The subject of the painting is Samuel Smith, a man who…

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      John Adams (1826) by Gilbert Stuart
      #56

      John Adams

      1826 · Smithsonian American Art Museum

      The gaze of the second US President meets the viewer through this 1826 oil on canvas by Gilbert Stuart. In this portrait of John Adams, the subject appears…

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      John Ashley, Esq. (1798) by Gilbert Stuart
      #58

      John Ashley, Esq.

      1798 · Dallas Museum of Art

      The oil on canvas titled John Ashley, Esq. was painted by the American artist Gilbert Stuart. Created about 1798, the portrait captures the likeness of the gentleman John…

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      Henry Nicols (1810) by Gilbert Stuart
      #60

      Henry Nicols

      1810 · Carnegie Museum of Art

      This portrait depicts Henry Nicols, a single male figure presented in a bust-length composition. Created by the American artist Gilbert Stuart, the work is dated about 1810. The…

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      Washington Allston (1818) by Gilbert Stuart
      #61

      Washington Allston

      1818 · Metropolitan Museum of Art

      In this 1819 portrait, Gilbert Stuart turns his attention to Washington Allston. The sitter was a celebrated poet and philosopher, a man whose intellectual pursuits were as significant…

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      Dr. John Fothergill (1781) by Gilbert Stuart
      #66

      Dr. John Fothergill

      1781 · Pennsylvania Academy of Fine Arts

      In this portrait of Dr. John Fothergill, the subject meets our gaze with a calm, contemplative expression. He sits in a moment of quiet reflection, his presence filling…

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      John Park (1780) by Gilbert Stuart
      #67

      John Park

      1780 · Museum of Fine Arts

      The portrait of John Park by Gilbert Stuart is an oil on canvas work dated 1780. The composition features a gentleman positioned slightly off-center in a half-length view.…

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      Thomas Smith (1785) by Gilbert Stuart
      #69

      Thomas Smith

      1785 · Metropolitan Museum of Art

      In this 1785 portrait, Thomas Smith meets the viewer through the steady gaze of Gilbert Stuart. The subject appears as a gentleman of standing, his presence defined by…

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      John Jones of Frankley (1785) by Gilbert Stuart
      #70

      John Jones of Frankley

      1785 · Birmingham Museum of Art

      Gilbert Stuart painted this portrait of John Jones of Frankley in 1785. The subject is presented from the chest up, contained within an oval frame. The composition focuses…

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      George Heathcote (1785) by Gilbert Stuart
      #71

      George Heathcote

      1785 · Metropolitan Museum of Art

      This portrait depicts George Heathcote, an English merchant and philanthropist. The painting was executed by the artist Gilbert Stuart and dates to about 1785. The subject is presented…

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      John Philip Kemble (1785) by Gilbert Stuart
      #74

      John Philip Kemble

      1785 · National Portrait Gallery

      In this 1785 portrait, Gilbert Stuart captures John Philip Kemble, a prominent British actor of the late eighteenth century. The subject is presented with a quiet, composed dignity…

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      James Greenleaf (1795) by Gilbert Stuart
      #81

      James Greenleaf

      1795 · Pennsylvania Academy of Fine Arts

      In this portrait of James Greenleaf, Gilbert Stuart captures a man of significant standing from the late 18th century. Painted about 1795, the work presents Greenleaf as an…

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      Colonel James Swan (1795) by Gilbert Stuart
      #82

      Colonel James Swan

      1795 · Museum of Fine Arts

      The portrait of Colonel James Swan is a formal oil-on-canvas work by the American artist Gilbert Stuart. Painted in 1795, the image captures a single male figure of…

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      John Foster (1790) by Gilbert Stuart
      #88

      John Foster

      1790

      This formal portrait of John Foster was executed by the American artist Gilbert Stuart. Painted around 1790, the work captures a man of significant standing during a transformative…

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      Joseph Brant (1786) by Gilbert Stuart
      #89

      Joseph Brant

      1786

      Joseph Brant by Gilbert Stuart presents a formal portrait of the Mohawk leader, Thayendanegea. Painted about 1786, the work captures the subject in a bust-length view, facing slightly…

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      Henry Cruger (1793) by Gilbert Stuart
      #90

      Henry Cruger

      1793

      In this portrait, Henry Cruger sits before us, captured by the hand of the American artist Gilbert Stuart. The subject is a man of significant influence, an American-British…

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      Dr. William Aspinwall (1815) by Gilbert Stuart
      #92

      Dr. William Aspinwall

      1815 · The Nelson-Atkins Museum of Art

      Gilbert Stuart painted Dr. William Aspinwall around 1815. The subject, William Aspinwall, is presented in a formal bust-length composition. He is identified by his professional occupation as a…

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      Samuel Griffin (1800) by Gilbert Stuart
      #94

      Samuel Griffin

      1800 · Pennsylvania Academy of Fine Arts

      In this oil portrait, the American artist Gilbert Stuart captures Samuel Griffin, a man of significant influence in Virginia. Painted about 1800, the work presents a formal study…

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      Mrs. Samuel Blodget (1798) by Gilbert Stuart
      #96

      Mrs. Samuel Blodget

      1798 · Pennsylvania Academy of Fine Arts

      Created in 1798, Mrs. Samuel Blodget is a refined and elegant Neoclassical portrait of a young woman. This oval-shaped bust-length portrait, set within an ornate gold frame, captures…

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      Colonel John Nixon (1800) by Gilbert Stuart
      #98

      Colonel John Nixon

      1800 · Pennsylvania Academy of Fine Arts

      A three-quarter view bust portrait captures an older gentleman emerging from a dark, indistinct void. He faces toward the left, his presence defined by the soft textures of…

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      Abigail Willing (1803) by Gilbert Stuart
      #99

      Abigail Willing

      1803 · Pennsylvania Academy of Fine Arts

      The gaze of Abigail Willing Peters meets the viewer from within the frame of this portrait titled Abigail Willing. Painted by the American artist Gilbert Stuart, the work…

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      Gilbert Stuart's canvases, period by period

      What Gilbert Stuart painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Gilbert Stuart's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Gilbert Stuart Paintings from this list
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 15 William Porter Jr. (1788-1818), Fisher Ames (1758-1808), Joseph Coolidge (1747-1820)
      Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 11 Portrait of "Philadelphia Hannah", Dr. John Fothergill, James Greenleaf
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 26 George Washington, George Washington, Henry Rice
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 47 George Washington, Josiah Quincy, John Park
      National Gallery of Art, WashingtonNational Gallery of Art Washington 32 George Washington (8), George Washington (The Vaughan Portrait), John Adams
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 7 Fisher Ames, John Jay, Margaret Spear Smith
      National Trust, PlymouthNational Trust Plymouth 6 Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Admiral the Honourable Samuel Barrington (1729–1800)
      National Portrait Gallery, LondonNational Portrait Gallery London 10 George Washington (The Athenaeum Portrait), Martha Dandridge Custis Washington, George Washington (Lansdowne Portrait)

      Gilbert Stuart's best-loved canvas of each decade

      1. 1770s
        Mrs. Aaron Lopez and Her Son Jushua (1773) by Gilbert Stuart
        8 of 100

        Mrs. Aaron Lopez and Her Son Jushua

        Age 15 – 24 · Detroit Institute of Arts

        This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of…

      2. 1780s
        Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) by Gilbert Stuart
        Ranked 6 of 100

        Admiral Sir Charles Morice Pole (1757–1830), Bt

        Age 25 – 34 · National Trust

        To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American…

      3. 1790s
        George Washington (The Athenaeum Portrait) (1796) by Gilbert Stuart
        1 of 100

        George Washington (The Athenaeum Portrait)

        Age 35 – 44 · National Portrait Gallery

        To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment…

      4. 1800s
        George Washington (1732-1799), LL.D. 1781 (1800) by Gilbert Stuart
        Ranked 4 of 100

        George Washington (1732-1799), LL.D. 1781

        Age 45 – 54 · Yale University Art Gallery

        A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on…

      5. 1810s
        Henry Rice (1815) by Gilbert Stuart
        11 of 100

        Henry Rice

        Age 55 – 64 · Metropolitan Museum of Art

        In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

      6. 1820s
        George Washington (8) (1820) by Gilbert Stuart
        2 of 100

        George Washington (8)

        Age 65 – 73 · National Gallery of Art

        In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington…

      About Gilbert Stuart's canvases: your questions answered

      What is the best-known painting by Gilbert Stuart?Read the answer

      George Washington (The Athenaeum Portrait) (1796), National Portrait Gallery, London. George Washington (8) (1820) and George Washington (The Landsdowne Portrait) (1796) follow.

      What age was Gilbert Stuart when George Washington (The Athenaeum Portrait) was painted?Read the answer

      Gilbert Stuart, born in 1755, was 41 years old: George Washington (The Athenaeum Portrait) dates from 1796.

      What are the 10 most famous paintings by Gilbert Stuart?Read the answer

      George Washington (The Athenaeum Portrait), George Washington (8), George Washington (The Landsdowne Portrait), George Washington (1732-1799), LL.D. 1781, George Washington, Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Mrs. Aaron Lopez and Her Son Jushua, George Washington and George Washington. Each canvas in the ranking above comes with its year and its museum.

      How many works did Gilbert Stuart paint in all?Read the answer

      386 works by Gilbert Stuart are in our catalogue, dated 1773 to 1827.

      Where can I see Gilbert Stuart's most famous canvases?Read the answer

      Mostly in Harvard Art Museums (Cambridge), Pennsylvania Academy of Fine Arts (Philadelphia) and Metropolitan Museum of Art (New York); the list above names each museum and its canvases.

      When did Gilbert Stuart paint the best-loved canvases?Read the answer

      In 1790s, which gave 33 of the 100 works on this page, George Washington (The Athenaeum Portrait) among them.

      Which are Gilbert Stuart's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Mrs. Aaron Lopez and Her Son Jushua (1773); the latest is John Quincy Adams (1767-1848) (1827).

      What did Gilbert Stuart paint most often?Read the answer

      Man (57), Portrait (34) and White cravat (31), across the 100 works on this page.

      Which medium did Gilbert Stuart paint in most often?Read the answer

      Oil On Canvas, used in 79 of the 100 works on this page.

      Which movement is Gilbert Stuart's painting part of?Read the answer

      Neoclassicism, as the canvases on this page show.

      Which Gilbert Stuart canvases hang at the Harvard Art Museums?Read the answer

      The Harvard Art Museums, Cambridge holds 10 of the works on this page, among them William Porter Jr. (1788-1818), Fisher Ames (1758-1808) and Joseph Coolidge (1747-1820).

      Can I buy a reproduction of a Gilbert Stuart canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Gilbert Stuart: a life in paint

      Gilbert Stuart: A Life in Portraiture

      • Born: December 3, 1755, Saunderstown, Rhode Island
      • Died: July 9, 1828, Boston, Massachusetts
      • Nationality: American
      • Movement: Neoclassicism
      • Known for: Portraiture, particularly portraits of prominent figures in early American history.

      Early Life and Training

      • Gilbert Stuart was born into a family with Scottish roots; his father, also named Gilbert, was an inventor who established the first snuff mill in Rhode Island.
      • His artistic talent emerged at a young age, demonstrating skill even as a child.
      • At 14, he painted "Dr. Hunter's Spaniels," showcasing early promise.
      • He traveled to Scotland around 1771 to study under Cosmo Alexander, but returned after Alexander’s death in 1775.
      • Further training occurred in London with Benjamin West, a prominent American painter residing in England, from 1775 to 1780. This period was crucial for developing his artistic style and gaining recognition within the Royal Academy.

      Artistic Career and Major Works

      • Stuart's career faced challenges during the American Revolution, prompting him to relocate to England in 1775.
      • He achieved early success with "The Skater" (1782), a portrait that established his reputation.
      • His most famous work is the unfinished portrait of George Washington, known as the Athenaeum Portrait (begun in 1796). This image has become iconic, appearing on U.S. currency and postage stamps. Stuart produced numerous copies of this portrait for patrons across America and Europe.
      • He painted portraits of several other prominent figures including John Adams, Thomas Jefferson, James Madison, and many members of the Federalist elite.
      • Stuart’s style was characterized by a Neoclassical approach, emphasizing realism and capturing the likeness and character of his subjects. He often employed a dramatic use of light and shadow to enhance the portraits' impact.

      Influences and Development

      • Cosmo Alexander provided early training in technique and composition.
      • Benjamin West’s influence was significant, shaping Stuart’s understanding of portraiture and artistic principles.
      • The Neoclassical movement, with its emphasis on classical forms and ideals, heavily influenced his style.
      • Stuart's own observations and interactions with his subjects contributed to the psychological depth and realism in his portraits. He aimed to capture not just a likeness but also the character and personality of those he painted.

      Historical Significance and Legacy

      • Gilbert Stuart is considered one of America’s foremost portraitists, playing a vital role in documenting the early years of the United States.
      • The Athenaeum Portrait of George Washington has become an enduring symbol of American identity and leadership.
      • His portraits provide valuable historical insights into the lives and appearances of prominent figures from the late 18th and early 19th centuries.
      • Stuart’s work is represented in major museums across the United States and Europe, ensuring his legacy continues to be appreciated by generations.
      • He established a distinct American style of portraiture that blended European techniques with uniquely American sensibilities.