The best-loved painting by Henrik Plötz is Charles Bonnet, Swizz Naturalist and Philosopher (1785), which hangs in the Nationalmuseum, Stockholm. Portrait of Prince Willem George Frederik (1795) and Portrait of a woman (1800) come next among the canvases readers know best. Our catalogue holds 4 works by Henrik Plötz: here are the 4 most famous, each with its year, its museum and what makes it memorable.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Henrik Plötz | Paintings from this list |
|---|---|---|---|
| Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway | |
| Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Portrait of Prince Willem George Frederik (1795) and Portrait of a woman (1800) follow.
Henrik Plötz, born in 1747, was 38 years old: Charles Bonnet, Swizz Naturalist and Philosopher dates from 1785.
4 works by Henrik Plötz are in our catalogue, dated 1785 to 1800.
Mostly in Nationalmuseum (Stockholm) and Rijksmuseum (Amsterdam); the list above names each museum and its canvases.
The earliest canvas here is Charles Bonnet, Swizz Naturalist and Philosopher (1785); the latest is Portrait of a woman (1800).
The Nationalmuseum, Stockholm holds 2 of the works on this page, among them Charles Bonnet, Swizz Naturalist and Philosopher and King Khristian VII of Denmark and Norway.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.