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      Jerónimo Cosida, 1510 – 1592

      Jerónimo Cosida's 3 Most Famous Paintings

      Blessed Bridget (1550) is the painting Jerónimo Cosida is best remembered for; it belongs to the University of Navarra Museum, Pamplona. The birth of John the Baptist (1578) and Noli Me Tangere (1570) complete the trio of best-loved canvases. Our catalogue counts 3 works by Jerónimo Cosida. Here are the 3 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Jerónimo Cosida
      Jerónimo Cosida · 1510 – 1592
      Born · died
      1510 – 1592, Zaragoza
      Works in our catalogue
      3
      Most famous
      Blessed Bridget (1550)
      Most works at
      University of Navarra Museum

      The ten best-loved paintings by Jerónimo Cosida

      Noli Me Tangere (1570) by Jerónimo Cosida
      3

      Noli Me Tangere

      1570 · Oil On Panel · Museo del Prado, Madrid

      The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment of spiritual encounter. The painting presents a biblical episode that many interpret as the Resurrection, specifically the moment Jesus meets Mary Magdalene. There is a palpable tension in the air as the figures interact within this sacred narrative.

      Hand-painted oil reproduction from $253 27 × 37 cm Same size as the original $310 47 × 61 cm Order at original size →

      Where Jerónimo Cosida's canvases hang

      The 3 museums that hold the most of the paintings on this page.

      Museum City Works by Jerónimo Cosida Paintings from this list
      University of Navarra Museum, PamplonaUniversity of Navarra Museum Pamplona 1 Blessed Bridget
      Saragossa Museum, ZaragozaSaragossa Museum Zaragoza 1 The birth of John the Baptist
      Museo del Prado, MadridMuseo del Prado Madrid 1 Noli Me Tangere

      Jerónimo Cosida's most famous canvases, one year after another

      29 years of Jerónimo Cosida's light and colour, 1550 to 1578: the most famous canvases of each year, one after another.

      1. 1550
      2. 1570
        Noli Me Tangere (1570) by Jerónimo Cosida
        Ranked 3 of 3

        Noli Me Tangere

        Age 60 · Museo del Prado

        The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment…

      3. 1578

      Jerónimo Cosida's canvases, question by question

      Which canvas is Jerónimo Cosida most remembered for?Read the answer

      Blessed Bridget (1550), University of Navarra Museum, Pamplona. The birth of John the Baptist (1578) and Noli Me Tangere (1570) follow.

      Blessed Bridget: how old was Jerónimo Cosida when it was painted?Read the answer

      Jerónimo Cosida, born in 1510, was 40 years old: Blessed Bridget dates from 1550.

      How many paintings did Jerónimo Cosida create?Read the answer

      3 works by Jerónimo Cosida are in our catalogue, dated 1550 to 1578.

      Where do Jerónimo Cosida's most famous canvases hang today?Read the answer

      Mostly in University of Navarra Museum (Pamplona), Saragossa Museum (Zaragoza) and Museo del Prado (Madrid); the list above names each museum and its canvases.

      Which famous Jerónimo Cosida canvas came first, and which came last?Read the answer

      The earliest canvas here is Blessed Bridget (1550); the latest is The birth of John the Baptist (1578).

      Where can I buy a reproduction of a Jerónimo Cosida painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Jerónimo Cosida

      The Renaissance Master of Aragon

      In the golden era of the Spanish Renaissance, few figures commanded as much versatility and devotion as Jerónimo Vicente Vallejo Cósida. Born into a noble family around 1510, Cósida was far more than a mere painter; he was a true polymath of the sixteenth century, weaving his creative spirit through the disciplines of sculpture, goldsmithing, and architecture. His life, spanning nearly sixty years of tireless artistic production, was deeply rooted in the province of Zaragoza, where he became a cornerstone of the Aragonese Renaissance. As an artist who never traveled to Italy, his mastery was not born of direct pilgrimage to the heart of the Renaissance, but rather through a profound ability to absorb and translate the most sophisticated European currents into a uniquely Spanish vernacular.

      The evolution of Cósida’s hand is a journey from the meticulous precision of his early training to the sweeping, emotive grandeur of Mannerism. Having studied in Valencia under the guidance of Vicente Masip, he began his career with a focus on the intricate details of altarpieces and mural paintings. His early works, such as the Altarpiece of San Juan Bautista for the Tarazona Cathedral, reveal a craftsman obsessed with the delicate nuances of form. As his career matured, Cósida became a pioneer of innovation in Aragon, working alongside the Italian master Tomás Peliguet to introduce a new level of sophistication to the region's sacred art. His style eventually blossomed into a sophisticated Mannerism, where he drew inspiration from the divine grace of Raphael and the subtle, atmospheric shadows of Leonardo da Vinci.

      A Legacy of Devotion and Detail

      To gaze upon a work by Cósida is to witness a profound dialogue between technical rigor and spiritual elegance. He possessed an extraordinary capacity for detail, particularly in his treatment of the feminine figure and the delicate textures of drapery. His compositions were often elaborate, utilizing complex spatial arrangements that guided the viewer's eye through sacred narratives with a sense of rhythmic grace. This meticulousness was not merely decorative; it served to elevate the theological weight of his subjects, making the divine feel tangibly present within the earthly realm.

      His professional life was marked by significant patronage and monumental achievements that left an indelible mark on Spanish ecclesiastical history:

      • Artistic Stewardship: Serving as the artistic adviser to Hernando de Aragón, the Archbishop of Zaragoza, Cósida secured a position of immense influence, allowing him to maintain a prolific workshop and decorate the most prestigious local cathedrals.
      • Mastery of the Altarpiece: He is credited with decorating over twenty-five altarpieces, works that served as the visual and spiritual focal points for countless communities, even though many have been lost to the passage of time.
      • Stylistic Synthesis: His ability to blend the linear precision of Albrecht Dürer with the soft, idealized beauty of the Italian masters created a unique aesthetic that defined an era in Spanish art.
      • Enduring Works: Notable surviving pieces, such as the Birth of St. John the Baptist altarpiece from the Charterhouse of Aula Dei, stand as testaments to his ability to capture profound emotion through stylized canons and luminous color palettes.

      Though much of his physical output has been dispersed or destroyed, the historical significance of Jerónimo Cosida remains unshakeable. He was a bridge between eras, a man who took the burgeoning influences of the High Renaissance and anchored them firmly in the soil of Spain. Through his work, the elegance of gesture, the intricacy of detail, and the majesty of sacred composition found a permanent home in the heart of Aragon, ensuring that his name would forever be linked to the dawn of Spanish modern painting.