1
Moses in the Bulrushes
Hand-painted oil reproduction from $178 38 × 26 cm
Same size as the original $240 66 × 46 cm Order at original size →
John Ames Mitchell, 1845 – 1918
John Ames Mitchell's 1 Most Famous Paintings
Moses in the Bulrushes (1880) is the painting John Ames Mitchell is best remembered for; it belongs to the Museum of Fine Arts, Boston. Our catalogue counts 1 works by John Ames Mitchell. Here are the 1 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
- Born · died
- 1845 – 1918, New York City
- Works in our catalogue
- 1
- Most famous
- Moses in the Bulrushes (1880)
- Most works at
- Museum of Fine Arts
The ten best-loved paintings by John Ames Mitchell
Where John Ames Mitchell's canvases hang
The museum that holds the most of the paintings on this page.
| Museum | City | Works by John Ames Mitchell | Paintings from this list |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 1 | Moses in the Bulrushes |
John Ames Mitchell's most famous canvases, one year after another
The dated canvases of John Ames Mitchell on this page all belong to 1880: here they are, in order of fame.
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1880
1 of 1Moses in the Bulrushes
John Ames Mitchell's canvases, question by question
Which canvas is John Ames Mitchell most remembered for?Read the answer
Moses in the Bulrushes (1880).
Moses in the Bulrushes: how old was John Ames Mitchell when it was painted?Read the answer
John Ames Mitchell, born in 1845, was 35 years old: Moses in the Bulrushes dates from 1880.
How many paintings did John Ames Mitchell create?Read the answer
1 works by John Ames Mitchell are in our catalogue.
Where do John Ames Mitchell's most famous canvases hang today?Read the answer
Mostly in Museum of Fine Arts (Boston); the list above names each museum and its canvases.
Where can I buy a reproduction of a John Ames Mitchell painting?Read the answer
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Meet the painter: John Ames Mitchell
A Life of Many Forms
John Ames Mitchell was a man of many different pursuits, moving between the worlds of architecture, literature, and publishing with a quiet, steady purpose. Born in New York City on January 17, 1845, he was shaped by a diverse education, attending Harvard University before traveling to Paris to study at the École nationale supérieure des Beaux-Arts. This training in the classical traditions of France informed his eye for design, whether he was sketching a building or a magazine masthead. In 1875, he applied his architectural training to the design of the Unity Church of North Easton, a project commissioned by his uncle, Oliver Ames Jr.
His interests were never confined to a single discipline. He was a novelist who explored speculative themes, such as in his 1889 book The Last American, which imagined a Persian admiral rediscovering America in the distant year 2951. He also wrote Amos Judd in 1895, a story that later became the basis for a silent film. This ability to build worlds through both ink and structure defined his character, making him a man who could inhabit the mind of a storyteller and the precision of a designer simultaneously.
The Birth of Life
In 1883, Mitchell took a significant risk by co-founding Life magazine alongside Andrew Miller. He used a $10,000 inheritance to launch the publication, driven by a desire to see his own drawings reproduced through the then-new zinc-coated plate printing process. He was not merely the financier; he was a contributing artist who helped shape the magazine's visual identity. He drew the very first nameplate for the magazine, featuring cupids, and later designed a masthead depicting a knight leveling a lance at a fleeing devil.
Under his leadership, the magazine became a platform for a new generation of talent. He had a keen eye for potential, encouraging many illustrators and writers who would go on to define the era. His magazine was different from its competitors, often taking on social and political issues with a warm-hearted, if sometimes impulsive, approach. He was a man of conviction, using his platform to advocate for causes he believed in, such as sanitation and the protection of animals from vivisection.
A Legacy of Service and Change
Beyond the printed page, Mitchell sought to make a tangible difference in the lives of others. He co-founded the Fresh Air Fund alongside Horace Greeley, an initiative that allowed city children to escape the crowded streets for the fresh air of camps in Ridgefield, Connecticut. This connection to the land remained a constant in his life, as he eventually made Ridgefield his home.
The magazine he helped build eventually changed hands, but its origins remained tied to his vision. The headquarters of his Life was located in a building that now serves as the Herald Square Hotel in New York, a gift from Charles Dana Gibson. Mitchell passed away in Ridgefield, Connecticut, on June 29, 1918. He left behind a body of work that spanned the structural, the literary, and the visual, reflecting a life spent constantly reshaping the world around him.