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      John Mare, 1739 – 1803

      John Mare's 3 Most Famous Paintings

      Dr. Benjamin Youngs Prime (1733-1791) (1774) is the painting John Mare is best remembered for; it belongs to the New York Historical Society, New York City. John Keteltas (1739-1766) (1767) and Jeremiah Platt (1767) complete the trio of best-loved canvases. Our catalogue counts 3 works by John Mare. Here are the 3 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of John Mare
      John Mare · 1739 – 1803
      Born · died
      1739 – 1803, New York City
      Works in our catalogue
      3
      Most famous
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Most works at
      New York Historical Society

      The ten best-loved paintings by John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) by John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York City

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Hand-painted oil reproduction from $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) by John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York City

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Hand-painted oil reproduction from $178 29 × 35 cm
      Jeremiah Platt (1767) by John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $513 98 × 123 cm Order at original size →

      What John Mare painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where John Mare's canvases hang

      The 2 museums that hold the most of the paintings on this page.

      Museum City Works by John Mare Paintings from this list
      New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

      John Mare's most famous canvases, one year after another

      Roughly a decade at the easel, 1767 to 1774: John Mare's dated canvases, one year after another.

      1. 1767
        John Keteltas (1739-1766) (1767) by John Mare
        2 of 3

        John Keteltas (1739-1766)

        Age 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) by John Mare
        Canvas 3 of 3

        Jeremiah Platt

        Age 28 · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) by John Mare
        Canvas 1 of 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Age 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Mare's canvases, question by question

      Which canvas is John Mare most remembered for?Read the answer

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. John Keteltas (1739-1766) (1767) and Jeremiah Platt (1767) follow.

      Dr. Benjamin Youngs Prime (1733-1791): how old was John Mare when it was painted?Read the answer

      John Mare, born in 1739, was 35 years old: Dr. Benjamin Youngs Prime (1733-1791) dates from 1774.

      How many paintings did John Mare create?Read the answer

      3 works by John Mare are in our catalogue, dated 1767 to 1774.

      Where do John Mare's most famous canvases hang today?Read the answer

      Mostly in New York Historical Society (New York City) and Metropolitan Museum of Art (New York); the list above names each museum and its canvases.

      When did John Mare paint the most famous canvases?Read the answer

      In 1767, which gave 2 of the 3 works on this page, John Keteltas (1739-1766) among them.

      Which famous John Mare canvas came first, and which came last?Read the answer

      The earliest canvas here is John Keteltas (1739-1766) (1767); the latest is Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Which subjects did John Mare paint most?Read the answer

      Man (2), Wig (2) and Cravat (2), across the 3 works on this page.

      Which paintings by John Mare are held by the New York Historical Society?Read the answer

      The New York Historical Society, New York City holds 2 of the works on this page, among them Dr. Benjamin Youngs Prime (1733-1791) and John Keteltas (1739-1766).

      Where can I buy a reproduction of a John Mare painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.