Exhumation (1917) is the painting Jos Postmes is best remembered for; it belongs to the Bonnefanten Museum, Maastricht. Our catalogue counts 2 works by Jos Postmes. Here are the 2 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Jos Postmes | Paintings from this list |
|---|---|---|---|
| Maastricht | 2 | Exhumation, Boy's Head |
The dated canvases of Jos Postmes on this page all belong to 1917: here they are, in order of fame.
Exhumation (1917).
Jos Postmes, born in 1896, was 21 years old: Exhumation dates from 1917.
2 works by Jos Postmes are in our catalogue.
Mostly in Bonnefanten Museum (Maastricht); the list above names each museum and its canvases.
In 1917, which gave 2 of the 2 works on this page, Exhumation among them.
The Bonnefanten Museum, Maastricht holds 2 of the works on this page, among them Exhumation and Boy's Head.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Jos Postmes lived a life closely tied to the streets and classrooms of Maastricht. Born in 1896, his hands were rarely still, moving between the precision of a draftsperson and the fluid touch of a painter. He spent his early years learning under Rob Graafland at the Stadsteekeninstituut, a time when the weight of a pencil and the texture of paper were becoming his primary language. His path led him from the local Sunday School for Decorative Arts to the Rijksacademie voor Beeldende Kunsten in Amsterdam, where he studied alongside Han Jelinger, Henri Jonas, and Jos Narinx. Under the guidance of Antoon Derkinderen, his technical foundations were laid, shaping a way of seeing that would define his later years.
His work was not confined to a single medium. He moved through the world as a painter, textile artist, draftsperson, graphic artist, lithographer, and etcher. This versatility allowed him to touch many different parts of the visual landscape in the Netherlands.
By 1925, Postmes had earned his qualification for industrial education, a step that allowed him to teach drawing to students in both lower and middle-level vocational schools. He was not merely a creator of images but a builder of skills. In 1927, he took on the role of director at the Middelbare Kunstnijverheidsschool in Maastricht. His presence in the city was felt through his commitment to making Maastricht a center for art and science, a goal that drove his professional life until his death in 1934.
His output left behind specific traces in the local landscape and collections:
The years between 1911 and 1934 saw a steady accumulation of technical mastery and institutional influence. He worked in Maastricht and spent time in Amsterdam between 1916 and 1918, always maintaining a connection to the Dutch landscape. His life was cut short in Maastricht, leaving behind a legacy that was documented in later years by researchers looking into his role as a promoter of art education. He remains a figure of the Maastricht art scene, a man who saw the importance of both the finished work and the hands that learn to make it.