Ponte Molle in Rome with View of St. Peter's Dome is the painting Moritz Erdmann is best remembered for; it belongs to the Bavarian State Painting Collections, Munich. Our catalogue counts 1 works by Moritz Erdmann. Here are the 1 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Moritz Erdmann | Paintings from this list |
|---|---|---|---|
| Munich | 1 | Ponte Molle in Rome with View of St. Peter's Dome |
Ponte Molle in Rome with View of St. Peter's Dome.
1 works by Moritz Erdmann are in our catalogue.
Mostly in Bavarian State Painting Collections (Munich); the list above names each museum and its canvases.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Moritz Erdmann was a German landscape painter, etcher, draftsman, and gouache artist. Born in Arneburg, Germany, he pursued his artistic education at the Berlin Academy, where he studied under the landscape and marine painter Hermann Eschke. His career was defined by extensive travels across Europe and beyond, including studies in Thuringia, the Harz, Schleswig, Holland, and Sweden.
A significant portion of his life was spent exploring Italy, with notable stays in Rome during 1874 and 1875, as well as in 1873 and 1875. His wanderings also took him to Spain and the Orient. In his later years, he resided in Pasing, near Munich, until his death in 1919.
Erdmann's landscapes are characterized by a poetic, somewhat melancholy conception and a deep, powerful use of color. His body of work includes various subjects ranging from biblical scenes to specific geographical landmarks. His exhibitions were frequent, appearing in the Berlin Academy from 1870 to 1892, and later at the Great Berlin Art Exhibitions and the Munich Glaspalast.
His documented works and subjects include: