1
Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg
Hand-painted oil reproduction from $328 35 × 28 cm
Same size as the original $381 58 × 47 cm Order at original size →
Th. Wegener, 1817 – 1877
The 2 Most Famous Th. Wegener Paintings, Ranked
The best-loved painting by Th. Wegener is Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838), which hangs in the Statens Museum For Kunst, Copenhagen. Our catalogue holds 2 works by Th. Wegener: here are the 2 most famous, each with its year, its museum and what makes it memorable.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
- Born · died
- 1817 – 1877, Roskilde
- Works in our catalogue
- 2
- Most famous
- Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838)
- Most works at
- Statens Museum For Kunst
Top 10 Th. Wegener paintings: the canvases everyone knows
2
Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru
Hand-painted oil reproduction from $178 28 × 36 cm
Where Th. Wegener's canvases hang
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Th. Wegener | Paintings from this list |
|---|---|---|---|
 Statens Museum For Kunst |
Copenhagen | 2 | Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg, Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru |
Th. Wegener's best-loved canvases, year by year
Th. Wegener at the easel over 17 years, 1838 to 1854: the best-loved canvases of each year, in order.
About Th. Wegener's canvases: your questions answered
What is the best-known painting by Th. Wegener?Read the answer
Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838).
What age was Th. Wegener when Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg was painted?Read the answer
Th. Wegener, born in 1817, was 21 years old: Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg dates from 1838.
How many works did Th. Wegener paint in all?Read the answer
2 works by Th. Wegener are in our catalogue, dated 1838 to 1854.
Where can I see Th. Wegener's most famous canvases?Read the answer
Mostly in Statens Museum For Kunst (Copenhagen); the list above names each museum and its canvases.
Which are Th. Wegener's earliest and latest famous canvases?Read the answer
The earliest canvas here is Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838); the latest is Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru (1854).
Which Th. Wegener canvases hang at the Statens Museum For Kunst?Read the answer
The Statens Museum For Kunst, Copenhagen holds 2 of the works on this page, among them Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg and Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru.
Can I buy a reproduction of a Th. Wegener canvas?Read the answer
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Th. Wegener: a life in paint
Early Life, Family and Training
In the quiet town of Roskilde, Denmark, the story of Th. Wegener began in 1817. He was born into a family where intellect and faith held a steady presence, being the son of the theologian Jens Ernst Wegener and his wife, Birgitte, who was born Bindesbøll. This domestic foundation provided the early backdrop for a life that would eventually be defined by the brush and the canvas rather than the pulpit.
The young man’s path toward the arts was shaped by the guidance of Jon Gulsen Berg, a painter who held the prestigious position of Danish court painter. Under such tutelage, the inclinations of Th. Wegener found their first formal expression. This early mentorship prepared him for the rigorous discipline required at the Royal Danish Academy of Fine Arts in Copenhagen. It was within these academy walls that his technical skills were forged, transforming a natural talent into a disciplined craft.
His early years were marked by this steady progression from a student under a master to a formal scholar of the arts. He moved through the halls of the Academy with a growing sense of purpose, absorbing the traditions of his homeland. This period of study was not merely about learning technique, but about finding his place within the long lineage of Danish painters. By the time he completed his formal education, the foundations of his future career were firmly established.
Professional Training and Career in Germany
In 1839, Wegener sought to expand his horizons beyond the familiar halls of the Royal Danish Academy of Fine Arts. He traveled to Germany, driven by a desire to master the craft of decorative painting. This period of his life was defined by practical labor and the disciplined study of ornamentation. He spent several years working in this capacity, honing his technical skills through the application of color and pattern to various surfaces.
This time spent in Germany provided him with a steady hand and a deep understanding of composition. When he eventually returned to his homeland, his artistic focus had shifted toward more complex narratives. He began to specialize in the depiction of biblical and historical scenes, using his training to bring ancient stories to life on canvas. His brushwork sought to capture the weight of history through clear color and a direct, legible style of storytelling.
Beyond these grand historical subjects, Wegener’s interests remained broad. He turned his attention to the quiet beauty of landscapes and the everyday charm of genre pieces. These works allowed him to explore the natural world and the simple movements of daily life, complementing the more formal compositions of his historical studies. His ability to move between the sacred themes of scripture and the earthly realities of landscape and genre made him a versatile presence in the Danish art scene.